Hans Richter Prints and Multiples

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

This vibrant abstract orange and green print is part of a group of soft-ground etchings (Artist and Model, Artist and Model (in green and yellow), These…Plants) by Howard Hodgkin. The two versions of Artist and Model are printed from the same plates, but in different colors. In this iteration, green watercolor contrasts beautifully with marigold orange, crimson, and terra cotta red. Seen in all three prints is a bust in silhouette before a window. Artist and Model is a surprising name, as Hodgkin never painted or drew from a model. Signed by the artist with initials, dated 1980, and numbered lower center in red crayon. Soft-ground etching with hand coloring in a yellow watercolor wash and green gouache on Stoneridge mould-made etching paper. Edition 100. Howard Hodgkin was introduced to the etching technique used in Artist and Model (in green and yellow) at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Catalogue reference: Elizabeth Knowles...

Abstract black, white and tan print of interior scene with dots, lines, shadow and painted brushstroke texture. Ideal for display in minimalist, modern and contemporary spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is painterly, expressionist, and abstract. Late Afternoon in the Museum of Modern Art by Howard Hodgkin. Soft-ground etching on buff BFK Rives mould-made paper. Edition 100: this impression 36/100. Signed by the artist, numbered 36/100, and dated 79 lower center in red crayon. Printed from the same plate as Early Evening in the Museum of Modern Art. Published by Petersburg Press. This print depicts an abstracted scene, perhaps a sculpture in front of a window in the Museum of Modern Art, Oxford, in Hodgkin's signature painterly style. The expressive mark-making in this print is an example of the artist’s movement in the late 70s towards pronounced gestures. Hodgkin used his hand as a mark-making tool, combining these textures with loose and urgent brushwork. Howard Hodgkin was introduced to the etching technique used in Late Afternoon in the Museum of Modern Art at Petersburg Press, where this print was produced and where he would become a long-time collaborator. This technique allowed him to work fluidly and spontaneously, creating the moody interior scenes that mark Hodgkin’s work from the late 70s and early 80s. Part of a series of four prints reflecting on a visit to the Museum...

Alexander Calder (American, 1898-1976), 'Albi', 1969 Lithograph in colors Pencil signed lower right Edition 94/100 Sheet: 35.25 x 25 inches In a vintage acrylic box...

Artist Commentary: After a long, dark and cold Vermont winter, the longing for summer is strong. We dream of the first bloom of the bleeding hearts and the scent of peonies. Sometim...

Zao Wou-ki - Moments - Original Aquatint Edition of 130 Dimensions: 34.2 x 30.5 cm Vellum paper BFK Rives 1996 Bibliography: Jørgen Ågerup, Zao Wou-Ki: The Graphic Work, A Catalogue ...

Magnificent Jungle Cats Etching, drypoint and monoprint inking of the plate Printed by the artist at Atelier 17, New York Annotated 1/5 in pencil Estate stamp and number, verso Editi...

Tipped in color plate produced in 1962 for a rare official Lucio Fontana artist monograph published by famed art book publisher Harry N. Abrams, Inc. (not included), during the artis...

Vivid color aquatint with hand coloring in watercolor by Howard Hodgkin, from a limited edition of 50. Initialed by Hodgkin, dated and numbered in pencil. Printed by Andrew's Print...

Nick Thomm CHROMATIC - 4 Print Set (XL SIZE 36" x 48" PER PRINT). Limited Edition #43 of 50. Hand Signed & Numbered. Archival Pigment Print on Hahnemühle 308gsm Fine Art Paper. ...

Joan Miró, Le Prophète La Nuit (The Prophet at Night), 1965 is a striking and poetic example of the artist’s extraordinary ability to create an entire visual universe from the simple...

Yaacov Agam (b. 1928) Magic Rainbow II, late 20th century Screenprint in colors on wove paper LXIII/XC (edition 63/90) Signed and numbered in pencil along lower edge 13 x 15...

Trees (Trees in Circle) Etching & drypoint with monotype inking, 1953-1955 Signed in pencil An unrecorded trial proof, printed on heavy wove proofing paper at Atelier 17, before the ...

Ancient Landscape II (Ancient City) Etching and drypoint, 1953-1955 Signed and titled in pencil by the artist; (see photo) Annotated: "E130 A/1" in pencil lower right Estate stamp v...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...