Harrach Glassworks Serveware, Ceramics, Silver and Glass

A large rare early Victorian Harrach Glatt Iris vase made for Lobmeyr by Harrach, With an iridised petrol finish and black and white stylised enamelling. The Glatt iris range was the...

A rare early Victorian Harrach scent bottle and stopper in ruby red cased with opaque white, both the body and stopper are cut to red leaving decorative opaque white panels which are...

A vibrant Art Nouveau purple graduating to cream/ivory pair of deceptively heavy vases by Harrach decorated with raised gilding depicting blossoming branches - probably Prunus. Shape...

Mixed‑media molded glass bowl with frosted/etched floral relie, enamel accents emphasizing the pistils for added visual richness. Dimensions: Height: 10 cm, Diameter: 18 cm Rare neoc...

Fabulous Harrach vase in the classic Victorian style with their signature winged applications. The Vase is enamelled and gilded with a cute bird on snowy ...

A vibrant Art Nouveau purple to clear intaglio cut Harrach vase with rare shaped 'cut-out' top outlining the higher buds. Depicting Flowering Lilies highlighted with gilding. This style of intaglio cut vase (with cut-out top) was taken by Harrach to the 1900 Paris exhibition. Very unusually this vase has stylised geometric cuts radiating from the base. Harrach has been the backbone of Bohemian, and possibly European, glass for the last 300 years. It proudly celebrates its tri-centenary in 2012. Before Ludwig Moser was allowed to have his own Glassworks he, like almost everyone else in the region, bought his blanks from Harrach. In fact we will probably never know how much glass, supposedly made my other great glass makers of Europe, were in fact made and finished in the Harrach Glassworks. We do know that vast ranges of Legras was made by Harrach, probably under licence and possibly the majority of the glass we think of as Fratelli Tosso...

Unusual example of an olive green two handled enamelled vase by Harrach, depicting two classical figures: one a bearded warrior and the other a older woman, both in white over orange. The vase is additionally finely enamel decorated around the top and on the back with stylised patterns. The two handles are hot applied. Harrach has been the backbone of Bohemian, and possibly European, glass for the last 300 years. It proudly celebrated its tri-centenary in 2012. Before Ludwig Moser was allowed to have his own Glassworks he, like almost everyone else in the region, bought his blanks from Harrach. In fact we will probably never know how much glass, supposedly made my other great glass makers of Europe, were in fact made and finished in the Harrach Glassworks including Emile Galle. We do know that vast ranges of Legras was made by Harrach, probably under licence and possibly the majority of the glass we think of as Fratelli Tosso...

A vibrant pair of Air Trap, purple graduating to cream/ivory, pair of deceptively heavy vases by Harrach decorated with raised gilding depicting blossoming branches - probably Prunus...

Very unusual white cased over vibrant red Harrach enamelled and gilded serving dish or small tray shaped like a Scallop shell. Enamelled and gilded with fine branches and birds. The ...

A vibrant Art Nouveau orange/pink over clear Harrach cameo vase. Depicting flowers highlighted with gilding. This style of Cameo was taken by Harrach to the 1900 Paris exhibition. Their stylized cameo technique employed an icicle effect -visible just below the orange band in most of the pictures. Harrach has been the backbone of Bohemian, and possibly European, glass for the last 300 years. It proudly celebrates its tri-centenary in 2012. Before Ludwig Moser was allowed to have his own Glassworks he, like almost everyone else in the region, bought his blanks from Harrach. In fact we will probably never know how much glass, supposedly made my other great glass makers of Europe, were in fact made and finished in the Harrach Glassworks. We do know that vast ranges of Legras was made by Harrach, probably under licence and possibly the majority of the glass we think of as Fratelli Tosso...

A cute Art Nouveau opaque white over vivid green Harrach small bottle shaped cameo and enamel vase. Depicting polychrome enamel flowers. The enamelling is finely displayed on the flo...

A rare Victorian Harrach Gilded Ivory coloured glass Jug in the classic shape of a claret jug later this was more-commonly made in porcelain (in factories like Royal Worcester) this is made in glass and has the shape and pattern codes to it's base corresponding to Hararch (see last but one picture) it is decorated in gilding with a leaf and branch pattern to the body and a fluted gilded handle -a very rare piece of glass Harrach has been the backbone of Bohemian, and possibly European, glass for the last 300 years. It proudly celebrates its tri-centenary in 2012. Before Ludwig Moser was allowed to have his own Glassworks he, like almost everyone else in the region, bought his blanks from Harrach. In fact we will probably never know how much glass, supposedly made my other great glass makers of Europe, were in fact made and finished in the Harrach Glassworks. We do know that vast ranges of Legras was made by Harrach, probably under licence and possibly the majority of the glass we think of as Fratelli Tosso...

A rare early Victorian Harrach cameo vase in blue, cased on both sides with opaque white, and cut to blue on the outside to reveal a stylised decoration and a floral/botanical scene -highlighted in gilding. Generally Cameos were considered to have been invented by the Romans and then recreated by the British in the last quarter of the 19th century. The reality is Cameos were being produced in Bohemian much earlier than that -this Harrach vases...

Unusual enamelled and gilded Victorian Harrach Potpurri holder with original white metal feet and collar with detachable pierced lid and separate two part inner filter made c1890. With an opaque cream base, it is enamelled with green gilded bands and floral decoration. The container inner lid allows the contents to be closed off, partly closed off or left fully open, ensuring the fragrance is released into the room when only when desired. Harrach has been the backbone of Bohemian, and possibly European, glass for the last 300 years. It proudly celebrates its tri-centenary in 2012. Before Ludwig Moser was allowed to have his own Glassworks he, like almost everyone else in the region, bought his blanks from Harrach. In fact we will probably never know how much glass, supposedly made my other great glass makers of Europe, were in fact made and finished in the Harrach Glassworks. We do know that vast ranges of Legras was made by Harrach, probably under licence and possibly the majority of the glass we think of as Fratelli Tosso...