Haywood Magee Photography

Vintage portrait of Monica Vitti is a vintage black and white photo realized in 1970s by Agenzia ANSA. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in ...

Each Cabinet Card is unique, and the image above details the front and back of the card. A handmade display stand made by the artist is also available for $100 – please inquire if in...

Vintage b/w photograph realized by David Macey in 1990s. Copyright and provenance: Playboy. Excellent condition.

Vintage Portrait of Monica Vitti is a vintage B/w photo realized by Agenzia ANSA in 1970s. Signs of humidity on top left, otherwise good condition. Monica Vitti is born in Rome on...

Each Cabinet Card is unique, and the image above details the front and back of the card. A handmade display stand made by the artist is also available for $100 – please inquire if in...

Gelatin silver print, realized in the early 1970s. A striking vintage press photograph depicting Liza Minnelli in a glamorous close-up portrait, captured during the period when she ...

Vintage Portait of Monica Vitti and Claudia Cardinale is a vintage b/w photograph realized by Agenzia ANSA. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

Audrey - Signed limited edition archival pigment print , Edition 2 of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free a...

Portrait of Monica Vitti is a vintage b/w photograph realized by Agenzia ANSA in 1970s. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Aca...

Italy-Iran Politicians Meetingis an original Balck and white photograph realized by an Anonymous photographer. With the stamp of "Associated Press" on the rear. Good conditions. The photo is capture while Mohammad Reza shah...

Monica Vitti and Franco Carraro is a vintage black and white photograph realized by Agenzia Giornalistica Italia S.p.A in the 1980s. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

Vintage Portrait of Monica Vitti along with Tony Curtis is a vintage b/w photograph realized by Agenzia ANSA in 1960s. Good condition. Monica Vitti is born in Rome on November 3, 19...