ANSA

Vintage Portrait of Monica Vitti - Vintage B/W photo by ANSA - 1970s

1970s

Raoul Salan is a vintage black and white photograph realized in the 1960s. Good conditions.

Madonna and child is an b/w photograph realized in the early 20th Century. Good conditions.

Portrait of Raoul Salan is a vintage black and white photograph realized in the 1950s. Good conditions.

Sylva Koscina - Vintage Photo is a vintage black and white photograph realized in the 1970s. Good conditions. Sylva Koscina is considered one of the be...

Vintage Photo. A scene from the movie "The Devil's Eye" by Ingmar Bergman, 1960.

Monica Vitti and Franco Carraro is a vintage black and white photograph realized by Agenzia Giornalistica Italia S.p.A in the 1980s. Good condition. Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...

This photo was taken on April 1996 in Rajasthan, India Edition of 10 Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polaroid T55 Negative BW and printed w...

This photo was taken on April 1996 in Rajasthan, India and printed on December 2011 Edition of 10 - Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polar...

This photo was taken on April 1996 in Rajasthan, India Edition of 10 Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polaroid T55 Negative BW and printed w...

This photo was taken on April 1996 in Rajasthan and it printed in the Edition of 10 on Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polaroid T55 Nega...

This photo was taken on April 1996 in Rajasthan, India and printed on December 2011 Edition of 10 - Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polar...

This photo was taken on April 1996 in Rajasthan and it printed in the Edition of 10 on Hahnemühle Photo Rag 308 paper - 50x64 Epson Ultra Chrome K3 inks. From a Polaroid T55 Nega...