Helen Hafer Paintings

Oil on canvas

This painting was owned by Comte Robert de Montesquiou (1855–1921), Paris Literature: Jane Roberts, Jacques-Émile Blanche (2012), pg. 47 (color illus.), p. 191. Included as no. R...

An exceptional post-impressionist view of Florence, Italy by Carl Schmitz-Pleis (1877-1943). In the spring of 1910 Schmitz-Pleis and fellow friend/artist Walter Hugo Ophey travelled...

Emil Oelieden (1875-1934) 'A Town in Flanders' ‍ Oil on canvas 50 x 40 cm Signed lower left

Otto Lindberg (1880-1955) 'Pine in the Moonlight' ‍ Oil on canvas Signed and dated '1931 50 x 46 cm Framed Dimensions: 59 x 54cm Otto Lindberg was a Swedish artist born in Söderham...

This is a description of a high mountain pasture, in my mind, it might be Norway or Switzerland or central Europe, I should have put bells on the sheep since I can hear them now Ami...

Léon Charles Canniccioni (1879 - 1957) Vue de la baie d'Ajaccio 1936 (?) Huile sur toile Signé et daté en bas à droite 68 x 87 cm Cette vue de la baie d'Ajaccio en Corse, est une hu...

Signed lower left: F. gall Provenance: Private Collection Anne French Fine Arts, 2009 Private Collection, Florida Francois Gall was born in Kolozsvar, Hungary in 1912. He began hi...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...

George Ames Aldrich (American, 1872-1941) Landscape with Watermill Oil on canvas Canvas: 30 x 24 inches (76.2 x 61.0 cm) Framed: 38.5 x 32.5 x 2 Inchs Signed lower left: G. Ames A...

Jacques Martin-Ferrières (French, 1893-1972) La grille d'entrée principale de l'Artaudière, 1945 Oil on canvas Canvas: 36.25 x 28.75 inches (92.1 x 73.0 cm) Framed Dimensions 41.5 X ...

Signed lower right: Canu Provenance: Private Collection, US Yvonne Canu was influenced by the Pointillists school and very strongly so by Georges Seurat and by Sunday Afternoon on ...