Henri Kerels Furniture

Antique Hand-Colored Print “Noord-Indianen”, North American Indigenous People, ca. 1803–1808 A beautifully hand-colored original print showing Indigenous people of North America, pu...

Mexican Indigenous People – Antique Hand-Colored Ethnographic Print c.1805 This richly hand-colored ethnographic print titled “Mexicanen” depicts Indigenous people from Mexico in a ...

Guiana Indigenous People – Antique Hand-Colored Ethnographic Print c.1805 A striking and beautifully hand-colored ethnographic print titled “Guianers,” depicting Indigenous people f...

Indigenous Australians – Antique Hand-Colored Ethnographic Print c.1805 This striking hand-colored ethnographic print titled “Nieuw-Hollanders” (N...

Antique print titled 'Canadier'. Very decorative print of Indigenous Canadians. This print originates from 'Trentsensky’s peoples costumes' by J. Tre...

This lithograph titled *Barracks and Market House, Fredericton, New Brunswick* presents a picturesque view of Fredericton as it appeared in the early 19th century. The image highligh...

Mandan Warriors and Chief – 19th Century Ethnographic Print of Indigenous Canada This detailed 19th-century ethnographic print portrays three Mandan men engaged in ceremonial intera...

Plains Indigenous Life and Buffalo Hunt – Set of 19th Century Canadian Engravings This striking vertical trio of antique steel engravings offers a rare and detailed ethnographic gli...

Early 17th century, French hand colored equestrian engraving. After Antoine de Pluvinel (French, 1552-1620), "Henry IV, Mounted", figure 42 from "L'Instruction du Roy en l'Exercice de Monter a Cheval", c. 1625, matted and framed under UF-3 plexiglass (blocks approx. 97% of UV) , gallery label verso. Figures from this publication have sold at Christie's. Those were not hand colored. A highly detailed engraving with the French King Henry 1V the central figure. Mounted on horseback, Le Roy (the King) is watched by no less than 10 courtiers some of whom are mounted on horseback, all of which are named in the engraving. Antoine de Pluvinel (1552, Crest, Dauphine - 24 August 1620) was the first of the French riding masters, and has had great influence on modern dressage. He wrote L’Instruction du Roy en L'exercice de Monter à Cheval ("instruction of the King in the art of riding"), was tutor to King Louis XIII, and is credited with the invention of using two pillars, as well as using shoulder-in to increase suppleness. In 1594, Pluvinel founded the "Academie d'Equitation" near what is now Place des Pyramides. There, the French nobility was trained not only in horsemanship, but also in all the accomplishments (dancing, fashionable dressing, etc.) It can be said that Pluvinel's influence on the aristocracy lasted from the late 16th century to the 17th century. Richelieu, the future Prime Minister of King Louis XIII attended the Academie; so did William, Duke of Cavendish. Pluvinel's book was published posthumously by the Flemish engraver Crispijn van de Passe II and the royal valet de chambre...

Hand-Colored 1900 Print of Ancient American Figures, Pre-1500 Indigenous Art Description: An original early 1900s chromolithograph published by Ernst Wasmuth A.-G. in Berlin, illust...

New Hebrides (Vanuatu) Indigenous Family – Antique Hand-Colored Engraving Original hand-colored engraving of the people of the New Hebrides (today known as Vanuatu), taken from the ...

Inhabitants of California, Indigenous Dress and Daily Life – Early Ethnographic Engraving, c.1774 This early ethnographic engraving depicts Indigenous inhabitants of California show...