Henri Lebasque Art

Signed and dated figurative oil on panel circa 1920 by French post impressionist painter Henri Lebasque. The piece depicts a woman in a red dress sewing while a young girl in a pink ...

Signed oil on board landscape circa 1893 by French post impressionist painter Henri Lebasque. The work depicts a view of the small village of Champigne from the vantage point of a hi...

Signed and dated divisionist oil on canvas figure in landscape by French post impressionist painter Henri Lebasque. This stunning piece depicts a young girl in a white dress wearing ...

Early 20th century drawing and watercolour on paper by noted French Post Impressionist painter Henri Lebasque. The work is signed in pencil bottom right and is presented in a gilt wo...

Henri Lebasque 1865-1937 French Paysage à la meule (Landscape with Haystack) Oil on canvas Signed and dedicated “Avec mes meilleurs voeux / Lebasque” (lower right) In this brilli...

Signed oil on panel landscape circa 1900 by French post impressionist painter Henri Lebasque. The work depicts a field lined with trees with a haystack to the left. There is a view o...

Henri Lebasque 1865-1937 French Jeune fille cousant Young Woman Sewing Oil on paper on panel Signed “Lebasque” (bottom right) In this effusive oil on paper, Henri Lebasque captures a quiet, contemplative scene of a young girl sewing. Her eyes intently trained on the piece of white fabric in front of her, the artist makes the scene come alive with vibrant hues of orange, red and purple. The subject and her surroundings are rendered in loose, stylized brushstrokes that imbue the work with energy and vitality. Often called the “painter of joy and light,” Lebasque’s talent for creating bright, airy canvases is on magnificent display here. Henri Lebasque is remembered as a remarkable Post-Impressionist painter. Rooting himself in the Parisian art scene in the early 20th century, he exhibited in the influential Salon des Indépendants alongside artists like Georges Seurat, Paul Cézanne, Edouard Vuillard and Pierre Bonnard. He then went on to found the Salon d’Automne with Henri Matisse and other artist friends. His friendships with these artists and his visits to the south of France, initially encouraged by fellow painter Henri Manguin...

A wonderful oil on canvas circa 1920 by French post impressionist painter Henri Lebasque. The work depicts a nude sitting on a red patterned rug in front a bed. A beautifully brushed piece. Signature: Signed lower right Dimensions: Framed: 32"x28" Unframed: 24"x20" Provenance: Collection of Henri Bloch This work is included in the Catalogue Raisonne of Henri Lebasque prepared by Mme. Denise Bazetoux Daguerre - Paris 20th Dec 2016 - Lot 95 Henri Lebasque studied at the École des Beaux-Arts in Angers, then, after moving to Paris in 1886, studied briefly under Bonnat, then under Humbert, whom he assisted in the decoration of the Panthéon. More importantly, he met and learned from Pissarro. In 1893 he met Luce and Signac at the Salon des Indépendants, and as a result he adopted Pointillism for a few years. In the 1900s he lived in Lagny with his family and painted landscapes of the neighbouring Marne forest. His painting underwent drastic changes when he discovered the south of the country. He would thereafter live in other French regions: Vendée, Brittany and Normandy, where he stayed at Les Andelys for some time, but his home from home was between Sanary and Nice. He painted members of his family in the settings in which he lived, mostly in Provence. His work shares some themes of his friend Bonnard. But although he exhibited with the Fauves, and admired Matisse, Rouault, Dufy, Valtat and Manguin (who introduced him to the Midi), he remained distinct from them in style. Lebasque was well known in his lifetime. He collaborated on the decorations of the Théâtre des Champs-Élysées and of the Atlantic liner Paris. He is remembered for: Nymphs at their Bath; The Sunshade; Girl with Hydrangeas; Great Nude on a Pink Sofa. He took part in the following collective exhibitions: Salon des Indépendants, 1886; Salon des Artistes Français; and later the Salon d'Automne, of which he was a founding member in 1903 and on whose committee he sat until his death. A set of his works was shown in 1937 at Masters of Independent Art ( Maîtres de l'Art Indépendant) at the Petit Palais. In 1957, 20 years after his death, a retrospective exhibition was held at the Musée des Ponchettes in Nice, and in 1981 his works were exhibited at St-Paul-de-Vence. Museum and Gallery Holdings Angers: The Artist's Mother Geneva (Petit Palais): The Child's Toilette (1900) Lille (MBA): Notre-Dame under Snow Nantes: Vallée de la Garde Paris (MAM): The Cigarette; Nude; Woman with Necklace

Vibrantly hued and infused with warm light, this oil on canvas was composed by Henri Lebasque, an artist celebrated for his Fauvist palette inspired by the light and color of the sou...

A beautiful divisionist oil on canvas circa 1910 by French post impressionist painter Henri Lebasque depicting two seamstresses seated outside under a blue summer's sky. One is wearing a pink striped dress and the other a patterned dress of gold, red, and green. Signature: Signed lower left Dimensions: Framed: 26"x23" Unframed: 18"x15" Provenance: The authenticity of this work has been confirmed by Denise Bazetoux. The authenticity of this work has kindly been confirmed by Mrs. de la Ville Fromoit and Mrs. Christine Lenoir. Private collection - Switzerland Henri Lebasque studied at the École des Beaux-Arts in Angers, then, after moving to Paris in 1886, studied briefly under Bonnat, then under Humbert, whom he assisted in the decoration of the Panthéon. More importantly, he met and learned from Pissarro. In 1893 he met Luce and Signac at the Salon des Indépendants, and as a result he adopted Pointillism for a few years. In the 1900s he lived in Lagny with his family and painted landscapes of the neighbouring Marne forest. His painting underwent drastic changes when he discovered the south of the country. He would thereafter live in other French regions: Vendée, Brittany and Normandy, where he stayed at Les Andelys for some time, but his home from home was between Sanary and Nice. He painted members of his family in the settings in which he lived, mostly in Provence. His work shares some themes of his friend Bonnard. But although he exhibited with the Fauves, and admired Matisse, Rouault, Dufy, Valtat and Manguin (who introduced him to the Midi), he remained distinct from them in style. Lebasque was well known in his lifetime. He collaborated on the decorations of the Théâtre des Champs-Élysées and of the Atlantic liner Paris. He is remembered for: Nymphs at their Bath; The Sunshade; Girl with Hydrangeas; Great Nude on a Pink Sofa. He took part in the following collective exhibitions: Salon des Indépendants, 1886; Salon des Artistes Français; and later the Salon d'Automne, of which he was a founding member in 1903 and on whose committee he sat until his death. A set of his works was shown in 1937 at Masters of Independent Art ( Maîtres de l'Art Indépendant) at the Petit Palais. In 1957, 20 years after his death, a retrospective exhibition was held at the Musée des Ponchettes in Nice, and in 1981 his works were exhibited at St-Paul-de-Vence. Museum and Gallery Holdings Angers: The Artist's Mother Geneva (Petit Palais): The Child's Toilette (1900) Lille (MBA): Notre-Dame under Snow Nantes: Vallée de la Garde Paris (MAM): The Cigarette; Nude; Woman with Necklace

Signed “Lebasque” (lower left) Oil on canvas While also a painter of nudes and landscapes, the Post-Impressionist Henri Lebasque is perhaps most celebrated for his intimate portrayals of his family life. Madame Lebasque et sa fille Marthe is an exceptional example of this coveted subset of works within his oeuvre. It demonstrates the artist at his very best, from its vibrant yet constrained color palette to its masterfully cropped composition that subtly directs the viewer's gaze. The work exemplifies the intimism practiced by many of the French Post-Impressionists and Lebasque in particular. The genre is dedicated to intimate views of domestic interiors that feature artfully posed female subjects in natural light. Thanks to his very deliberate compositional cropping, Madame Lebasque et sa fille Marthe feels highly personal and familiar, as though the artist has welcomed us into his home. He allows the viewer access to this intimate moment between mother and daughter; while Madame Lebasque's expression cannot be seen, Marthe gazes at her with a deep sense of devotion and innocence of childhood. Lebasque painted his daughters at various stages of their lives, but it is the childhood portraits such as these that truly express the love and devotion between child and parent. Lebasque was born in 1865 in Maine-et-Loire and moved to Paris in 1885, where he often visited the atelier of Léon Bonnat. He studied painting at the École des Beaux Arts and fell under the influence of his fellow students Pierre Bonnard and Edouard Vuillard. Most notably, he was a founding member of the Salon d’Automne in 1903 along with Henri Matisse, the annual exhibition that in 1905 featured the controversial paintings...

Celebrated French artist Henri Lebasque is renowned for his intimate nudes, and this oil on canvas is a particularly lovely example of his mastery over the subject. Entitled Marinette Endormie, the scene is reminiscent of the sensuous odalisques favored by Lebasque's contemporary, Henri Matisse, in both its subject and its colorful palette. Lebasque's model lounges upon a chaise of richly patterned floral fabrics rendered in cool blue and green hues, while his signature airy brushwork lends a dream-like softness to the overall atmosphere. Like Matisse, Lebasque's nudes reveal the artist's experimentation with composition and color, which placed him at the center of the avant-garde Post-Impressionist movement of the early 20th century. Painted late in his career, Nu Allongé sur le Canapé exhibits the fully developed style of this artistic great. It was composed nearly a decade after Lebasque permanently relocated to the French Riviera in order to take advantage of the region's unparalleled light. Inspired by the beauty that surrounded him, Lebasque's brightened canvases earned him the moniker "painter of joy and light." These qualities are on full display in Marinette Endormie, with both its airy color scheme, as well as Lebasque's bold, energetic brushstrokes. The contrasts of deep mauve and orange tones with soft greens and blues recall the palette favored by his Fauvist contemporaries, Matisse and Manguin. Lebasque was born in 1865 in Maine-et-Loire and moved to Paris in 1885, where he often visited the atelier of Léon Bonnat. He studied painting at the École des Beaux Arts and fell under the influence of his fellow students Pierre Bonnard and Edouard Vuillard. Most notably, he was a founding member of the Salon d'Automne in 1903 along with Henri Matisse, the annual exhibition that in 1905 featured the controversial...

Henri Lebasque, born in Champigné (Maine-et-Loire) on September 25, 1865 and died in Cannet (Alpes-Maritimes) on August 7, 1937, is a French post-impressionist painter. He exhibited at the Salon of the Society of French Artists, at the Salon des Independants, and binds with Maximilien Luce and Paul Signac. He exhibited at the Salon of the National Society of Fine Arts and, in 1902, met Camille Pissarro who will have a great influence on him. He traveled to London where he discovered Turner's works. The French State bought him "Gouter sur l'Herbe" in 1903. He collaborated with Félix Vallotton and Georges Rouault in ceramic tests at André Metthey...

Study for "Jeune fille assise sur la plage" The oil on canvas sold at Christie's Sale 16933, February, 28, 2019 for $57,000 Provenance: Wiener Gallery, 96...

A highly dramatic and expressive painting of Haystacks. A truly wonderful example from the very popular French artist. Signed lower right. Henri Lebasque was a French Post-Impress...