Herman Maril More Art

This framed 19.875" x 16" oil painting on canvas by Oklahoma-based artist James Cobb depicts a strand of river birch trees in freshly fallen snow. at the he...

This 37.5" x 45" framed oil painting by French painter Bernard Cathelin depicts a landscape obstructed by trees in what seems to be a late winter evening. The pale-yellow, almost whi...

"London," an original oil on canvas by Denis Paul Noyer, is a piece for the true collector. Noyer's capture of the architectural details of the surrounding buildings projects from th...

"Oklahoma's skies are incredibly vivid, full of color and drama, and they've always fascinated me," says Russian-American artist Eve Cornejo. In 'Oklahoma Sky', Cornejo's large, wisp...

Sunny forest cardboard/oil, 90x70cm

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Dimitri BEREA (1908-1975) Paris, the docks and the Eiffel Tower. Oil on canvas, signed, titled Paris and dated 59 (?) lower left High. : 38cm; width : 46cm

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Edgars Vinters (1919-2014) Edgars Vinters is working in oil, watercolor and monotype techniques. He paints landscapes in different seasons and flowers. In 1970 the significant place...

Suhas Roy - Landscape Etching on Paper , 9.5 x 9.5 inches , 1985 Suhas Roy 's mystic woman which he calls 'Radha', either Oil on canvas or soft colored pastel on Paper or board are ...

"Future Shadow" is of a scene in the woods. This scene is of no particular place, but rather his interpretation and compilation of various places he has visited. As a painter, I examine how the depiction of light contributes to our experience of paintings. The portrayal of light helps a painting to convey the atmosphere and mood of a scene, and is much of what enables a painting to convey depth and realism. Our perception of lighting features occurs largely through pathways in the brain that carry only black and white information, pathways which are distinct from areas that encode the colors and details we use to delineate specific objects. By painting in grayscale, I try to interact specifically with this region of our visual system, with the hope of conveying some of the spaciousness and emotional significance that light can imbue on scenes. Light, whether as the crisp contrast of a back-lit forest or the gray haze of an industrial landscape, is what defines a scene. Its power to communicate the feel of a place is the principle subject of my paintings. The Blue Azul Collection...

"Clones of Clones" depicts a a city at the foot of a mountain ranged. This painting is rendered in about nine variations of gray, the darkest in the foreground is a few steps from bl...