Max Pechstein Art

Herman Max Pechstein 1881-1955, Head of a Sailor (Fisherman's Head) (Kopf eines Seemannes [Fischerkopf]), woodcut, 1922, Kruger H 269 write museum catalog entry, bio, museum holdin...

Medium: original woodcut. Printed in 1920 for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Catalogue re...

Woodcut on beige heavy paper. Signed in pencil by the artist on the lower right margin, Edition of 75 prints, published in Berlin by Fritz Gurlitt in 1920 for the suite “H.M.Pechstein Holzschnitte 1919”. Single state. Excellent impression with very dense ink. Wide margins and excellent overall conditions of sheet. Max Pechstein (Zwickau, 1881- Berlin, 1955), German Expressionist painter and printmaker, Max Pechstein is known above all for his boldly colored nudes and landscapes. Primarily working in the Impressionist tradition, after joining the group of the Die Brücke together with E.L. Kirchner and H. Heckle, he began painting in a vibrant Fauvist palette. In a similar way as Gauguin, Pechstein was influenced by primitive art of other cultures after visiting the Dresden Ethnographical Museum. When the artist travelled to Italy (1907) he was struck by Giotto’s paintings...

Der Schatten II (Johannes Teuber sitzende ) is an original etching and drypoint, realized by Max Pechstein in 1918, signed and dated. Edition of 200 prints. Included a frame. In very good conditions. The artwork represents an old man seated in a bench with a flower fallen on the ground and his head bend toward the back as he is dreaming, in the background there is a nude dancing woman here the artwork represents skillful Expressionistic style of expression with strong lines and color. Max Pechstein (Zwickau, 1881- Berlin, 1955), German Expressionist painter and printmaker, Max Pechstein is known above all for his boldly colored nudes and landscapes. Primarily working in the Impressionist tradition, after joining the group of the Die Brücke together with E.L. Kirchner and H. Heckle, he began painting in a vibrant Fauvist palette. In a similar way as Gauguin, Pechstein was influenced by primitive art of other cultures after visiting the Dresden Ethnographical Museum. When the artist traveled to Italy (1907) he was struck by Giotto’s paintings...

Artist: Hermann Max Pechstein (German, 1881-1955) Title: "Weib Vom Manne Begehrt (Woman Desired by Man)" Portfolio: Deutsche Grapiker der Gegenwart (German Printmakers of Our Time) *Unsigned edition Year: 1919, (published 1920) Medium: Original Woodcut Engraving on cream wove paper Limited edition: 500, (there was also a signed and numbered edition of 30) Printer: Unknown Publisher: Klinkhardt & Biermann, Leipzig, Germany Reference: "Das Graphische Werk Max Pechsteins" - Krüger No. 224; Fechter No. 157; Rifkind No. 2252; Söhn I, page 108-114 Framing: Recently beautifully framed in a modern gold moulding with 100% cotton rag matting and Museum Glass Framed size: 19.69" x 16.13" Sheet size: 12.75" x 9.5" Image size: 9.88" x 6.25" Condition: One small skillfully repaired tear lower left in margin. It is otherwise a strong impression in excellent condition Notes: Provenance: private collection - Kiel, Germany. Comes from the 1920 "Deutsche Grapiker der Gegenwart (German Printmakers of Our Time)" portfolio of fifteen lithographs, eight woodcuts, eight reproductions, and one lithographed cover by various artists. The artists who contributed to this portfolio were George Grosz, Ernst Barlach, Lovis Corinth, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, Max Lieberman, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Richard Seewald, Käthe Kollwitz, August Gaul, Rudolf Grossman, Alfred Kubin, and Paul Klee. This very same work is within many permanent museum collections including the Museum of Modern Art, New York, NY. "Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)" brings together woodcuts, lithographs, and reproductions by thirty-one artists representing a cross-section of styles from Impressionism to Expressionism, uniting under a single cover works ranging from naturalistic self-portraits to left-wing political caricatures. It features works by artists associated with the Berlin Secession (an exhibiting society comprised primarily of German Impressionists), with Expressionist groups like the Brücke and Der Blaue Reiter, and with the political Novembergruppe, as well as artists like Max Beckmann who were not affliliated with any group. In his introduction, art historian Kurt Pfister identified Expressionism as the leading force in German art at the time, while stressing the plurality of approaches to style and subject matter that the movement encompassed. Pfister emphasized the openness of German artists to foreign sources, and cited the importance of Paul Cézanne, Edvard Munch, and Pablo Picasso as well as Japanese, Indian, African, and Gothic art for the development of German art. There was a fifty-year difference in age between the oldest artist, Max Liebermann, and the youngest, Conrad Felixmüller, featured in the collection. The volume also included Lyonel Feininger, an American who had lived in Germany since 1896, as well as Austrian artists Oskar Kokoschka and Alfred Kubin. Biography: Pechstein was born in Zwickau, the son of a craftsman who worked in a textile mill. Early contact with the art of Vincent van Gogh stimulated Pechstein's development toward expressionism. After studying art first at the School of Applied Arts and then at the Royal Art Academy in Dresden, Pechstein met Erich Heckel and joined the art group Die Bru¨cke in 1906. He was the only member to have formal art training. Later in Berlin, he helped to found the Neue Sezession and gained recognition for his decorative and colorful paintings that were lent from the ideas of Van Gogh, Matisse, and the Fauves. His paintings eventually became more primitivist, incorporating thick black lines and angular figures. From in 1933, Pechstein was vilified by the Nazis because of his art. A total of 326 of his paintings were removed from German museums. Sixteen of his works were displayed in the Entartete Kunst (Degenerate Art...

Max Pechstein (1881-1955), Two Heads (Zwei Kopfe), woodcut, 1922, signed in pencil lower right. Reference: Kruger 275. From the edition of 50. In very good ...

HERMANN MAX PECHSTEIN 1881-1955 Zwickau 1881 - 1955 Berlin (German) Title: Dialogue, from: HM Pechstein Woodcuts Zwiesprache: HM Pechstein Holzschnitte, 1918 Technique: Original H...

"Head of a Boy/Kopf des Jungen" is an original woodcut print by Max Pechstein. The artist signed the piece lower right and wrote the edition number (V/XX) in the lower left. This pie...

MAX PECHSTEIN (German 1881 – 1955) FIVE NATIVE WOMEN, 1919 (KL 340: Rifkind 2228-37) Lithograph, edition 50, from the portfolio edition of Reisebilder, Italien -...

An original woodcut by German artist Max Pechstein (1881-1955) titled "Weib Vom Manne Begehry (Woman Desired by Man)", 1920, from: Kurt Pfister "Deutsche Graphiker der Gegenwart, Lei...