Mid-Century Abstract Watercolor Inspired by Bach, Hildegarde Haas Music Series
By Hildegarde Haas
Located in Denver, CO
A vivid and conceptually rich example of mid-century abstraction, this watercolor by Hildegarde Haas transforms music into color through the artist’s extraordinary ability to experie...
Watercolor
Handel Organ Concerto Opus No. 4 B Flat Major - III Allegro
By Hildegarde Haas
Located in Fairlawn, OH
Handel Organ Concerto Opus 4 No.6 B Flat Major - III Allegro Watercolor and mixed pigments on paper, c. 1960's Signed and titled recto (see photos) Condition: Excellent Image: 19 3/4...
Watercolor
Bach Cello Suite No.3 in C Major - III Courante
By Hildegarde Haas
Located in Fairlawn, OH
Bach Cello Suite No.3 in C Major - III Courante Watercolor and mixed pigments on paper, c. 1960's Signed and titled recto (see photos) A masterful example of the artist's series of music inspired works of art. Haas had the condition known as synesthesia. Condition: Excellent Archival framing with OP3 acrylic Image size: 17 3/4 x 13 3/4 inches Frame size: 27 1/4 x 21 inches Synesthesia: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia, as defined by Wikipedia, is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including Vincent Van Gough, Duke Ellington, Billy Joel, and Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used...
Watercolor
Bach - English Suite No.2 in A Minor - IV Gigue
By Hildegarde Haas
Located in Fairlawn, OH
Signed and titled recto A masterful example of the artist's series of music inspired works of art. Haas had the condition known as synesthesia. Frame: 19 1/2 x 22 3/4" Image: 11 3/...
Watercolor, Gouache
$1,520Sale Price|36% Off
H 36 in W 30 in D 0.1 in
On Sale - Mischievous Winds, Silver, Blue, Black abstract framed watercolor
By Axel Getz
Located in Brooklyn, NY
Axel Getz's large framed artwork, "Mischievous Winds," unleashes a captivating whirlwind of abstract energy and fluid motion across the canvas. This striking piece embodies the playf...
Watercolor, Gouache
Abstract Watercolor N.8 by Dmitry Samygin
By Dmitry Samygin
Located in Paris, FR
Abstract Watercolor N.8 by Dmitry Samygin Minimalist and geometric paintings. Technique: Watercolor Color: Teal blue Size: H. 35.5 x 27.5 x 0.1 cm Dmitry Samygin is a Furniture a...
Watercolor
$22,000
H 27.5 in W 35 in D 2 in
Joyce Kozloff - Tepoztlan II unique, signed gouache & pencil, coveted 1970s work
By Joyce Kozloff
Located in New York, NY
Joyce Kozloff Tepoztlan II, 1973 Gouache and colored pencil on paper Signed, dated and titled twice: once on the back of the work (shown) and once on the original board which has bee...
Gouache, Color Pencil
$1,480
H 35.4 in W 49.6 in
Unusual Seascape, Contemporary Marine Diptych, Mixed Media Cartography on Paper
Located in Barcelona, ES
Unusual Seascape is a striking mixed-media diptych that reimagines the ocean as an abstract cartography of color, texture, and movement. Layers of vibrant blues, greens, and fiery or...
Paper, Acrylic, Watercolor, Monoprint
$1,380
H 36.2 in W 48 in
Blossom Diptych, Monoprint on Japanese Paper, Pastel Tones Flowers Patterns 2025
Located in Barcelona, ES
This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...
Paper, Acrylic, Watercolor, Monoprint
$6,000
H 48 in W 48 in
"Whimsical" Abstract Painting 48" x 48" inch by Carole Baines
Located in Culver City, CA
"Whimsical" Abstract Painting 48" x 48" inch by Carole Baines Wisteria in my daughter's garden on Mount Tamborine. Medium: acrylic on linen Carole Baines is a self-taught, London-...
Canvas, Acrylic
$3,037Sale Price|63% Off
H 25 in W 35 in D 3 in
Abstract Turquoise & Red Flowers on Pink Background by British Landscape Artist
By Angela Wakefield
Located in Preston, GB
Painting of Abstract Turquoise & Red Flowers on a Pink Background by British Landscape Artist, Angela Wakefield. This original is from th...
Gesso, Canvas, Paint, Cotton Canvas, Mixed Media, Acrylic, Watercolor
$441Sale Price|20% Off
H 15.5 in W 22 in
Modern British 20th Century Colourful Abstract Painting - Geometric shapes
Located in Cirencester, Gloucestershire
Abstract Composition British School, monogrammed/ dated lower corner gouache painting on paper laid over card, unframed actual painting: 22 x 15.5 inches Superb - bold - and very co...
Gouache
$6,500
H 50 in W 50 in D 2 in
Specifically Nowhere, Yellow (Abstract Geometric Painting with Grids on Yellow)
By Donise English
Located in Hudson, NY
Large abstract geometric painting with intricate line work in pencil and gouache on a bright yellow background "Specifically, Nowhere (Yellow)" made by Hudson Valley artist, Donise English, in 2022 gouache, acrylic, pencil, and colored pencil on paper, mounted on panel 48 x 48 inches unframed, 50 x 50 inches with a dark brown stained wood floater frame Surface is protected with four coats of an archival UV protective varnish Signed, verso Excellent condition and ready to hang This large abstract geometric painting was made by Hudson Valley based artist, Donise English, in 2022. The composition begins with a bright yellow background overlaid with intricate line work in graphite and colored pencil. Thousands of hand drawn lines serve as a backdrop for a bold geometric form in a dusty violet and dark gray gridded pattern that references "an imagined city grid", says the artist. The painting on paper is mounted to wood panel and complemented with a dark stained wood floater frame. It's in excellent condition and ready to hang as is. The surface is protected with four coats of an archival UV protective varnish. More about the work: Donise English emphasizes lines, grids, and fields of subtle color to evoke imagined places and invented structures. While precise lines and straight angles are often associated with themes in architecture and urban planning designs, English conveys a geometric motif guided by intuition rather than a ruler. Variations on grids retain flaws and unmistakable traces of the artists’ hand; her style of draftsmanship shies away from intellectualism and instead makes her compositions feel very personal. Each design is intensely intricate, incorporating gouache, acrylic, pen, graphite, ink and colored pencil. Artist Statement: My work is about the way visual diagrams present information that describes how something is made or the way it is. I am interested in drawing and collaging multiple layers of information that refer abstractly to maps, architectural drawings and blueprints or patterns and structures found in such things as roller coasters, power lines and fences. I use gouache and collaged paper in a series of layers that are a visual and ideological response to the previous layer to define my pictorial space. For each piece I create a set of rules to follow about the use of a limited palette, a grid format, opacity of paper and whether a piece may include curving lines or maintain a rectilinear structure. Artist CV: EDUCATION Master of Fine Arts in Painting Bard College 1986 Bachelor of Science in Art History State University College at New Paltz 1977 Additional Study: New York Studio School (Drawing Marathons) Columbia University, School of Architecture Women’s Studio Workshop TEACHING Professor of Studio Art, Department of Art and Art History, Marist College, Poughkeepsie, NY Coordinator, Interior Design Program, Florence, Italy campus 1992-present AWARDS NYFA Fellowship in Painting 2018 Invitational Award for Outstanding Contemporary Talent, University of Bridgeport, CT 2000 Purchase Prize, “11th National Juried Exhibition” College of Notre Dame of Maryland, Baltimore 1999 First Prize, “Women in the Visual Arts ‘95” Erector Square Gallery, New Haven, CT 1995 Joseph A. Cain Memorial Purchase Award for Sculpture Del Mar College, Corpus Christi, TX 1994 Honorable Mention, “National Juried Exhibition” University of Bridgeport, CT 1993 Individual Artists Fellowship in Sculpture Dutchess Arts Fund 1992/93 Tallix, Morris, Singer Internship in Sculpture Tallix Foundry, Beacon, NY 1990/91 MEMBERSHIP Royal British Society of Sculptors SELECTED JURIED/INVITATIONAL EXHIBITIONS 2020 “edu: Art Faculty of the Hudson Valley”, Hudson Valley MOCA, Peekskill, NY 2019 “Contemporary Abstraction”, Carrie Haddad Gallery, Hudson, NY “Mixed Media”, SITE Gallery, Brooklyn, NY 2018 “JuxtaPositions”, The Painting Center, New York, NY “Peculiar Rarities”, Carrie Haddad Gallery, Hudson, NY 2017 “Interlock: Color and Contrast in Abstraction”, Carrie Haddad Gallery, Hudson, NY “Donise English: Encaustics”, Catskill Art Society, Livingston Manor, NY 2016 “Let’s Stay in Touch”, Howard County Center for the Arts, Ellicott City, MD “Under, Over, After Over”, Vassar College, Poughkeepsie, NY 2015 “Off the Grid”, Arts & Culture Program, Albany International Airport, Albany, NY “Gridspace”, KMOCA, Kingston, NY “Abstraction”, Carrie Haddad Gallery, Hudson, NY “Assuming Identity”, NY Institute of Technology, New York, NY 2013 “Modern Artists”, Carrie Haddad Gallery, Hudson, NY “Artists of the Mohawk-Hudson Region”, The Hyde Collection, Glens Falls, NY Stone Canoe/Community Folk Art Center, Syracuse, NY 2012 New York Institute of Technology, New York, NY “Contemporary Painters (Who Just Happen To Be Women)”, Carrie Haddad Gallery, Hudson, NY “Strange Glue: Collage at 100”, Cambridge School, Weston, MA “Dear Mother Nature”, Dorsky Museum, SUNY New Paltz, NY “Fresher Paint”, Rockland Center for the Arts, Nyack, NY Courthouse Gallery, Lake George Arts Project, Lake George, NY 2011 “Process+Content: Donise English”, Vassar College, Poughkeepsie, NY “Donise English-Paintings”,Orange County Community College, Newburgh, NY “Gender Matters/Matters of Gender”, Freedman Gallery, Albright College, Reading, PA 2010 Carrie Haddad Gallery, Hudson, NY “Encaustics: Wax and Image”, Westchester Community College, White Plains, NY “Dots, Lines and Figures”, Carrie Haddad Gallery, Hudson, NY “Spring Awakening”, NY Institute of Technology, New York, NY “Clay City Dreams”, NY Institute of Technology, New York, NY “Texture,Pattern, Fragment”, Krause Gallery, Moses Brown School, Providence, RI 2009 “Collage”, NY Institute of Technology, New York, NY “Working in Wax”, Bedford Gallery, Walnut Creek, CA “Encaustic 2009”, College of New Rochelle, NY “Three Artists”, Carrie Haddad Gallery, Hudson, NY “Convergence: The Human Experience”,Howard County Center for the Arts, MD 2008 “Suckers and Biters: Love, Lollipops, and Exquisite Corpse” Chashama Gallery, New York, NY Carrie Haddad Gallery, Hudson NY 2007 “Patterns and Light”, Blue Hill Gallery, Blue Hill, ME “Suckers and Biters”, AG Gallery, Brooklyn, NY 2006 “100 Artists, 100 Watercolors”, Jeannie Freilich Fine Art, New York, NY “On/Of Paper”,Kirkland Art Center, Clinton, NY “The Love Show”, Manchester Community College, Manchester, CT 2005 The Soap Factory, Minneapolis, MN “Small Tales”, Valdosta State University, Georgia National Juried Exhibition,Art Institute and Gallery Salisbury, MD, Juror: Stephen Haller “Greed, Envy, Jealousy, Fear”, TSL Warehouse, Hudson, NY 2004 “Women in the Middle: Borders, Barriers, Intersections” University of Wisconsin-Milwaukee “Girl Art Now”,Hera Gallery, Wakefield, RI 3 Person Exhibition, Monterey Peninsula College, Monterey, CA “The Feminine Eye”, Bradley University, Peoria, IL “Women Painting Women”, McNeese State University, Lake Charles, LA “Thought Patterns”, Kent Place Gallery, Summit, NJ “Surface, Matter and Artifice”, Dutchess Community College Art Gallery Poughkeepsie, NY 2003 “Beefcake/Cheesecake”,Orange County Center for Contemporary Art, Santa Ana, CA,Juror: Jamie Wilson, Curator Halpert Bienniel, Appalachian State University, Boone, NC Juror: Jeff Fleming, Senior Curator, Des Moines Art Center “The Great White Oak”, Garrison Art Center, Garrison, NY Carrie Haddad Gallery, Hudson, NY 2002 “Cat Calls”, Red Clay Arts, Brooklyn “Hudson Valley Regional”, SUNY New Paltz Juror: Sydney Jenkins, Director, Ramapo College Art Galleries 2001 One-Person Exhibition, Davis and Hall Gallery, Hudson, NY “Beyond the Surface”, Womanmade Gallery, Chicago One-Person Exhibition, Garrison Art Center, Garrison, NY 2000 “Vision 2000...
Canvas, Gouache, Archival Paper, Color Pencil, Graphite
$1,050
H 29 in W 36.8 in
Gold and Silver Sea, Abstract vs Figurative Diptych, Modern Seascape, Patterns
Located in Barcelona, ES
This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...
Paper, Acrylic, Watercolor, Monoprint
$1,480
H 41.3 in W 55.3 in
Turquoise and Nocturnal Marina, Modern Seascape Diptych in Blue Tones, Organic
Located in Barcelona, ES
This diptych draws on the visual language of the seascape, using flowing, interlaced lines to evoke the movement of water and shifting currents. Contrasting tones of turquoise and de...
Paper, Acrylic, Watercolor, Monoprint
$1,050
H 29 in W 36.8 in
Orange and Blue, Abstract Seascape Diptych, Unique Monotype, Paper, Fish Shape
Located in Barcelona, ES
This series by Enric Servera explores the relationship of humans to salt and seawater. The intention of these works is to submerge us into the sea, a salty treasure that surrounds us...
Paper, Acrylic, Watercolor, Monoprint
THE LIGHTHOUSE
By Hildegarde Haas
Located in Santa Monica, CA
HILDEGARDE HAAS (1926 -2002) LIGHTHOUSE, 1947 Color woodcut. Signed, numbered and dated in pencil. Image 11 3/4 × 11 5/8 inches. Edition of 15. On thin fibrous paper. A repaire...
Woodcut
Sold
H 27.5 in W 20.75 in D 0.75 in
Haydn Cello Concerto No.2 in D Major - I Allegro Moderato (Abstract Painting)
By Hildegarde Haas
Located in Denver, CO
Original abstract painting by Hildegard Haas (1926-2002) from the artist's Classical Music Series, vintage circa 1960 original signed watercolor painting on paper, in bold colors of ...
Watercolor
THE LIGHTHOUSE
By Hildegarde Haas
Located in Portland, ME
Haas, Hildegaard. THE LIGHTHOUSE. Color linocut, 1947. Edition of 15. Titled, numbered 13/15, signed and dated, all in pencil. 11 3/4 x 11 5/8 inches (i...
Linocut
Sold
H 21.75 in W 27.75 in D 1.25 in
Pillars of the Canyon, 1950s Framed Abstract Colored Print Geometric Figures
By Hildegarde Haas
Located in Denver, CO
Vintage abstract composition in shades of red, orange, hazelnut, mustard yellow, ivory, and brown. Original woodcut print by mid-century woman artist, Hildegarde Haas (1926-2002). "P...
Woodcut
Sold
H 22.5 in W 27.75 in D 0.75 in
Beethoven - String Quartet Opus 135 - II Vivace (Classical Music Series)
By Hildegarde Haas
Located in Denver, CO
Original vintage watercolor painting by twentieth century San Francisco woman artist, Hildegarde Haas (1926-2002). "Beethoven - String Quartet Opus 135 ...
Watercolor
Bach - Suite No.2 in B Minor - 2 Rondeau
By Hildegarde Haas
Located in Fairlawn, OH
Signed and titled recto A masterful example of the artist's series of music inspired works of art. Haas had the condition known as synesthesia. Watercolor on paper and mixed pigments on paper Housed in a brand new frame under UV plexiglass Image: 15 3/4 x 11 3/4" Frame: 23 1/4 x 18 3/4" Note: Throughout her lifetime Haas had a condition known as synesthesia. Synesthesia, as defined by Wikipedia, is a perceptual phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway. Many famous artists, poets, musicians and authors throughout history have had synesthesia including Vincent Van Gough, Duke Ellington, Billy Joel, and Vladimir Nabokov. Haas' form of synesthesia is known as 'projective synesthesia'. With projective synesthesia Haas saw colors, shapes and/or forms when experiencing audio stimulation. Haas used...
Oil Crayon, Watercolor
Sold
H 19.25 in W 22.75 in D 0.75 in
Abstract Composition Inspired by Bach, Framed Abstract Watercolor Painting
By Hildegarde Haas
Located in Denver, CO
Original vintage watercolor painting by twentieth century San Francisco woman artist, Hildegarde Haas (1926-2002). "Bach - English Suite No.2 in A Minor ...
Watercolor
Scarlatti Sonata in B Minor
By Hildegarde Haas
Located in Myrtle Beach, SC
A unique and wonderfully expressive visual interpretation of Scarletti’s sonata juxaposing the harmonious interplay of color with a complexity of layered geometric shapes. Gouache, c. 1950. Signed and titled in ink. A fine mid-century modernist abstraction, with fresh, undiminished colors, on heavy illustration bristol; the full sheet with 3 inch margins all around, in excellent condition. Archival matting to museum standards. Image size 12 x 16 inches (305 x 406 mm); sheet size 18 x 22 inches (457 x 559 mm). Baroque-age composer Domenico Scarletti (1685-1757) was himself a gifted and renowned harpsichordist. Born in Naples, Italy the same year as Bach and Handel, he was a great admirer of Handel’s work. He served as the composer and organist for Naples' royal chapel beginning in 1701; He was Maestro Di Cappella at St. Peter's in the Vatican from 1715 to 1719 and in 1719 he travelled to London to direct his opera 'Narciso' at the King's Theatre. In 1719 he went to Lisbon to teach music to the Portuguese princess Maria Magdalena Barbara. He lived briefly in Rome and Seville and in 1733 went to Madrid as music master to Princess Maria Barbara, who had married into the Spanish royal house. The Princess later became Queen of Spain. Scarlatti remained in the country for the remaining twenty-five years of his life, and had five children there. After the death of his first wife in 1742, he married a Spaniard, Anastasia Maxarti Ximenes. Among his compositions during his time in Madrid were a number of the 555 keyboard sonatas for which he is best known. The many sonatas which were unpublished during Scarlatti's lifetime have appeared in print irregularly in the two and a half centuries since. Scarlatti’s compositions have attracted renowned admirers and interpreters worldwide, including Béla Bartók, Arturo Benedetti Michelangeli, Johannes Brahms, Frédéric Chopin, Emil Gilels, Enrique Granados, Marc-André Hamelin, Vladimir Horowitz, Franz Liszt, Ivo Pogorelić, Heinrich Schenker and Dmitri Shostakovich. Born in Frankfort, Germany, Hildegarde Haas moved to the US with her parents in 1937. Her education included summer classes at the Colorado Springs Fine Art Center followed by two years at the University of Chicago. Receiving a scholarship to the Art Students League, she studied under Vaclav Vytlacil and Morris Kantor. She was a self-taught woodcut printmaker and became a member of The Printmakers, an established group of New York graphic artists. Her woodcuts which lean toward rhythmic and calligraphic abstraction were included in the exhibition 'Young American Printmakers' at the Museum of Modern Art, New York, in 1953. She exhibited nationally at juried exhibitions and her work frequently drew favorable comments by critics reviewing these shows. The physical demands of carving her own blocks and hand printing each impression became too great and after seven years she exchanged printmaking for painting. Haas moved to Northern California in 1951 and became affiliated with the San Francisco and Oakland Art Associations and the Arts and Crafts Coop in Berkeley. Haas continued to exhibit in national and local painting and print exhibitions and she had solo exhibitions at the Dallas Museum of Fine Arts and the Kaiser Aluminum...
Gouache