Igal Pardo Art

The blurring of time and space captured in time-lapse photography while the photographer is in motion has resulted in patterns and colours that here resemble a long coastal breaking ...

The blurring of time and space captured in time-lapse photography while the photographer is in motion has resulted in a lined pale beach, cerulean water and a darker sapphire sky str...

C-print mounted on Plexiglass Edition of 30

Classic Beauty - The Noble Thistle - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of f...

In this unique photographic print, Etienne Labbé has captured the subtle variation in a moody gray sky above a band of emerald green water. His beautiful compositions experiment with...

Archival photo print under acrylic glass. Dimensions: 24 x 72 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Hand-coloured portrait of a human larvae bursting out of their cocoon, immobilised in marble. Representative of a safe and isolating space, the cocoon is both a cage and a shelter. This tale is a​ study of transformation, of breaking apart and coming back together as the larvae emerges from the silken threads. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical sculpture...

Archival photo print under acrylic glass. Dimensions: 24 x 72 in. Depth: 1/4 in. Artist and photographer Paul-Émile Rioux lives in Montréal, Canada. His lifelong interest in cutti...

Rodrigo Katayama Nature Abstraction #2, Cumulus Sunset (Color Abstract Photography) 71 x 48 inches Edition of 5 Archival Pigment Print Framed

Edition of 10 Mounted in Plexiglas Record Original Size Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turnta...

Digital C-print mounted on Plexiglas Signed, dated, and titled, verso Numbered, verso This photograph is offered by ClampArt, located in New York City. Price includes framing. About...