Indra Dugar Art

Tall French Landscape by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper , unframed size: 18.5 x 12.5 inches condition: very good and r...

The work is mostly black and white to indicate that this is a night scene. On closer inspection, you will see areas of magenta and ivory throughout The publisher's label on verso ide...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

Monet’s Dahlias is a unique painting by contemporary artist Lumi Mizutani. The painting is made with pigments and Indian ink on Japanese paper mounted on panel, dimensions are 31.8 ×...

This original Ink/Charcoal/gouache drawing was created by Shizico at the transitional sunset light in early spring. Like a modern-day Monet, Shizico has built her own garden over the...

Steinberg's Holiday Magazine Cover, " The North of Jersey " is similar to his famous New Yorker Cover "View of the World from 9th Avenue”. ...

"Behind my canvases, collages, and drawings lies a singular proposition: places are not inert; they are repositories for all that passes through them. My work is an inquiry into the ...

Plum Tree from Higashiyama I is a unique painting by Japanese contemporary artist Lumi Mizutani. This painting is made with India ink and Japanese pigments on cardboard, dimensions a...

Mediterranean Landscape II', ink on art paper, by Pierre Dionisi (circa 1930s). Sepia-toned, original drawing in a compelling style depicts a view of a ...

The Three Philadelphians, Large-Scale Modern Figurative Cityscape Bold color creates tension and arrests the eye of the viewer in Dick Crispo's "Porto Rican Trilogy." (Puerto Rican). Saturated colors are achieved through layering and painterly application. Among the three figures is Roberto Clemente...

An exquisite blue-toned, Mid-Century watercolor, titled "Rome", ca. 1960 by Chicago Modern artist George Yelich. The watercolor depicts the Foro Traiano; Trajan Column, and Churches...

We would like to thank Madame Beck-Saiello for confirming the autograph nature of this drawing after an in-person examination. It was probably during an excursion in the countryside near Avignon that Claude-Joseph Vernet executed this drawing, enhanced with pen and brown ink, depicting a mansion on a hilltop overlooking a small village with geometric shapes. 1. Joseph Vernet, a painter influenced by Italy Claude-Joseph Vernet was born in Avignon in 1714, the son of Antoine Vernet (1689-1753), an artisan painter of architectural decorations, coach panels, and the like. He moved to the studio of Philippe Sauvan (1697-1792), a leading history painter in Avignon, and then worked with Jacques Viali (active 1681-1745), a decorative, landscape, and marine painter in Aix-en-Provence. Vernet's first recorded paintings were decorative overdoors executed in 1731 in the Aix townhouse of the marquise de Simiane. In 1734, Joseph de Seytres, marquis de Caumont, a leading amateur in Avignon, sponsored Vernet to make a study trip to Italy to complete his artistic education and to draw antiquities for his patron. As Avignon was a papal territory in Vernet's day, he also had a number of useful introductions among influential churchmen when he arrived in Rome. Vernet was soon at home in the French community there, and he was encouraged by Nicolas Vleughels (1668-1737), director of the Académie de France in Rome, even though the young painter had no official affiliation with the royal institution. He likely entered the studio of the French marine painter Adrien Manglard...