Issachar Ryback Paintings

CHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...

Paul Louis Narcisse GROLLERON (Seignelay 1848 – Paris 1901) Child atop a wall Oil on canvas H. 60 cm ; W. 73 cm Signed and dated lower right – 1884 Paul Grolleron belongs to the generation of French painters who, during the second half of the 19th century, revitalized military painting through a keen and sensitive observation of soldiers' lives. Born in 1848 in Seignelay (Yonne), he trained in Paris under Léon Bonnat, receiving instruction grounded in rigorous draftsmanship and powerful structural composition. Exhibiting at the Salon from 1873 onwards, Grolleron developed a body of work dedicated to military painting, history painting, and genre scenes. He drew his primary inspiration from 19th-century conflicts, particularly the Franco-Prussian War of 1870–1871. Far from portraying war in an exclusively heroic light, the artist focused on lived experiences: marches, halts, bivouacs, reconnaissance missions, and combat scenes. The precision with which he rendered uniforms, equipment, and postures lends his compositions both a narrative and a documentary quality. His art is distinguished by solid draftsmanship, accuracy of detail, and remarkable compositional mastery. Notable works exhibited at the Salon include *Épisode de 1870* (Episode of 1870), *Combat en 1870 sous les murs de Paris* (Combat in 1870 beneath the walls of Paris), *Sur le qui-vive, à Buzenval* (On the Alert at Buzenval), and *Épisode de la bataille de Loigny* (Episode from the Battle of Loigny). An award-winning Salon artist whose work is held in both public and private collections, Grolleron remains a significant figure in French military painting...

Pierre-Albert BÉGAUD (Bordeaux 1901 – 1956) End of game Oil on canvas H. 27 cm; L. 46.5 cm Signed lower right Pierre-Albert Bégaud is a French portrait and landscape painter born in...

Bradley Kerl creates paintings that merge lived experience, memory, and invention, transforming familiar subjects into images that balance the recognizable with the uncanny. Drawing ...

“Crossroads, c. 1940” by Sol Wilson (Polish-American, 1896-1974). This expressive painting by Wilson depicts a moody village crossroads rendered with his signature textured brushwor...

Marianne Loir (Paris 1705 – Paris 1783) Presumed Portrait of Jean-Jacques-Blaise Baloin de Belvèse, Baron de Vennac (?-1781) Oil on oval canvas H. 54.5 cm; W. 46 cm Unsigned Grandda...

Kristin Cronic says of her work... I create large scale gestural paintings of nature forms. The live oaks of my birthplace, uprooted tree carcasses, and rock formations magnify the ...

Maximilien Luce (French, 1858-1941) La Cueilleuse de Fruits oil on newsprint laid down to board signed Luce (lower right) Sight: 13 1/2 x 6 1/2 in. (34.3 x 16.5cm) Frame: 17.5 x 10 I...

Michael Tole says of his work… This work draws a connection between the didactic moralizing tendencies of Neo Classicism (represented in the style of the painting) and Modernism (represented in the architectural setting). Though modern art eschews the naturalistic imagery used by Neo Classicists, both movements pursued a self-important, austere, self-consciously masculine aesthetic that they saw as synonymous with virtue. Set in the MoMA courtyard, a passel of men lounge about, regarding a golden statue which looks terribly out of place in this modernist vitrine. The uncomfortable architectural setting, prisonlike and cold, provides a foil for the odalisque-like young men sprawled on hard stone benches and paying homage to the central idol. In my current work, The Revisionist Histories, I am writing letters to art history, literature, and mythology in an attempt to reflect the social changes that have reshaped our society over the past century.  As part of this agenda, I explore the evolution of gender norms, power dynamics, and representation within Western visual culture and what this implies for the negotiation between pleasure, justice, and our culturally specific discourse on beauty.    The seed for The Revisionist Histories was sewn when I caught a glimpse of my preteen daughters watching music videos on their iPad as I chopped veggies for dinner.  Out of the corner of my eye I caught glimpses of music videos featuring Beyonce, Taylor Swift, Ariana Grande, Katy Perry, and Doja Cat gyrating across the tiny screen.  A better parent might have snatched the iPad away, but I was overcome with hallucinatory visions of this pop diva...

Bradley Kerl creates paintings that merge lived experience, memory, and invention, transforming familiar subjects into images that balance the recognizable with the uncanny. Drawing ...

Titled "Geometric Musicians". This vibrant oil painting by Koko features a lively group of stylized musicians rendered in a bold, contemporary abstract style. Faceted forms, sweeping...

Oil on unlined canvas, stamped 26 x 21¼ inches; 66.5 x 54 cm Framed dimensions: 95.5 x 83.5 cm ‘Wood & Co 190 Brompton Road London SW’ Signed with monogram and dated ‘1878’, centr...

Elegant Female Portrait with Red Ceramic Jar and Blue Mediterranean Shawl Artist: Federico Molina Albero Title: Female Portrait with Red Ceramic Jar Technique: Oil on canvas Support...

Nicolas de LARGILLIERRE (Paris 1656 - 1746) Portrait of Louis-Urbain Le Peletier, Marquis de Rosanbo, Master of Requests (1662-1730) Oil on canvas H. 75 cm; L. 60 cm Unsigned Proven...

Jean François Marie Bellier (Paris 1745 – Paris 1836) Portrait of a Man Oil on oval canvas laid flat H. 45 cm; W. 55 cm Signed on the left Circa 1790 Jean François Marie Bellier occ...