Jacqueline De Butler Furniture

An antique neoclassical finely cast composition wall panel with a stunning glazed ebonised frame. In a large landscape form, this handcrafted plaque is decorated in relief showcasin...

This set of three ceramic tiles forms a continuous decorative composition depicting a stylized bird among branches and foliage, accompanied by a floral motif in a chalice. Executed i...

For your consideration, an enamel-on-copper panel by artist Giedre Zumbakis. It features an abstract, underwater-style composition with rich blue, green, and purple hues, accented by...

Vivid color and intricate design are the focal points of this aquatint colored etching print numbered 2 of 4. Signed I.P.I.

Rara acquasantiera ispano-moresca in terracotta del XVIII secolo. All'interno della nicchia, centralmente, è raffigurata la figura della Madonna, in piedi su una sorta di piedistallo...

Beautiful etching and aquatint from Hungarian artist Joseph A Pecsenke. This work is unframed with minor handling marks to margins. Work is in overall good condition. This work is 52/100 and is Signed and numbered along lower edge ' 52/100 4th Day-B Joseph...

French Glazed Terracotta Sunburst By Anduze. Great as a stand alone wall sculpture or can be grouped with other wall sunbursts or sculptures. Can be used indoors or outdoors!

Robert Mangold "Distorted Square Within a Circle", 1973 Aquatint etching, Roman Numeral edition of 10 aside from the numbered edition of 50. Full sheet. Signed dated and numbered in...

A pair of circular abstract reliefs by British artist Cyril Lixenberg, created in the 1960's. Executed in Perspex (acrylic), each composition is constructed from precisely arranged s...

Vide Jansson, Träsnitt Graphics Work with the artist's signature and title (in pencil) Working dimensions 53/73 The work is framed Vide Jansson was born in 1924, died in 2007. He was a Swedish graphic artist, painter and sculptor. Jansson studied at the Otte Sköld painting school in Stockholm. He continued his education in Spain and France. In 1958 he founded Grödingegruppen, which included himself, Rune Pettersson and Nalle Werner...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...

This collection of sculptures draws inspiration from the delicate curves of the female body, displaying soothing pieces that evoke effortless sophistication and subtle sensuality. Ev...