Jacques Lipchitz Art

Jacques Lipchitz (Lithuanian (1891–1973) known as the artist who brought Cubism to Sculpture. He was also an accomplished painter and print-maker. This lithograph of the “Sacrifice ...

Ruthven Todd Poem III Jacques Lipchitz, Lithuanian (1891–1973) Date: 1947 Etching and Aquatint on laid paper, signed in the plate Image Size: 8.5 x 6.75 inches Size: 15 x 11.5 in. (3...

Sculptor Jacques Lipchitz Terling Silver Anniversary Silver Sculpture Plate Israel This is a beautiful sterling silver commemorative plate. It was spec...

13 x 9 7/8 inches (sight size) Signed upper right PROVENANCE Private collection, New York This item is located in our New York City warehouse and can be viewed by appointment.

Jacques Lipchitz, Lithuanian-French, 1891-1973. Mixed media on paper Cubist style depiction of Taurus the bull and a condor. Hand signed "Lipchitz" lower right in gilt gold frame...

This small but very powerful sculpture depicting the passionate interweaving of two bodies of lovers was completed in the year of the death of the master in his beloved Pietrasanta, Italy; and cast in bronze at the local foundry ‘Fonderia Luigi Tomassi Pietrasanta’. Signed ‘Lipschitz’ and dated ‘23’ Foundry stamp ‘Fonderia Luigi Tomassi Pietrasanta’. Original dark brown-black patina. Dimensions: Height: 3.57 inches (8.9cm) Width: 5 inches (12.5cm) Depth: 3.13 inches (7.82cm) Jacques Lipchitz (1891 – 1973) was a Cubist sculptor. Lipchitz retained highly figurative and legible components in his work leading up to 1915–16, after which naturalist and descriptive elements were muted, dominated by a synthetic style of Crystal Cubism In 1920, Lipchitz held his first solo exhibition, at Leonce Rosenberg’s Galerie L'Effort Moderne in Paris. Fleeing the Nazis he moved to the US and settled in New York City and eventually Hastings-on-Hudson. Jacques Lipchitz was born Chaim Jacob Lipschitz, in a Litvak family, son of a building contractor in Druskinikai, Lithuania, then within the Russian Empire He studied at Vilnius grammar school and Vilnius Art School. Under the influence of his father he studied engineering in 1906–1909, but soon after, supported by his mother he moved to Paris (1909) to study at the Ecole-des-Beaux-Arts and the Academy Julian. It was there, in the artistic communities of Monmartre and Montparnasse, that he joined a group of artists that included Juan Gris and Pblo Picasso, as well as where his friend, Amedeo Modigliani, painted Jacques and Berthe Lipschitz. Living in this environment, Lipchitz soon began to create Cubist sculpture. In 1912, he exhibited at the Salon de la Societe des Beaux-Arts and the Salon d’Automne with his first solo show held at Leonce Rosenberg’s's Galerie L'Effort Moderne in Paris in 1920. In 1922 he was commissioned by the Barnes Foundation in Merion, Pennsylvania to execute seven bas-reliefs and two sculptures. With artistic innovation at its height, in the 1920s he experimented with abstract forms he called transparent sculptures. Later he developed a more dynamic style, which he applied with telling effect to bronze compositions of figures and animals. In 1924-25 Lipchitz became a French citizen through naturalization and married Berthe Kitrosser. With the German occupation of France during World War II, and the deportation of Jews to the Nazi death camps, Lipchitz had to flee France. With the assistance of the American journalist Varian Fry in Marceille, he escaped the Nazi regime and went to the United States. There, he eventually settled in Hastings-on-Hudson, New York. He was one of 250 sculptors who exhibited in the Third Sculpture International Exhibition held at the Philadelphia Museum of Art in the summer of 1949. He has been identified among seventy of those sculptors in a photograph Life magazine published that was taken at the exhibition. In 1954 a Lipchitz retrospective traveled from The Museum of Modern Art in New York to the Walker Art Center in Minneapolis and The Cleveland Museum of Art. In 1959, his series of small bronzes To the Limit of the Possible was shown at Fine Arts Associates in New York. In his later years Lipchitz became more involved in his Jewish faith, even referring to himself as a "religious Jew" in an interview in 1970. He began abstaining from work on Shabbat and put on Tefillin daily, at the urging of the Lubavitcher Rebbe, Rabbi Menachem Schneerson. Beginning in 1963, he returned to Europe for several months of each year and worked in Pietrasanta, Italy. He developed a close friendship with fellow sculptor, Fiore de Henriquez...

Hand signed and numbered. with Hebrew calligraphy "Zion" Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was...

Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Amadeo Modigliani, Diego Rivera, Chaim Soutine, and Juan Gris. Art historian H. H. Arnason, who ranked Lipchitz with Picasso and Marc Chagall, wrote, "Lipchitz, as a pure sculptor, is ...unquestionably one of the greatest sculptors of this century." Lipchitz' monumental 1927 bronze Joie de Vivre (a gift of Mrs. Mark C. Steinberg) is displayed at the Steinberg Skating Rink in Forest Park. The St. Louis Art Museum loaned two of Lipchitz' works, the 1923-25 Large Bather (gift of Morton D. May) and the 1926-30 Figure (gift of Mr. and Mrs. Joseph Pulitzer) to the St. Louis Bicentennial Sculpture Exhibition at the Garden in 1985. The exhibition also included a 1940 Lipchitz' Mother and Child from an anonymous donor. The 1926-30 Figure was displayed at the Garden again for the Spring Sculpture Festival in 1972. The architect Philip Johnson asked Lipchitz to make a wall sculpture to be placed on the brick chimney over a fireplace of a guest house owned by Mrs. John D. Rockefeller III on West 53rd Street in New York. Lipchitz decided to develop the piece from his Pegasus designs and call it Birth of the Muses in honor of the Rockefellers' interest in the arts. In 1950 he completed the work as a bronze relief five feet high. It was installed as planned and later was acquired by Lincoln Center. He participated in the Flight portfolio (serigraph and lithograph works) organized by Varian Fry to help refugees in the hope of a new life. Eugene Berman, Alexander Calder, Adolph Gottlieb, Wifredo Lam, Joan Miro and Robert Motherwell all contributed artwork. In 1912 he exhibited at the Salon de la Société Nationale des Beaux-Arts and the Salon d'Automne with his first solo show held at Léonce Rosenberg's Galerie L'Effort Moderne in Paris in 1920. In 1922 he was commissioned by the Barnes Foundation in Merion, Pennsylvania to execute five bas-reliefs.In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. In his later years Lipchitz became more involved in his Jewish faith (he produced several judaica themed artworks including ones with Hebrew calligraphy). He began abstaining from work on Shabbat and put on Tefillin daily, at the urging of the Lubavitcher Rebbe, Rabbi Menachem Schneerson. Beginning in 1963 he returned to Europe for several months of each year and worked in Pietrasanta, Italy. He developed a close friendship with fellow sculptor, Fiore de Henriquez...

Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Amadeo Modigliani, Diego Rivera, Chaim Soutine, and Juan Gris. Art historian H. H. Arnason, who ranked Lipchitz with Picasso and Marc Chagall, wrote, "Lipchitz, as a pure sculptor, is ...unquestionably one of the greatest sculptors of this century." Lipchitz' monumental 1927 bronze Joie de Vivre (a gift of Mrs. Mark C. Steinberg) is displayed at the Steinberg Skating Rink in Forest Park. The St. Louis Art Museum loaned two of Lipchitz' works, the 1923-25 Large Bather (gift of Morton D. May) and the 1926-30 Figure (gift of Mr. and Mrs. Joseph Pulitzer) to the St. Louis Bicentennial Sculpture Exhibition at the Garden in 1985. The exhibition also included a 1940 Lipchitz' Mother and Child from an anonymous donor. The 1926-30 Figure was displayed at the Garden again for the Spring Sculpture Festival in 1972. The architect Philip Johnson asked Lipchitz to make a wall sculpture to be placed on the brick chimney over a fireplace of a guest house owned by Mrs. John D. Rockefeller III on West 53rd Street in New York. Lipchitz decided to develop the piece from his Pegasus designs and call it Birth of the Muses in honor of the Rockefellers' interest in the arts. In 1950 he completed the work as a bronze relief five feet high. It was installed as planned and later was acquired by Lincoln Center. He participated in the Flight portfolio (serigraph and lithograph works) organized by Varian Fry to help refugees in the hope of a new life. Eugene Berman, Alexander Calder, Adolph Gottlieb, Wifredo Lam, Joan Miro and Robert Motherwell all contributed artwork. In 1912 he exhibited at the Salon de la Société Nationale des Beaux-Arts and the Salon d'Automne with his first solo show held at Léonce Rosenberg's Galerie L'Effort Moderne in Paris in 1920. In 1922 he was commissioned by the Barnes Foundation in Merion, Pennsylvania to execute five bas-reliefs.In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. In his later years Lipchitz became more involved in his Jewish faith (he produced several judaica themed artworks including ones with Hebrew calligraphy). He began abstaining from work on Shabbat and put on Tefillin daily, at the urging of the Lubavitcher Rebbe, Rabbi Menachem Schneerson. Beginning in 1963 he returned to Europe for several months of each year and worked in Pietrasanta, Italy. He developed a close friendship with fellow sculptor, Fiore de Henriquez...

Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Amadeo Modigliani, Diego Rivera, Chaim Soutine, and Juan Gris. Art historian H. H. Arnason, who ranked Lipchitz with Picasso and Marc Chagall, wrote, "Lipchitz, as a pure sculptor, is ...unquestionably one of the greatest sculptors of this century." Lipchitz' monumental 1927 bronze Joie de Vivre (a gift of Mrs. Mark C. Steinberg) is displayed at the Steinberg Skating Rink in Forest Park. The St. Louis Art Museum loaned two of Lipchitz' works, the 1923-25 Large Bather (gift of Morton D. May) and the 1926-30 Figure (gift of Mr. and Mrs. Joseph Pulitzer) to the St. Louis Bicentennial Sculpture Exhibition at the Garden in 1985. The exhibition also included a 1940 Lipchitz' Mother and Child from an anonymous donor. The 1926-30 Figure was displayed at the Garden again for the Spring Sculpture Festival in 1972. The architect Philip Johnson asked Lipchitz to make a wall sculpture to be placed on the brick chimney over a fireplace of a guest house owned by Mrs. John D. Rockefeller III on West 53rd Street in New York. Lipchitz decided to develop the piece from his Pegasus designs and call it Birth of the Muses in honor of the Rockefellers' interest in the arts. In 1950 he completed the work as a bronze relief five feet high. It was installed as planned and later was acquired by Lincoln Center. He participated in the Flight portfolio (serigraph and lithograph works) organized by Varian Fry to help refugees in the hope of a new life. Eugene Berman, Marc Chagall, Alexander Calder, Adolph Gottlieb, Wifredo Lam, Joan Miro and Robert Motherwell all contributed artwork. In 1912 he exhibited at the Salon de la Société Nationale des Beaux-Arts and the Salon d'Automne with his first solo show held at Léonce Rosenberg's Galerie L'Effort Moderne in Paris in 1920. In 1922 he was commissioned by the Barnes Foundation in Merion, Pennsylvania to execute five bas-reliefs.In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg's Galerie L'Effort Moderne in Paris. In his later years Lipchitz became more involved in his Jewish faith (he produced several judaica themed artworks including ones with Hebrew calligraphy). He began abstaining from work on Shabbat and put on Tefillin daily, at the urging of the Lubavitcher Rebbe, Rabbi Menachem Schneerson. Beginning in 1963 he returned to Europe for several months of each year and worked in Pietrasanta, Italy. He developed a close friendship with fellow sculptor, Fiore de Henriquez...

Actual sheet is 25 X 20 size includes frame. Hand signed and numbered. The Flight exhibition comes from a portfolio of prints organized by Varian Fry in 1964 and completed in 1971. B...

lithograph printed on deckle edged Arches paper. Signed and numbered in pencil. Peace on Earth Jacques Lipchitz (1891-1973) was a Cubist sculptor, Painter and Lithographer. From late...