James Ensor Prints and Multiples

"The Battle of the Golden Spurs" Avante Garde Print This print of the massive Bataille des Éperons d’Or, or Battle of the Golden Spurs, is considered one of Jame's Ensor's (Belgian ...

Deadly Sins is an original etching and drypoint on the Japanese paper, realized by James Ensor in 1904, signed, dated and titled: "Les Péchés capitaux dominés par la Mort", Deadly ...

Hand Signed and dated. Signed also on plate. Passepartout included. Very good conditions. Catalogue Delteil n. 58. James Ensor (Belgium, 1860-1949), a forerunner of 20th-century Ex...

JAMES ENSOR (1860-1949) LE COMBAT DES POUILLEUX DESIR ET RISSOLE aka - BATTLE OF THE DOWN AND OUTS 1888 (D, C, T, E, 19 ii/ii) Etching and drypoint, signed and countersigned on verso. 9 3/8 x11 3/8”. Very good impression with plate tone. On the usual simili japan paper. Sheet 14 ½” x 19. Nice burr in the lower right. There is a drawing of a similar scene with the second title. Very good large scale Ensor. A few handling creases in the image. Even tone to the sheet unlike photos Excerpt from 2003 C. G. Boerner catalog written by Eric Gillis and Patrick Florizoone: "This sort of drunken bar scene was quite popular in 17th century Flemish painting. The scene is in fact watched over by the figure of Jan Steen, the amount 17th century Flemish painter, seen standing in the right window. The plate refers to Steen's painting titled Interior of an Inn with Card Players Fighting (1664, Alte Pinakothek, Munich) as well as to the burlesque theatre that Ensor knew in Brussels. The print is similar to Ensor's original drawing in which playing cards and a chair are shown on the ground. In any case, aggressive behavior in his protagonists is common to the artist's work around 1890." Belgian Symbolism...

James Ensor (1860-1949), The Cathedral: Second Plate, etching, 1896, signed and dated “1886” in pencil, counter-signed verso, with margins, in very good condition. Reference: Delteil...

Orginal etching on zinc plate, signed and dated on plate on verso. Second state of two(II/II). Very fine impression, printed in black ink with plate tone. Very good conditions, with ...

Signed on plate. Very good conditions. Image Dimensions： 9 x 13.5 cm This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago b...

Hand signed and dated. Signed also on plate. Copy on Japan paper. Superb and Fresh impression in perfect conditions. Bibliography: Cat. Tavernier n.27 III. Cat. Delteil n. 27 Cat. G...

James Ensor (1860-1949), Portrait of Elias Frise, etching, 1886, signed, titled (le’ancetre) and dated in pencil recto; also signed and titled verso, on laid japon nacre paper. References: Delteil 3, Elesh 3, second state (of 2). In very good condition, with wide margins (hinged at top to a backing sheet, not matted), 9 3/4 x 7 3/4, the sheet 16 x 11 1/2 inches. Provenance: Augusta Boogaerts (1850-1951), Ostend, a gift from the artist (with her initials AB in pencil verso) Mira Jacob Wolfovska (1912-2004), Paris, with her blindstamp lower right margin (not in Lugt) A fine impression, printed in black ink with plate tone. The first state is without Ensor’s signature and date. Elesh notes that this print has been variously identified as “Portrait d’un ecclesiastique, Portrait, and Viellard, but that it is a portrait of the Swedish botanist Elias Fries, made after an anonymous lithograph; and that the reasons Ensor made the print are open to conjecture. But we can offer some clues as to Ensor’s motivation. Elias Magnus Frise (1794-1878), Swedish botanist, was the developer of the first system to classify fungi, a system still valid for many groups of fungi today. He also developed a system for classifying lichens. Wikipedia notes that his “taxonomy of mushrooms was influenced by Goethe and the German romantics”. During his student years at the Academy Royale des Beaux-Arts in Brussels Ensor became acquainted with a number of anti-establishment artists including the symbolists Fernand Khnopff, and Willy Finch...

James Ensor (1860-1949), Exterminating Angel (L'Ange Exterminateur), etching with drypoint, 1889, signed and dated in pencil lower right, also titled and countersigned verso. Referen...