James Williamson-Bell Art

Scarlett Macaw Parrots and Ferns Watercolor, Large-Scale Horizontal Panorama A substantial horizontal watercolor of four Scarlett Macaw parrot...

Robert Konersman (American, 1889 - 1975) Signed: Konersman (Lower, Left) " Reading Before Bed " c. 1900-1920 Watercolor and Gouache on Paper Laid on Illustration Board Image Size...

Norman Meredith was British painter and illustrator, born in Liverpool (1909 - 1985) England. He studied at the Liverpool College of Art. He subsequently won a scholarship to the Ro...

Here Lundgren concentrates on individual studies of goats, especially their heads and expressions. In one sketch, a goat faces forward, its distinctive long ears and gentle features ...

Gustave Fraipont (1849-1923) A Peasant girl with her flock of Turkeys, Ink and heightenings of blue watercolor on paper 23 x 15 cm Signed on the lower left and titled on lower righ...

GEORGE DENHOLM ARMOUR, RSA, OBE (1864-1949) “Keep your ‘ead in” Signed, inscribed: Cabman: “Now then bunny, you keep your ‘ead in the rabbit-‘...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, Player Leading Pony. Watercolor On Paper. Signed Lower Right. Image size 11.2 inches x 15.4 inches ( 28.5cm x 39cm ). Frame size 16.9 inches x 20.9 inches ( 43cm x 53cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The watercolor is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The watercolor is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, The First Chukka. Watercolor On Paper. Signed Lower Right. Image size 11.2 inches x 15.6 inches ( 28.5cm x 39.5cm ). Frame size 16.9 inches x 20.7 inches ( 43cm x 52.5cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The watercolor is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The watercolor is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Elin Siân Blake. Welsh ( b.1981). Polo Match, Cirencester, Player And Pony. Watercolor On Paper. Signed Lower Right. Image size 15.2 inches x 11.6 inches ( 38.5cm x 29.5cm ). Frame size 20.3 inches x 16.3 inches ( 51.5cm x 41.5cm ). Available for sale; this original painting is by the contemporary Welsh artist Elin Sian Blake. The watercolor is presented and supplied in a glazed sympathetic frame (which is shown in these photographs) and is supplied ready to hang and display. The watercolor is signed lower right. Elin Siân Blake is a contemporary Brecon-based artist, originally from the South Wales valleys, whose work delves deeply into the rich tapestry of Welsh heritage. Through various mediums, she creates poignant reflections of societal and cultural issues that have shaped the Welsh identity. Born in 1981, Elin Siân Blake began producing commissioned artwork from an early age, focussing on the traditional Welsh ponies and landscapes of her childhood. She was particularly inspired by the agricultural and equestrian events she attended. As a teenager she spent all her spare money on art supplies. Blake graduated from the University of Glamorgan in 2002 with a degree in graphic design and illustration, but quickly realised that she wanted to create conventional paintings, rather than producing digital images. She then spent several years living on the road in vintage vehicles, painting the scenes and characters she encountered on her travels. Blake taught herself oil painting using library...

Norman Meredith was British painter and illustrator, born in Liverpool (1909 - 1985) England. He studied at the Liverpool College of Art. He subsequently won a scholarship to the Ro...

Gipsies with Horses & Covered Wagons in the Wild Moorland Landscape of England. An Original Watercolour Painting by 19th Century British Artist, James Walter Gozzard...

This series was inspired by a 1950’s era instruction manual found while clearing out my father’s basement workshop. The How To Light A Model manual employed voluptuous female models to teach lighting techniques to amateur photographers such as my father. Diagrams plot the prescribed direction of the lights. The nude women hold the pose, their lips bright red and their feet dirty from the studio floor. As naked props for the authoritarian photographer, their vulnerability seems palpable. This work visualizes the human condition as a balance between feral and fabricated worlds. Vivid, oversized creatures embody instinctual energy. Wax seals, gold spheres and text-like marks signify rational structures. One speaks in a whisper, the other in a hiss. Winifred McNeill...