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Janet Richardson-Baughman

A move to an 80-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it was not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children became adults, they were all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. Living on the farm allowed her freedom to indulge her love of animals including, the dogs that were so special to her. Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting.

Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. When she went back on the farm, Janet discovered a new passion and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay. Demanding, but very laid back personality, he expected a lot from Janet and she grew above his expectations. She joined the National Council for Education in the Ceramic Arts (NCECA) which is a ceramics networking organization. It has a national conference each year where ceramists, educators and studio artists meet. She was on the Board of Directors for two years. Janet received her MFA in 1977. Moving back to Western Michigan, Janet found teaching positions with various colleges and taught art history, ceramics and a myriad of classes. However, she never forgot her mentor's advice, which was to continue her craft.

Janet met a businessman and artist, John Baughman, who sold her artwork around the country. Janet bought a studio and her work was selling so well that she no longer needed to supplement her income with teaching. Janet and John had a business relationship for several years until life took one of those magical twists and their relationship blossomed into much more. Later, the two of them were married. John and Janet bought acreage and moved to the country. Turning one of their buildings into a studio, the pair became extremely successful enabling them to concentrate only on their artwork and discontinue the end of the sale of the business. It is difficult to believe when one sees her pastel, mixed media of pencil, oils, and collage landscapes have done on paper that this is the same artist that designs and makes very sophisticated and stylized ceramics. The natural beauty that abounds where she lived inspired her artwork. Interestingly, she also derived inspiration from her ceramics for her paintings although the two are quite different in style. Janet and John together raised and trained horses. In addition, she loved gardening and had a huge vegetable garden. She and her husband loved to cook. They enjoyed golfing together as well. They had three children. Janet Richardson Baughman died on October 29, 2014.

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"Crossroads A-67, " Pastel Landscape signed by Janet Richardson-Baughman
"Crossroads A-67, " Pastel Landscape signed by Janet Richardson-Baughman

"Crossroads A-67, " Pastel Landscape signed by Janet Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Crossroads A-67" by Jan Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right corner and titled in the lower left, both in pencil. The work is framed and matted with off-white acid-free mat board. The drawing depicts a landscape of what looks like a country road or field. Bright green grass populates the foreground with a puddle of blue water, while a barrier of brown separates the green from the yellow fields beyond. Red trees occupy the middle ground and background, while the cloudy sky is a soft shade of blue. Art size: 16" x 12" Framed size 29 3/4" x 26" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Category

1990s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

"Colmar CA-3, " Framed Pastel Landscape signed by Jan Richardson-Boughman
"Colmar CA-3, " Framed Pastel Landscape signed by Jan Richardson-Boughman

"Colmar CA-3, " Framed Pastel Landscape signed by Jan Richardson-Boughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Colmar CA-3" is a pastel drawing on paper by Jan Richardson-Baughman. It is signed in pencil in the lower right corner and titled in the lower left, both of which are visible in the matting. The work is framed and matted with acid-free mat board. The image depicts rolling hills in shades that range from chartreuse to a dark forest green, dotted with trees and accented by a cloudy blue sky. Art size: 22 1/2" x 36" Frame size: 36 1/4" x 49 3/4" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Category

Early 2000s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

"Crossroads A-54, " Pastel signed by Jan Richardson-Baughman
"Crossroads A-54, " Pastel signed by Jan Richardson-Baughman

"Crossroads A-54, " Pastel signed by Jan Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Crossroads" is an original pastel drawing by Jan Richardson-Baughman. The artist signed the piece in the lower right and titled it in the lower left. It depicts a field with trees in the background. 16" x 12" art 33" x 27" frame A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Category

1990s Janet Richardson-Baughman

Materials

Pastel

"Looking North II-8, " Pastel Autumn Landscape signed by Jan Richardson-Baughman
"Looking North II-8, " Pastel Autumn Landscape signed by Jan Richardson-Baughman

"Looking North II-8, " Pastel Autumn Landscape signed by Jan Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Looking North II-8" by Janet Richardson-Baughman is a pastel landscape drawing. The work is framed and matted with acid-free mat board. The signature is in the lower right in pencil...

Category

Early 2000s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

"Wolf Lake A-11, " Pastel Landscape signed by Jan Richardson-Baughman
"Wolf Lake A-11, " Pastel Landscape signed by Jan Richardson-Baughman

"Wolf Lake A-11, " Pastel Landscape signed by Jan Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Wolf Lake A-11" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right and titled in the lower left, both in pencil. The work is framed and matted with a white acid-free mat board. Though it seems contrary to the title, the main focus of the image is not a lake, but a yellow and gold field of grass that leads to a distant dark green treeline. The cloudy blue sky meets the horizon, and perhaps the darker line of blue above the trees is the far-off lake. With its restrained palette of yellow, green, and blue, it creates a send of calm. Art size: 22" x 22" Frame size 36 1/4" x 36 1/4" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Category

Early 2000s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

"Crossroads A-38, " Pastel Landscape signed by Jan Richardson-Baughman
"Crossroads A-38, " Pastel Landscape signed by Jan Richardson-Baughman

"Crossroads A-38, " Pastel Landscape signed by Jan Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Crossroads A-38" by Jan Richardson-Baughman is a pastel drawing on paper. The work is framed and matted with an off-white acid-free mat board. It is signed in the lower right corner and titled in the lower left, both in pencil. The landscape drawing shows a country road starting in the lower left and heading off into a grove of trees in the center. Vivid green grass frames the lower right, offsetting the dark green and red of the trees, while the expansive blue sky takes up the top third of the image. Art size: 16" x 20" Frame size: 30" x 26" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Category

1990s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

"Looking North 2, " Orange Landscape Pastel signed by Janet Richardson-Baughman
"Looking North 2, " Orange Landscape Pastel signed by Janet Richardson-Baughman

"Looking North 2, " Orange Landscape Pastel signed by Janet Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Looking North 2" by Janet Richardson-Baughman is a pastel drawing on paper, signed in the lower right corner. The work is framed and matted with acid-free mat board. This landscape ...

Category

Early 2000s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

"Wolf Lake I-8, " Desert Pastel Landscape signed by Jan Richardson-Baughman
"Wolf Lake I-8, " Desert Pastel Landscape signed by Jan Richardson-Baughman

"Wolf Lake I-8, " Desert Pastel Landscape signed by Jan Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Wolf Lake I-8" by Janet Richardson-Baughman is a pastel drawing on paper. The signature is in the lower right and the title is in the lower left, both of which are in graphite pencil. The work is framed and matted with cream-colored acid-free mat board and museum glass. The drawing depicts a landscape in oranges, greens and blues and evokes a farm field just after harvest. Art size: 22" x 22" Frame size: 36.5" x 36.5" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Category

Early 2000s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

"Crossroads A-73, " Hazy Pastel Landscape signed by Jan Richardson-Baughman
"Crossroads A-73, " Hazy Pastel Landscape signed by Jan Richardson-Baughman

"Crossroads A-73, " Hazy Pastel Landscape signed by Jan Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Crossroads A-73" by Janet Richardson-Baughman is a pastel landscape drawing. The landscape figures a yellow field in the foreground and a cluster of deep green trees in the middle ground, behind which the tiniest strip of water is visible in light blue. On the distant horizon, a dark green hill meets a serene blue sky. Art size: 16" x 12" Frame size: 29 1/2" x 25 1/2" Framed to conservation standards. Matted with a cream-colored acid-free mat board and glazed in UV Clear Glass that filters 99% of UV Rays to inhibit fading. All this is housed in a traditional moulding in a gold finish. A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Category

1990s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

"Wolf Lake A-18, " Pastel Landscape signed by Jan Richardson-Baughman
"Wolf Lake A-18, " Pastel Landscape signed by Jan Richardson-Baughman

"Wolf Lake A-18, " Pastel Landscape signed by Jan Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Wolf Lake A-18" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right corner and titled in the lower left, both in pencil. The piece is framed a...

Category

Early 2000s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

"Wolf Lake I-5, " Pastel Landscape signed by Jan Richardson-Baughman
"Wolf Lake I-5, " Pastel Landscape signed by Jan Richardson-Baughman

"Wolf Lake I-5, " Pastel Landscape signed by Jan Richardson-Baughman

By Janet Richardson-Baughman

Located in Milwaukee, WI

"Wolf Lake I-5" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right and titled in the lower left, both in pencil. The work is framed and matted with an off-white acid-free mat and museum glass. This view of the edge of a forest is unique for its vibrant use of color. The field bears a spot of orange, while the mostly-blue sky includes a streak of violet just above the treeline. The trees blend together in yellows and greens with delicately-made lines to indicate their trunks and branches. Art size: 22" x 22" Frame size: 36 1/4" x 36 1/4" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Category

Early 2000s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

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Category

1910s Post-Impressionist Janet Richardson-Baughman

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By Nell Blaine

Located in Hudson, NY

Signed "Nell Blaine" upper left in pencil. Signed, titled, dated verso on sheet. Signed, titled, dated verso on backing panel. The artist. Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Purchased by private collectors c.1994. By descent. Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). Exhibited at Fischbach Gallery, NYC, in 1994 (Gallery label verso, and wall label affixed verso). Tibor de Nagy Gallery, NYC (the artist's estate representative), exhibited 2020 (label verso). From her November 15, 1996 NYT obituary: Nell Blaine, a widely respected New York landscape painter and watercolorist, died yesterday at Mount Sinai Hospital. She was 74 and had homes in Manhattan and Gloucester, Mass. Ms. Blaine, who had been hospitalized since July, had been confined to a wheelchair since 1959, when she contracted polio. Ms. Blaine was born in Richmond, Va., in 1922, and first studied at the Richmond School of Art, now part of Virginia Commonwealth University. She moved to New York in 1942 to study painting with Hans Hofmann and later studied etching and engraving at Atelier 17 with Stanley William Hayter. During her first years in New York, her work, which had previously been tightly realist, turned abstract, inspired by Mondrian, Leger and Jean Helion. At one time she was the youngest member of the American Abstract Artists. She was also a founding member of the Jane Street Gallery, one of Manhattan's earliest artists' cooperatives, and had her first solo show there in 1945. Just as Ms. Blaine was becoming known as a promising abstract painter, and gaining the admiration of such critics as Clement Greenberg, she started to shift back to representation. Inspired in part by a trip with Larry Rivers in 1950 to Paris, where she was especially impressed by the work of Vuillard and Bonnard, she immersed herself in the tradition of 19th-century European painting. From the mid-1950's, she cultivated an increasingly painterly and colorful style, usually working directly from nature, or still life, with particular emphasis on the forms and hues of flowers. Her work retained a sense of all-over structure and pulsating energy that she nonetheless credited to abstract art. ''It all goes back to Mondrian,'' she would say. In the 1950's, Ms. Blaine was prominent among a circle of New York artists and poets that included John Ashbery, Frank O'Hara, Kenneth Koch, Mr. Rivers, Jane Freilicher, Leland Bell, Louisa Matthiasdottir, Robert De Niro Sr. and Rudy Burckhardt. She had her first solo show of representational work at the Tibor de Nagy Gallery in 1953 and was represented by the Poindexter Gallery until it closed in 1978, and, in recent years, by the Fischbach Gallery. During the 1950's she supported herself as a commercial artist, designing brochures for art galleries. In 1955, she designed the original logo, column heads and layout for The Village Voice. In 1957, Ms. Blaine was featured in Life magazine as one of five leading young female artists in America. In 1959, after several months of traveling and painting in Greece, she contracted severe bulbar polio on the island of Mykonos. ''To Nell Blaine,'' an exhibition organized at Poindexter to raise money for her hospital bills, included the work of 79 artists, including Saul Steinberg, Robert Motherwell, Elaine and Willem de Kooning, Philip Guston, Mr. Rivers, Ms. Freilicher and Robert Rauschenberg. After eight months in a New York hospital, including five months in an iron lung...

Category

1990s Abstract Impressionist Janet Richardson-Baughman

Materials

Paper, Pastel, Watercolor

Siebe Johannes Ten Cate (1858-1908)  A Dune Landscape, pastel signed
Siebe Johannes Ten Cate (1858-1908)  A Dune Landscape, pastel signed

Siebe Johannes Ten Cate (1858-1908) A Dune Landscape, pastel signed

By Siebe Johannes Ten Cate

Located in Paris, FR

Siebe Johannes ten Cate (1858-1908) A Dune Landscape Signed lower right Pastel on paper 25.5 x 39.5 cm in good condition, very fresh, traces of pinholes in the upper corners barely...

Category

1890s Impressionist Janet Richardson-Baughman

Materials

Pastel

Rare Early Work, Mixed Media on Paper Realist Landscape by Tom Perkinson, Framed
Rare Early Work, Mixed Media on Paper Realist Landscape by Tom Perkinson, Framed

Rare Early Work, Mixed Media on Paper Realist Landscape by Tom Perkinson, Framed

By Tom Perkinson

Located in Encino, CA

Untitled Landscape, an original mixed media on paper by Tom Perkinson, is a piece for the true collector. His use of saturated violets, vivid yellows, and resplendent oranges pushes ...

Category

1970s Realist Janet Richardson-Baughman

Materials

Pastel, Ink, Mixed Media, Watercolor, Color Pencil

"La Famille Jean Guillemette à la plage Trouville" French pastel on paper
"La Famille Jean Guillemette à la plage Trouville" French pastel on paper

"La Famille Jean Guillemette à la plage Trouville" French pastel on paper

By Hughes Claude Pissarro

Located in New York, NY

Pastel on paper 14 ½ x 20 inches (37 x 51 cm) Framed: 34 ¾ x 40 inches (88 x 102 cm) Signed lower right: H. Claude Pissarro Signed and titled on verso: "La Famille Jean Guillemette a...

Category

20th Century Post-Impressionist Janet Richardson-Baughman

Materials

Pastel, Paper

Siebe Johannes Ten Cate (1858-1908) Mill and sailboat in the moonlight, pastel
Siebe Johannes Ten Cate (1858-1908) Mill and sailboat in the moonlight, pastel

Siebe Johannes Ten Cate (1858-1908) Mill and sailboat in the moonlight, pastel

By Siebe Johannes Ten Cate

Located in Paris, FR

Siebe Johannes ten Cate (1858-1908) Mill and sailboat in the moonlight, Signed lower rigt Pastel on paper 40 x 31 cm Framed under glass : 52 x 44 cm Our pastel is listed in the ...

Category

1890s Impressionist Janet Richardson-Baughman

Materials

Pastel

Siebe Johannes Ten Cate (1858-1908)  Bruges, windmill canal, 1894, pastel signed
Siebe Johannes Ten Cate (1858-1908)  Bruges, windmill canal, 1894, pastel signed

Siebe Johannes Ten Cate (1858-1908) Bruges, windmill canal, 1894, pastel signed

By Siebe Johannes Ten Cate

Located in Paris, FR

Siebe Johannes Ten Cate (1858-1908) Bruges, windmill canal, 1894, Signed, located and dated 94 lower right Pastel on paper 27 x 41 cm in good condition, very fresh, Framed under g...

Category

1890s Impressionist Janet Richardson-Baughman

Materials

Pastel

Siebe Johannes Ten Cate (1858-1908) Dordrecht under the snow, pastel signed
Siebe Johannes Ten Cate (1858-1908) Dordrecht under the snow, pastel signed

Siebe Johannes Ten Cate (1858-1908) Dordrecht under the snow, pastel signed

By Siebe Johannes Ten Cate

Located in Paris, FR

Siebe Johannes Ten Cate (1858-1908) Dordrecht under the snow Signed and located lower left Pastel on paper 26 x 39.5 cm In good condition, however, pastel is a fragile material and s...

Category

1890s Impressionist Janet Richardson-Baughman

Materials

Pastel

Bleu Nuit, Nocturnal Seascape, Original Pastel and Charcoal Contemporary Work
Bleu Nuit, Nocturnal Seascape, Original Pastel and Charcoal Contemporary Work

Bleu Nuit, Nocturnal Seascape, Original Pastel and Charcoal Contemporary Work

By Gabriel Riesnert

Located in AIX-EN-PROVENCE, FR

Subject : Bleu Nuit (Title - FR) / Night blue (Title - EN) Work : Original & Handmade artwork, Unique Work. Medium : Pastel and Charcoal on Arches archival Art paper 300g (100% C...

Category

21st Century and Contemporary Contemporary Janet Richardson-Baughman

Materials

Archival Paper, Charcoal, Pastel

American Contemporary Art by Elena Borstein - Thira VII Rooftops

American Contemporary Art by Elena Borstein - Thira VII Rooftops

By Elena Borstein

Located in Paris, IDF

Pastel on paper Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore Col...

Category

2010s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

Summer, Iceland #5
Summer, Iceland #5

Summer, Iceland #5

By Jennifer Bartlett

Located in New York, NY

Jennifer Bartlett Summer, Iceland #5, 2000 Pastel on paper 30 x 44 1/4 inches (sheet) Unsigned

Category

Early 2000s Contemporary Janet Richardson-Baughman

Materials

Paper, Pastel

Janet Richardson-baughman art for sale on 1stDibs.

Find a wide variety of authentic Janet Richardson-Baughman art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Janet Richardson-Baughman in crayon, pastel, paper and more. Much of the original work by this artist or collective was created during the 21st century and contemporary and is mostly associated with the contemporary style. Not every interior allows for large Janet Richardson-Baughman art, so small editions measuring 26 inches across are available. Customers who are interested in this artist might also find the work of Frances Ashforth, Peggy Leonard, and Anne C. Weary. Janet Richardson-Baughman art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,700 and tops out at $4,900, while the average work can sell for $2,000.

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