Janne Kyttanen Side Chairs

A side/filler chair made in solid ashwood by bending wood. Three of the legs have been made using the wood-turning technique to adopt an abstract natural wave-like design. It has bee...

Like chess pieces dotted across a board, these sculptures can be placed throughout a room. Used as side tables or stools, they are made to work in series or alone. Metal stools are m...

Like chess pieces dotted across a board, these sculptures can be placed throughout a room. Used as side tables or stools, they are made to work in series or alone. Metal stools are m...

Like chess pieces dotted across a board, these sculptures can be placed throughout a room. Used as side tables or stools, they are made to work in series or alone. Metal stools are m...

Made from rolled aluminum — in a non-directional satin finish — and sheepskin, the Magna chair, designed by Charles Constantine, takes its inspiration from...

Like chess pieces dotted across a board, these sculptures can be placed throughout a room. Used as side tables or stools, they are made to work in series or alone. Metal stools are m...

Wood and straw low chair attributted to Charles Dudouyt. A major figure in early 20th-century French design, Charles Dudouyt moved France’s design aesthetic from an elaborate class...

Reclaimed mango wood charred and hand carved into this stunning drum shape whilst respecting the natural organic wood. Burnt, sanded and sealed revealing the beautiful wood grain. T...

“La Falaise” is a French name translated into “The Cliff” Walking along side to the Failaise d’Etretat, inspired by the beauty and strong contrasts of the France’s Northern Coast...

Stool or side table chrome in metal chromed metal structure.

The Japan table is a personification of a cork, being perceptible in the first few seconds. The low stool or side table is made of wood. It is an item of pure lines, where the natura...

This one-of-a-kind sculptural beeswax chair with sides is designed by Rooms Studio in collaboration with Shotiko Aptsiauri and was produced in Tbilisi, Georgia. The molded, beeswax sculpture, which can be interpreted as a stool, seat, side table or art object, is cylindrical in shape with two rectangular blocks at the top, representing a backrest or arms for the seat. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...