Jarvis Wilcox Art

Juniper — luminous oil on linen. Dimensions are 66 x 83 inches. French American Frédéric Choisel, is inspired by the cities and countrysides of France, New York, and California's B...

A painting from the popular "black table" series by Darius Yektai.

Olga Antonova’s subject is compositions of extraordinarily elegant and beautiful cups, plates, teapots, and dishes, but there is something humorous and provocative about these paintings that belies formality: stacked teacups are also amusing, having a kind of jaunty and upbeat personality of their own, polka dots are as endearing to adults as to children, and everyone responds to the 'bling' and sparkle of gold and Antonova’s seemingly effortless ability to paint these radiant details: Olga Antonova "Three Blue, White and Gold Cups...

Wonderful mid-century still life of Asian doll on lotus flower with candles, fruit and vase in background by William Douglas Dollery-Pardy (Canadian, 20th C...

“Still Life, 1936” by Katharine "Kitty" Duff Church (British, 1910-1999). This large, early painting by Katherine Church is among her finest canvases of the period. Characterized by its bold color palette, simplified forms, and expressive brushwork, this composition centers around a tabletop adorned with various objects: potted plants, a ceramic dish, bottles, and what appear to be books or papers. The two potted plants provide contrasting elements: on the left, what appears to be a cyclamen with red blossoms and delicate leaves, and on the right, a lush green plant with darker foliage. These plants, painted with loose, textured strokes, add an organic quality to the otherwise structured arrangement. The tabletop is cluttered yet thoughtfully composed, featuring additional objects like a clear, faceted glass bowl, a small bottle, and books or pads in striking red and green. The dynamic use of color blocks and the juxtaposition of shapes (round pots against rectangular books) create a sense of rhythm and harmony. The background is darker and less defined, emphasizing the brightly lit tabletop. Church's brushwork is gestural and modernist, leaning toward abstraction, challenging traditional still life conventions. This painting reflects Church’s interest in balancing everyday objects with bold artistic expression. It conveys both the simplicity and complexity of daily life, transforming an ordinary moment into a vibrant and engaging work of art. This work is oil on canvas and is signed and dated in the lower right. It is housed in its original gessoed frame and retains various labels and inscriptions on the reverse. Size: 28.25 inches tall by 36 inches wide (painting) 34 inches tall by 42 inches wide by 2 inches deep (frame) Provenance: Private collection, NY; Acquired from the above About the artist: Born in Highgate, north London, Katharine Church, known as ‘Kitty’ amongst friends and family, always wanted to paint. She trained at the Royal Academy of Arts between 1930-1933 and at the Slade between 1933 and 1934. In her early years Kitty exhibited regularly at the Royal Academy. Her first solo exhibition was in 1933 at the Wertheim Gallery. Other artists who exhibited there included Christopher Wood, Victor Pasmore and Cedric Morris. Kitty also showed with the New English Art Club, the London Group and between 1937-1947 her work was exhibited at the influential Lefevre Gallery, which supported avant-garde artists such as Henry Moore, Ben Nicholson and Barbara Hepworth. In 1954 the artist was invited to take part in the Figures in their setting exhibition held at the Tate Gallery. Henry Tonks and Philip Wilson Steer had a strong influence on Kitty’s early work, but it was her friendship with Ivon Hitchens that liberated her painting technique. In 1936 Kitty married Anthony West, the son of writers Rebecca West and H.G. Wells. The couple initially lived in London before moving to Quarry Farm, Chicksgrove, Tisbury, near Salisbury, where they brought up their children Caroline and Edmund. There they hosted many of their friends, including the New Zealand painter Frances Hodgkins. Other regular visitors before the War included John and Mywafany Piper, Ralph and Frances Partridge, Noel and Catharine Carrington, Julian Trevelyan and Mary Fedden. For many of those who visited Kitty would organise painting expeditions. After the war Kitty and Anthony separated, with Anthony moving to the United States. Anthony West moved to the United States to work as a journalist for The New Yorker. In the early years after their parting Kitty visited most years with the children. In the 1960s Kitty purchased Sutton House and ran the Hambledon Gallery at Blandford Forum. There she promoted the work of her early art-school friends Mary Fedden and Julian Trevelyan, alongside work by the Pipers, John Craxton...

A lush spring bouquet bursts forth with a bounty of beautiful, vibrant flowers in bloom in this mid century floral still-life by Helen Gapen Oehler (American, 1893-1979). Signed "Helen Gapen Oehler S.W.A" (Society of Western Artists) lower right. Displayed in a wood frame painted light peach with gold trim. Canvas size: 18"H x 14"W. Best known for her landscapes, seascapes, views of nature as well as paintings of scenes from global travel, Oehler is considered a progressive impressionist. She painted in the world, Midwest and eastern coast, some California. Helen Gapen Oehler was born in 1893 in Ottawa Illinois. She was bright and at an early began to paint. Helen Oehler attended and graduated from the University of Illinois in art and teaching and was in the Chi Omega sorority...

These stunning magnolia placed in a transparent vase. A dark background helps to reveal delicate forms of flowers and capture the reactions of light with glass. The medium used is oi...

With a contemporary perspective on landscape painting and inspired by paintings created by old masters, German artist Katharina Husslein paints in a representational manner to captur...

Jordan Wolfson's (US based) "Still Life with Flowers XVI" is an oil painting that depicts a vase of fresh flowers contrasted with a yellow background. Jordan Wolfson returned to th...

Wonderful earth-toned mid century kitchen still life by Frances Thayer Robbins (American, 1906-1967). Signed "Frances Robbins" and dated 1958 lower...

Very elegant, beautiful, whimsical and sparkly still life of white mug with yellow, blue, rust, lavender and black polka dots, a silver Russian tea glass...

Still life painting by Tina Ingraham, "Cake Mountain." Oil on linen, 27 x 27 inches framed. Ingraham traveled Europe studying Old Master works, mosaics, and contemporary painters tha...