Jay Blakesberg Photography

Kate 4 Ever Inkjet print 20 x 24 inches Edition of 500 photographed in 1999, printed in 2023 Comes with a signed COA from Rankin. Rankin (born John Rankin Waddell in 1966) is a ren...

This print forms part of Frank Herrmann's 2021 "Icons of the 1960's" publication of the best of his work from the decade that keeps on giving. Contact sheet Paper size 44 x 35” Ima...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

David Bailey OASIS, 2006 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58.4 x 58.4 cm Edition of 15

Iconic and rare limited edition print direct from the negative, signed lower right hand margin and stamped with photographers own blind stamp. This is Number 3/10. Paper size 24 x 35...

Black and white fine art landscape photography print. Single tree on giant stones in front of the forest, Mühlviertel, Austria. Archival pigment ink print, edition of 9. Signed, titl...

Before digital when cameras used only film, a roll of 36 would be processed to produce a strip of negatives. The long roll of negatives was then cut into strips of six, usually with ...

Paper size 44 x 35”, Image size 40 x 26.5" Limited Edition of 10 + 2AP’s This is print NO 10/10 On Thursday March 30th 1967 Frank Herrmann was despatched to Abbey Road Studios ...

a strip of negatives. The long roll of negatives was then cut into strips of six, usually with five or six frames on each strip. These strips were then laid carefully onto a sheet of...

A stand of spinous silver birch gather, shining white against the inky night... Over a three-year period, Goodall has visited areas of British forest and moorland to make images that he refers to as being 'more akin to fairytale than documentary'. There is indeed an unreal quality to the images, and this is perhaps a result of using artificial lighting; it reminds one of those spooky, unnaturally lit forests we see in the movies. In the absence of any natural illumination (save for a few that include the moon), scenes are lit as if they are in a studio setting. This results in imagery that feels eerily unfamiliar; transporting the viewer from the recognisable landscape into a kind of liminal netherworld - it's the landscape, but not as we are used to seeing it. Goodall responds to this observation by speaking about the possibility of the darkness being seen as a metaphor for the unconscious mind; the 'light' of consciousness illuminates the known forms of tree and rock, but beyond these certainties lies the unknown. When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

"I remember the moment that the idea for Bodyscapes® came to me. I was thinking that the shape and structure of the universe repeated itself at every level and suddenly I had the ima...

An immense beech pollard, cut in its youth hundreds of years ago, has developed dozens of thick branches from its spiralling trunk. One in a line of several very old beeches in Sussex woodland that may have marked a boundary or a long forgotten track. Artwork info: Archival Pigment Print, Edition of 8 +2AP This print is unframed but can be mounted on Dibond upon request (price upon application) and further framing options are also available - Please contact us at MMX Gallery for more details or purchase here the unframed print. About the Artist: Born in Birmingham in 1973, Jasper Goodall...