Jeff Bark Art

photograph taken in situ with very little photoshop manipulation, dots were stickers placed on the model and the colored paper backdrop

Albert WATSON (*1942, Scotland) Kate Moss, Frontal Nude III, 1993 Chromogenic print Sheet 243 x 183 cm (95 5/8 x 72 in.) Edition of 5; Ed. no 2/5 Print only Albert Watson was born 1...

Stunning museum quality fine art print of Chrissy Teigen by photographer Markus Klinko from a collection of contemporary nudes by the celebrated photographer, featuring amongst other...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. Male nude...

Carlos Betancourt Sunday Afternoon in El Yunque (After El Pan Nuestro de Cada Dia by Ramon Frade de Leon), 2008 C-print on Metallic Lambda 49 x 30 inches Edition of 5 For more than ...

Albert WATSON (*1942, Scotland) Kate Moss (Back), Marrakech, 1993 Chromogenic print 243 x 183 cm (95 2/3 x 72 in.) Edition of 5, plus 2 AP; AP1 (from a completely sold out edition) P...

Stoya by Markus Klinko, from a stunning collection of contemporary nudes from the celebrated photographer featuring amongst others, Dita Von Teese and Aubrey O’Day This print is ava...

Albert WATSON (*1942, Scotland) Kate Moss Contact Sheet (horizontal), Marrakech, 1993 Chromogenic print Sheet 218,4 x 152,4 cm (86 x 60 in.) Edition of 5; plus 1 AP; AP1 print only ...

"Genetically Modified Messiah" Photography 53x40in Edition of 3 by Alina Karo Alina Karo "Genetically Modified Messiah" (porn version) Aluminum 53” x 40” Edition 1/3 Comes wit...

Tourism: Chartres, 1985 Chromogenic color print 18 × 12 in 45.7 × 30.5 cm Edition of 16/25 Laurie Simmons has an ambitious exhibition currently on tour. "Big Camera/Little Camera," a survey of some two hundred photographs, two films, and a selection of three-dimensional pieces, including props used in some of her staged tableaux. This exhibition opened at the Modern Art Museum of Fort Worth, Texas, from October 14, 2018 to January 27, 2019 and is now at the Museum of Contemporary Art in Chicago until May 5, 2019. (A print of "Tourism: Chartres" is represented in the show. Laurie Simmons’ engagement with non-human subjects ranges from her earlier works, in which she photographed miniature scenes of post-war domestic splendor, to her more recent use of life-size sex dolls that appear to be engaged in surprisingly believable activities. Endowing dolls, puppets, and ventriloquist dummies...