Jiban Biswas Animal Paintings

Abstract Expressionist Collage in Acrylic on Paper Bright, saturated abstract painting with collage by California-based artist Ricardo de Silva (American/Brazil, 20th C). Bold red,...

Playing with the interaction between positive and negative space, strong colors on neutral backgrounds, Canadian artist Virginie Schroeder creates pop art portraits and iconic pop cu...

David Ackerson (b. 1950, American) Title: "Big Tex & His Three Egrets" Medium: Acrylic on Canvas Size: 40 x 30 in. Markings: Signed LM "David Ackerson"...

Imaginary Horse, 2020, acrylic, oil, pastel and graphite on canvas. Spider, web, flower, blue, black, yellow, pink, abstract. Custom framed in a white floating frame

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brings the personality of each...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of his idiosyncratic working method can be compared to Roman and Medieval murals, the so-called fresco in which people paint directly in wet lime. At the time, fresco technique was a decorative art form in Europe. However, it is not the decorative element that inspires and interests Jan, but the weathered appearance of the surviving fresco paintings. That is what he wanted to see in his own work. In 2000 he started experimenting with cement on linen. This technique is so special, because cement is a building material and does not stick to canvas. After many attempts, Grotenbreg has found a solution to this problem with modern binders. An impressive series of animal studies followed. Jan Grotenbreg only paints animals he has an affinity with. Animals such as the horse, the cow and the bull, as well as lesser-known animals such as the protected bird of prey, the black-capped vulture, the Egyptian Nile bird Ibis and the endangered house sparrow, have been laid down on linen by Grotenbreg in a layer of gray cement with acrylic paint in black-brown color nuances. The texture and composition of the applied cement is a very important part of his work. That's what makes it intriguing. The way in which the cement is applied determines the decisiveness of the work even more than the image. The animals, especially the sparrows, sometimes only cover a very small part of the canvas. It is clear that the emphasis is on technology. The charm of Jan Grotenbreg's work lies in the imitation of that weathering. But the animals portrayed also play a role in this and are not exempt from rendered weariness. They give a beautiful antique impression...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Magdalena Nałęcz (b. 1970) She graduated from the Academy of Fine Arts in Cracow in 1995. She received numerous scholarships and prizes: in 1997 the scholarship of the city of Cracow...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

The pronounced technique is the first thing that strikes you when viewing the works of Jan Grotenbreg (1946). It is innovative and unique. The result of...

Josh Brown has had a lifetime interest in creating art, most notably through his depiction of animals. He swiftly captures the mood of his subjects and brings the personality of each...