Joanna Flatau Art

Title: Torero and Bull Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas mounted on board Dimensions: 18.9 x 15 inches Framing: Unframed Art Movement: Costumbrismo, Figurative Expressionism Theme: Bullfighting Date of Creation: Second half of the 20th century DESCRIPTION The painting Torero and Bull depicts a classic bullfighting scene, where a matador, elegantly dressed in a golden and violet traje de luces, performs a pass with the cape while the bull, wounded with banderillas, bows toward the ground. The composition conveys dynamism and tension, emphasizing the drama of the moment with loose and expressive brushstrokes. The background is rendered in warm, diffused tones, contrasting with the deep black of the bull and the vivid hues of the cape. The thick brushwork and vibrant oil application enhance the sense of movement and emotion in the scene, a distinctive feature of Tuser Vázquez’s bullfighting paintings. ARTIST'S BIOGRAPHY José María Tuser Vázquez (Barcelona, 1919 - 1986) was a Spanish painter specializing in bullfighting themes. He trained at the School of Arts and Crafts in Barcelona, where he developed a strong foundation in drawing and painting. From 1947 onwards, he dedicated his artistic production to tauromaquia, creating posters, illustrations, and paintings that captured the intensity of the bullfighting spectacle. He was a regular contributor to the magazine El Ruedo and designed a series of postcards featuring traditional Spanish costumes for Editorial Artigas in the 1940s. His work has been auctioned numerous times and is highly valued by collectors of bullfighting art...

Acrylic on canvas Shipped rolled in a tube I can do commissioned works

The artwork titled "Aláàárù Ajé" (Carrier of Wealth) features a lady with a head made of a Sekere, a traditional Yoruba percussion instrument made from dried gourds covered with beads. The lady is depicted wearing a blue dress with intricate details and patterns. Ayandare Adeniran, Ayanmuyiwa behind this intriguing piece of art has managed to capture the essence of the Yoruba culture, which is renowned for its rich cultural heritage and traditional beliefs. The use of the Sekere in the artwork is symbolic of the Yoruba people's deep-rooted love for music and the arts, which are considered an integral part of their daily lives. The lady in the artwork, with her head made of Sekere, is a representation of the Yoruba deity, Oshun, who is revered as the goddess of love, fertility, and prosperity. According to Yoruba mythology, Oshun is believed to be the owner of the Sekere and is often depicted carrying it around during festive celebrations and ceremonies. The blue dress worn by the lady in the artwork is also significant in Yoruba culture as it represents wealth, royalty, and nobility. The intricate details and patterns on the dress are a testament to the artist's attention to detail and skill, which are essential in Yoruba art. Overall, the artwork "Aláàárù Ajé" (Carrier of Wealth) is a beautiful representation of Yoruba culture, tradition, and mythology. The artist's use of the Sekere and the blue dress is a nod to the Yoruba people's love for music, art, and fashion, which are essential elements of their identity. The artwork is a reminder of the rich cultural heritage of the Yoruba people and the importance of preserving it for future generations. Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Ayandare Adeniran, Ayanmuyiwa (born 1991) is an Artist who hails from Ogbomosho, Oyo state, Nigeria. At his early stage of life, his artistic talents sprang up and his parent helped in developing them by providing him with what they understood he needed by buying drawing books, crayons, and watercolors among others to help his creative skills. After his primary and secondary education, he received a Nigeria Certificate on Education (NCE) from a prestigious college; the Federal College of Education (SPECIAL), Oyo, where he studied Fine and Applied Arts. Musa Ibrahim was the first practicing Artist who helped Ayandare in his Artistic career which was during a compulsory Industrial Training program for students in the Fine Arts department. After College, yawning for knowledge and flare for artistic work dragged him to Arowolo Wasiu, a metal sculptor who trained him in sculpting metal. A thirst for one's zeal can only be quenched by following the path thus making him proceed to TOPE FATUNMBI...

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Unframed Manuel Monedero (n. Seville in 1925 - m. Carboneras (Aracena, Huelva) in 2002) is a Spanish painter. His first exhibition dates from 1961 a...

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Original painting by Daria Kusto. 2024y. Acrylic on canvas. The magic flow reality... It is sent rolled in a tube, safe and express shipping to the whole world.