John Gould Paintings

A vibrant painting depicting a magician pulling doves from his hat for an enthusiastic audience. It captures a moment of modern city amusement that many artists, from Degas to Picas...

Sir Alfred Munnings R.A. (1878 - 1959) 'Favourite Hound' Oil on Wood Framed 98 x 74 cm Sir Alfred Munnings R.A. was known as one of England's finest painters of animals and as an ou...

English painter (late 19th century) - Landscape with Highland herd at the lake. 102 x 77 cm without frame, 108 x 82 cm with frame. Antique oil painting on canvas, in a gilded woode...

Only Ballantine Ale Brews "Brewer's Gold," ad illustration appeared in the major magazines of the day. A magic moment is caught at a peak point of drama. It's the instant of friends having fun. A cold beer from the fridge is offered and it's is acknowledged with a head nod. The woman in the foreground covers her giggling face reacting to a funny comment. The decisive moment is preserved. Sounds like a critique of an art photograph? No, it's an illustrator. This ingenious Infiniti "S" composition simultaneously represents the best of photography and painting. Cartier-Bresson could have captured the precise moment. While Nicolas Poussin could have rendered the complex figural composition. Add to it , a painting technique and color scheme with the quick drama of a post-impressionist. We have a great work of art by an overlooked American illustrator/artist/painter, Mike Ludlow...

German Realist painter (19th century) - Two children training a dog. 56.5 x 46.5 cm (without frame) - 69 x 59 cm (with frame). Oil on canvas, in a gilt wood frame. Signed indistin...

European Painter (19th century) - Landscape with Cattle and Herd at Sunset. 101 x 76 cm. Oil on canvas, unframed (not signed). The scene depicts a mixed group of animals — two adu...

W. Richards (British, late 19th century) — Scottish Highland Landscape with Cattle. 51 x 76 cm. Oil on canvas, unframed. Signed lower right: “W. "Richards." A Scottish Highland l...

Bob Peak may be the heir to Norman Rockwell in portraying the American Scene. Yet Peak's graphic representations depart from Rockwell's tight academic style. In the present work from...

William Keith Western Wilderness Interior Signed lower left Watercolor on paper laid on artist board 14 1/2 x 19 inches A native of Scotland, William Keith became in the late 19th ...

Wild Flower Garden With Bees by Jan Rogers [2021] original Acrylic paint on canvas Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:30 cm x W:30 cm x D:0.1cm Sold ...

Complex Art Nouveau patterns intertwined with gracefull figures define this work by American Artist and illustrator, teacher and lecturer Mildred Bailey Carpenter. Signed in cartouc...

Modern naturalistic portrait painting by well-known Houston-based artist Herb Mears. The work features a detailed rendering of a jockey wearing a yellow and blue outfit standing next to his wife and a young lion. Signed by the artist in the front lower right corner. Retains the original DuBose Gallery label on the reverse. Currently hung in a complementary frame. Dimensions Without Frame: H 48 in. x W 54 in. Artist Biography: Born in New York City in 1923, Herb Mears was interested in art from a young age. He studied under Fernand Leger in Paris and went on to paint and study in various studios in France and Italy before his arrival in Houston in 1951. With colleague David Adickes, whom he had met in Paris, Mears decided to open an art school. Their Studio of Contemporary Arts finally settled in an old building on Main Street with Mears and Adickes hoping to give classes to potential students. However money was tight and Mears found himself as a draftsman for Houston Lighting and Power Company, a job he excelled at and enjoyed. Later, Mears was involved in the Contemporary Arts Association, frequently making trips to ensure security in addition to enjoying the art scene the Association provided. From the CAA to the Art League of Houston and the Museum of Fine Arts, Mears began to gain recognition. An abstract, or non-objective piece as he called it, won a prize at a competition held by the Museum of Fine Arts, earning him a teaching position at the Museum School. Mears also taught at the Contemporary Arts Museum, University of Houston...