John Parker Davis Landscape Paintings

This post-impressionist painting is signed, titled and dated 1955 by the artist, but the signature is difficult to decipher. It is oil on masonite board and is titled “Les Coquelico...

Conditions: Very good overall Conditions, oil on canvas framed. Signed lower left. Complementary shipping worlwide by DHL, FEDEX. Returning customers : 25% OFF listed price on all Be...

Conditions : Very good condition. Dimensions with frame 68 x 78 cm Framed and signed. Complementary shipping worlwide by DHL, FEDEX. Returning customers : 25% OFF listed price on all...

This is a description of a high mountain pasture, in my mind, it might be Norway or Switzerland or central Europe, I should have put bells on the sheep since I can hear them now Ami...

Signed lower left: F. gall Provenance: Private Collection Anne French Fine Arts, 2009 Private Collection, Florida Francois Gall was born in Kolozsvar, Hungary in 1912. He began hi...

Marie Lucie Nessi-Valtat Summer landscape, ca. 1950 Oil on canvas Canvas: 17 1/3 × 21 in l 44 × 53 cm Frame: 19 2/3 x 23 1/4 l 50 x 59 cm Signed lower right Marie-Lucie Nessi Valta...

This landscape, oil on board, is by listed American artist Galen Everett Ray. It features a panoramic view of Mount Greylock, Massachusetts. Located within the Taconic Mountain range...

Oil on Canvas by Jean Émile Laurent (1906–1983) — Shepherd Child with Two Black Goats in an Oriental Pasture. This lyrical oil on canvas by Jean Émile Laurent—undoubtedly one of the...

Lucien Hector Jonas (1880–1947) Dijon, France, 1938 A stylish en plein air view of the town square in Dijon, painted in May 1938. Executed in oil on paper laid onto canvas, a techni...

View of Ostend. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. Jule...

View of Bou°_Sada. Oil sketch on cardboard. Signed and titled on the back. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. J...

Pluie a Venice is painted in Hambourg's preferred palette of muted blue-green, grey, and gold with splashes of ruby red, deep blue, and emerald green. The soft colors work well for beach scenes and rainy days such as the ones portrayed in this painting. The impressionistic scene shows multiple pedestrians strolling down the boardwalk, shielding themselves from the rain with colorful umbrellas that provide pops of color and balance the overcast sky. The background contains a three-masted ship and Piazza San Marco's famous bell tower and Basilica. Hambourg uses the minimum number of brushstrokes necessary to portray ships, seagulls, buildings and people as well as reflections on the glistening sidewalk. The brushstrokes in the sky have an interesting texture that is controlled yet carefree and there is heavy impasto throughout. His portrayal is both realistic and romanticized. Hambourg was clearly influenced by the great Impressionist artists of earlier generations, perhaps none more than the one with a direct connection to his family. Hambourg's wife, Nicole Rachet, was born into a family with a large collection of works by Impressionist master Eugene Boudin. Rachet's grandfather was a contemporary and friend of Boudin's, and a collector of his work. In their later years, Hambourg and Rachet donated over 300 canvases by Boudin and other artists to the Eugene Boudin Museum in Honfleur, France. It was such a large and important gift that the collection bears...