John Philip Falter Art

Love at sea. A nautical romance is captured as a handsome couple embrace. The big splash of water at the peak moment of drama symbolizes passion and defines Falter's creativity in communicating a romantic narrative. This is a companion piece to a romance story. Most likely done on assignment for a major newsstand magazine. Hand-signed by artist, sticker label, Magazine Illustration circa 1940 Oil on board Signed lower right h: 28.5 x w: 30 in / h: 72.4 x w: 76.2 cm Morris Weiss collection...

Cover of The Saturday Evening Post, February 5, 1949 Label on back is Falter’s handwriting, his daughter said Curtis Publishing probably titled it “meeting the Date”. The Episcopal ...

The Saturday Evening Post, April 7, 1945, Cover Illustration. Stated on page 4 of the Post: Just to show you how cover artists work, we asked John Falter to send us one of his early...

John Falter arranges figures and faces in a way that rival the old masters in their compositional perfection. And he makes it look easy. The expressions are captured so the emotions of the story come alive. This Golden Age of illustration artist depicts fathers and children watching...

Original cover illustration for The Saturday Evening Post, June 20, 1959. The Post described “After years of observing ancient chairs tremble and sway and utter squeaks of alarm, a...

Stadium Party depicts at wholesome all-american tail gate party from the 1950's. Stadium Party Circa 1950's 16 x 22 Oil on Canvas Signed lower left , Condition is excellent, Work i...

Cover illustration of the April 30, 1949 issue of The Saturday Evening Post Page 3 of the Post states: When John Falter’s cover painting was accepted, there was lightening trickli...

Medium: Oil on Masonite Signature: Signed 'John Falter' Lower Right Sight Size 7.00" x 9.375;" Framed 9.75" x 12.75" This piece was probably created as a preparatory work for a John...

Saturday Evening Post Cover, August 5, 1944 Framed Measurements: 36.00" x 29.50" Signature: Signed Lower Left

Medium: Watercolor on Paper Signature: Signed Lower Left Dimensions: 12.13" x 23.50"

Medium: Oil on Masonite Signature: Signed Center Left Santa's 1963 Corvette Convertible, Hertz Advertisement.

Medium: Oil on Masonite Signature: Signed 'John Falter' Lower Right Sight Size 7.00" x 9.375;" Framed 9.50" x 12.00" Johnson & Johnson reproduced the present work as an advertisemen...

Signature: Signed and Dated

Medium: Oil on Linen Signature: Signed and Dated Lower Right Prairie Grove Picnic

Signed Lower Left

Original Preliminary Book Illustration Treasure Island by Robert Louis Stevenson, MacMillan, 1963 At the Admiral Benbow Mixed-media on board 9.5in. x 6in. (sight size) Signed lower left: J. Falter Inscribed lower left: "Sketch for Treasure Island" Morris Weiss collection...

Medium: Oil on Panel Signature: Signed Lower Right An FFA student with his father receiving a check for his first delivery of steers to the Omaha stockyard.

Story illustration for “Hearts and Swords” by Rafael Sabatini for Liberty magazine, published November 4, 1933. The full caption reads: “Fury blinded him. It almost choked him. ‘A ...

Medium: Oil on Linen Signature: Signed and Dated Lower Right This painting is accompanied by a typewritten letter from Falter, dated May 23, 1974.

Medium: Ink and Gouache on Board Signature: Signed Lower Right

Medium: Ink and Gouache on Board Signature: Initialed Lower Left

Medium: Oil on Board Signature: Signed Lower Left Dimensions: 23 7/8" x 20.00" Cover of The Saturday Evening Post, June 21, 1958

Medium: Oil on Canvas Signature: Signed Lower Left Saturday Evening Post Cover, July 21, 1956 This Falter cover was owned by Sarah Johansen, daughter of John Falter. She is the you...

Medium: Oil on Masonite Signature: Signed Lower Left The present work was published as the cover illustration of the October 7th, 1961 issue of The Saturday Evening Post. The Post ...

Signed Lower left The present work was published as the cover illustration of the February 3rd, 1962 issue of The Saturday Evening Post. The Post editors wrote of this cover, “The ...