John Steck Natural Specimens

Very unique Brutalist iron / metal sculpture by American artist, Frank Cota, circa 1970s. Free-form piece with various hexagon, square and triangle pieces; signed by Coat on the bas...

This exceptional 1960s Brutalist still life sculpture is a masterful testament to mid-century studio craft, presenting a powerful interplay of industrial raw metalwork and organic botanical form. As beautifully captured in photos, this piece is meticulously hand-forged, showcasing an array of highly stylized flowers, spiky starburst flora, and textured wheat-like stalks rising elegantly from a faceted, geometric iron vase. Each blossom is intricately constructed with individual layered metal petals, jagged cut edges, and torch-cut brazed brass accents at the centers that catch the light, adding a brilliant flash of warmth to the dark, moodier iron patina. For critical collector provenance, this important mid-century work is signed "Bob Schmitz" in a striking gold script on the reverse side of the vase. Vase is 6.75"h x 6.25" x 6.25" Embodying the rebellious, texture-heavy spirit of the Brutalist art movement, this hand-forged sculpture celebrates raw construction with its exposed welds, torch-hewn edges, and multi-toned oxidation. Cleverly engineered for both stability and customizable display, the heavy metal flower rods are held securely in place by a dense sand filling on the inside of the vase, allowing the dramatic bouquet to maintain its striking arrangement. The faceted exterior features beautifully visible seams and a mottled, fire-kissed surface patina that transitions seamlessly from dark charcoal tones to deep copper hues, accented by the artist's gold signature. A commanding and deeply textural decorative statement, this mid-century studio sculpture by Bob Schmitz makes an incredible centerpiece for a Brutalist or mid-century modern interior. Born in Illinois, Bob Schmitz was a skilled Midwestern craftsman who learned the intricacies of welding and traditional metalworking directly from his grandfather, a professional blacksmith. He eventually took over his family's historic forge, successfully transitioning the traditional shop into specialized, custom fabrication and independent studio design. Operating in the true spirit of the mid-century American Studio Craft movement, Schmitz hand-forged, torch-cut, and built his pieces individually by hand rather than relying on mass factory production. This meticulous, bench-work approach explains the highly customized, one-of-a-kind engineering seen in his work, such as using a dense sand filling inside the vase to balance and secure the heavy metal flower rods. Active during the 1960s and 1970s boom in torch-cut metal art, Schmitz utilized heavy, industrial materials like iron, brass, and copper to create dramatic, highly textured interpretations of nature. Because he was a dedicated regional craftsman who prioritized individual studio artistry over large-scale commercial gallery contracts, surviving examples of his large-scale sculptural work remain exceptionally rare to find on the open market today. Bob Schmitz, Mid-Century Studio Craft, Brutalist Flower Sculpture...

Mid Century era torch cut metal sculpture by John DeMott. The Brutalist style clipper ship has gold, copper and bronze colors to the metal. The stone base appears to be onyx. DeMott’...

A striking early work by John Balossi (1931–2007), this 1967 welded steel sculpture draws you in with its bold, geometric form and commanding presence. Th...

Vintage 1960s metal and stone table top sculpture. “Desert Rose” by John Steck is a timeless floral arrangement of bristly pom-pom blooms emanating from a stone base. The botanical a...

Vintage Brass Stone Flower Sculpture. Mid Century Brutalist Style , no Makers Mark. Beautiful Rainbow Petina, wooden Base. Vintage Condition Con...

Sculpture Desert Samuraï entirely made of rubber from new tires, hand-sculpted, hand-assembled tires. Exceptional and unique piece.

Brutalist raw metal torch cut flower sculpture, circa 1983. The sculpture is in very good vintage condition and measures 10"W x 5"D x 14.5"H; it is signed and mumbered on the side. G...

An interesting Brutalist sculpture in the style of Paul Evans, circa 1960s. Heavy steel, welded. No signature apparent.

A bronze, biomorphic, brutalist sculpture. Framed by a similarly-textured bronze cage. Striking form.

Studio-made, figural sculpture of heavy gauge sheet metal. Created by using a number of sculptural techniques, this piece has been torched, pierced, sliced, and has a lot of texture ...

Brutalist Sculpture by Vica Ceramica Dimensions: D 34 x W 37 x H 27.5 cm Materials: High temp. Ceramic and different handmade clays VICA CERÁMICA-STU...