Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The Murder scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Jo...
Etching
The Life and Death of Saint Genoveva - Original Etching - 1830
By Josef Ritter von Führich
Located in Roma, IT
The praying "The Life and Death of Saint Genoveva"is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter ...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The tragic observation from "The Life and Death of Saint Genoveva" is an original etching artwork on ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The fight scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Jos...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The menace from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The Saint from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
Terminally ill from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The affection from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The bowing scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Jo...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The interior scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The amour scene from" "The Life and Death of Saint Genoveva"is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The Playing lover scene from" "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also kno...
Etching
Scene from The Life and Death of Saint Genoveva - Original Etching - 1830s
By Josef Ritter von Führich
Located in Roma, IT
The refuse scene from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...
Etching
Leonor Fini - Cats - Original Etching
By Leonor Fini
Located in Collonge Bellerive, Geneve, CH
Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...
Etching
$1,125
H 37.75 in W 41.75 in
Study for a Monument in the Heroic/Erotic/Academic/Comic Style Claes Oldenburg
By Claes Oldenburg
Located in New York, NY
This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style, 1965, ball-point pen on paper, 20 x 40 in. / 60 x 101.6 cm. *This print was etched in six gorgeous inks, each in an edition of ten: take your pick of color!* Oldenburg had an interest in imaginary monuments: he famously conceptualized works such as “Ball”, an unbuilt monument conceived of in 1967 which imagined two ballcocks – the round mechanism in a toilet tank...
Etching
$950
H 17.75 in W 16 in
Old Rinkrank threatens the Princess by David Hockney Brothers Grimm Fairy Tales
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Etching, Aquatint
$900
H 17.75 in W 16 in
The Enchantress with the Baby Rapunzel by David Hockney Brothers Grimm Tales
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. The Enchantress with the baby Rapunzel references a Heironymus...
Etching, Aquatint
$850
H 17.75 in W 16 in
The Enchantress in her Garden David Hockney Fairy Tales from the Brothers Grimm
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel. Hockney stated: “The old woman who wants the child. In one tr...
Etching, Aquatint
$1,100
H 24.75 in W 17.75 in
The Princess after many years in the Glass Mountain by David Hockney fairy tale
By David Hockney
Located in New York, NY
This etching from David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio depicts the somewhat obscure story Old Rinkrank, which Hockney chose to illustrate beca...
Etching, Aquatint
$350
H 8.13 in W 10.13 in
Spring Song /// Antique Female Artist Children Child Etching British Art
By Eileen Soper
Located in Saint Augustine, FL
Artist: Eileen Alice Soper (English, 1905-1990) Title: "Spring Song" *Signed by Soper in pencil lower right Year: 1924 Medium: Original Etching on cream laid paper Limited edition: 178 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Sheet size: 8.13" x 10.13" Image size: 6.63" x 9.63" Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157 Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...
Laid Paper, Drypoint, Etching, Intaglio
$850
H 24.75 in W 17.75 in
Catherina Dorothea Viehmann David Hockney Fairy Tales from the Brothers Grimm
By David Hockney
Located in New York, NY
The frontispiece for Hockney’s Six Fairy Tales from the Brothers Grimm portfolio and book features Catherina Dorothea Viehmann, the elderly German woman who recounted fairy tales to ...
Etching, Aquatint
$2,800
H 17.75 in W 16 in
Rapunzel, Rapunzel, let down your hair David Hockney Brothers Grimm Fairy Tales
By David Hockney
Located in New York, NY
From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image from the story of Rapunzel, which he chose for its popularity. When illustrating the princ...
Etching, Aquatint
$1,125
H 37.75 in W 41.75 in
Study for a Monument in the Heroic/Erotic/Academic/Comic Style Claes Oldenburg
By Claes Oldenburg
Located in New York, NY
This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style...
Etching
Jean Cocteau - Portrait - Original Etching
By Jean Cocteau
Located in Collonge Bellerive, Geneve, CH
Jean Cocteau - Portrait - Original Etching Paris, Le Gerbier, 1946 Edition of 340 Signed in the plate Unnumbered as issued
Etching
Revelations de Nozdriov
By Marc Chagall
Located in San Francisco, CA
This artwork titled "Revelations de Nozdriov" from the suite "Nicholas Gogol, Les Ames Mortes" created 1923-1937, published 1948, is an etching on paper by renown Russian/French arti...
Etching