Joseph A. Maturo Figurative Paintings

In The Wool Winder, Emma Ekwall captures a moment of quiet domestic intimacy between a young woman and a man as they wind wool together—she with focused care, he with gentle attentiv...

Oil mesures 36x23 cm. Frameless. Restored.

Harry Leslie Hoffman (1871 - 1964) The Artist's Wife (Beatrice Pope) at the Loom, circa 1915 Oil on canvas 30 x 32 inches Housed in a period Newcomb-Macklin frame Provenance: Estate of the artist Private Collection, Massachusetts This painting depicts the artist's wife at the loom, producing textile versions of Hoffman's underwater paintings. The screen shown behind Bea is an underwater scene also painted by Hoffman. The study of this painting is held in the collection of the Wolfsonian Museum in Florida. Harry Leslie Hoffman was born in Cressona, a small community in Pennsylvania's Schuylkill Valley. His mother was an amateur artist who encouraged her son to pursue a career in the arts. In 1893, Hoffman entered the School of Art at Yale University and studied with John Ferguson Weir, the son of Robert Walter Weir. After graduation in 1897, Hoffman moved to New York to continue his studies at the Art Students League. He also traveled to Paris and took classes at the Académie Julien. In the summer of 1902, Hoffman attended the Lyme Summer School of Art, in the town of Old Lyme on the Connecticut coast. The school was headed by Frank Vincent Dumond and was located in a boarding house owned by Florence Griswold. The school eventually grew into an artists' colony and a center for American Impressionism. When Hoffman first arrived as a student, he was not permitted to stay in the house which was designated for the professional artists only. However, his outgoing personality soon won him many friends at the colony. In 1905, Hoffman settled in Old Lyme and worked as a full member of the artist colony. He was particularly influenced by Willard Leroy Metcalf, an Impressionist also working in Old Lyme. Fellow artists later fondly recalled Hoffman's antics at the Griswold house, which included playing the flute and banjo, tap-dancing, singing humorous songs, and performing magic tricks. In 1910 Hoffman...

Mid-Century Modern portrait of a man by California artist Genevieve Rogers (American, 1904-1984). The abstracted background has texture created with d...

Soren Emil Carlsen (1848 - 1932) A Man in His Garden, 1893 Oil on canvas 28 3/4 x 35 1/2 inches Signed and dated lower right Provenance: The artist [1848-1932] Macbeth Gallery, New York Grand Central Art Galleries, New York Luella May (Ruby) Carlsen (the artist's wife), New York Dines Carlsen (the artist's son), Falls Village, Connecticut Private Collection, Miami, Florida Exhibited: New York, Macbeth Gallery, Summer Exhibition: Painting by American Artists, July - August, 1926, no. 31 (as The Man in the Garden). Houston, Texas, Museum of Fine Arts, Exhibition of Contemporary American Art by Members of the Grand Central Art Galleries, January 13 - 27, 1929 (as The Man in the Garden). Miami Antique...

"Cafe Society", a large-scale figurative abstract evoking the style of Basquiat, where many faces, figures, and a blue bust with glowing eyes are layered in a surreal, dream-like space by Bay Area artist Michael Pauker (American, b.1957). Signed "Michael Paulker...

Robert Azensky Fine Art is proud to offer this large-scale abstracted vanitas with goldfish, table, candle and skull by Bay Area artist Michael Pauker (American, b.1957). Unsigned, ...

Louis Charles Moeller A Toast Signed lower right Oil on canvas 12 x 16 inches Louis Charles Moeller was a master of American genre painting. His meticulously detailed, highly finish...

George Henry Smillie Cathedral Rocks, Yosemite Valley, 1871 Signed and inscribed board verso "Cathedral Rocks-Morning-Yo-semite Valley Aug. 71 Geo. H. Smillie", also inscribed "Yo-se...

This poignant portrait by Swedish artist Nina Bergstedt captures a quiet intensity that lingers in the viewer’s mind. The sitter, an unknown woman, is portrayed with deep emotional p...

A very interesting 19th century Dutch oil on canvas depicting two figures in a dooorway. Excellent quality work with wonderful use of light and shadow. Presented in a later painted w...

Wonderful mid century Bay Area figurative painting of a reclining nude by Berkeley artist Marjorie Cathcart (American, 1918 - 2014), circa 1964. The woman reclines on a bright red drape, stretching diagonally across the horizontal canvas...