Joseph Barber Art

Gorgeous plein air California desert scene titled, "Road to Death Valley" by Mike Wright (American, b. 1958). Signed "M. Wright 14" lower left corner. Disp...

Beautiful mid-century landscape of upper Young Lake and Ragged Peak in Yosemite National Park by Helen Enoch Gleiforst (American, 1903-1997). The artist uses textural impasto in a pa...

This striking original work on paper, Barn Side with Sliding Doors, is a masterful example of mid-20th century American modernist landscape art by acclaimed artist and educator George Vander Sluis...

Cliffs and Cypresses at Pt. Lobos, California - Seascape Charles F. Cummins 1929 (American, 1850-1941). One of the beautiful coves from the cliffs near the ocean at Point Lobos State Park, the viewer looks out past several cypress trees towards a rocky point...

White Sands New Mexico, Mid-Century Southwest Desert Landscape by Vannerson Gorgeous desert scene by award winning, self-taught artist Dr. Lucien C. Vannerson (American, 20th Centur...

Beautiful double-sided painting of a California nocturnal seascape on one side and a Sierra mountain scene on one side on the other by William L. Hughes. Signed "W. L. Hughes" bottom...

Overlooking the Bay - Coastal Landscape in Oil on Masonite Serene coastal landscape by unknown artist "Lydia" (American, 20th century). The viewer stands at a vantage point above a small coastal town in possibly Maine. The town is nestled in lush landscape, full of vibrant foliage. Beyond the town, there is a bay with prominent cliffs surrounding it. Signed and dated "Lydia 57" in the lower right corner. Board size: 15.5"H x 19.5"W We are researching Lydia Cooley Freeman (American, 1906-1998) as a possible artist for this painting. Born in Tacoma, Washington on January 13, 1906, Lydia Cooley, by the 1930s, had settled in New York City where she studied at the Art Students League under John Sloan. Her portraits of women, children and the working class are of the Ash Can school...

Verdant oil landscape with textural impasto of a calm stream winding through the trees of a lush, green forest, by San Jose, CA artist Jules Jacques (American, 20th Century). Signed "Jaques" on verso on frame. Displayed in a rustic green wood frame. Jules Jaques painted ocean and forest...

Walter Anderson ( American, 1903 - 1965) Hydrangeas, circa 1950 Mixed media on paper 11 x 8 1/2 inches Provenance: Luise Ross Gallery, New York Private Collection, New Jersey Acquired from the estate of the above, 2021 Walter Anderson firmly believed that quality art was an important part of life and should be made available to everyone. As he said, "There should be simple, good decorations, to be sold at prices to rival the five-and-ten." Noticing that only poor quality art was available in stores and little was available for children, he resolved to make art which could be reproduced easily and sell inexpensively — linoleum block prints. This technique enabled him to provide affordable, quality art. The technique of linoleum block printing is a simple concept; however, it requires much skill and talent to actually produce memorable art. Anderson purchased surplus "battleship linoleum," thicker than ordinary linoleum with a burlap backing for better support, to create his blocks. During the mid-1940s, he created almost 300 linocuts working in the attic of the sea-side plantation house, Oldfields, his wife's family home in Gautier. Masses of linoleum chips accumulated at the foot of the attic stairs as he often worked night and day. He began with sketching out a design directly on the linoleum. Once he had carved the image into the surface, he used the back of faded, surplus stock wallpaper that a friend sent him, laying long strips on top of the inked linoleum. A roller made of sewer pipe filled with sand served as his press. When the print was completed, he often colored it by hand with bold strokes and vivid colors. The prints were sold at Shearwater Pottery, the family business, for a mere dollar a foot. But "what about a well-designed fairy tale for a child's room?" he asked himself. Since there was a lack of affordable art for children, much of his work with linoleum blocks focused on subjects for children. He depicted fables and fairy tales ranging from Arabian Nights, to Germany and the Grimm Brothers' Rapunzel, to the French story of The White Cat, to the Greek tales such as Europa and the Bull, and to tales from China, India, and other cultures. Anderson also created "mini" books featuring the alphabet and Robinson Cat. The blocks are not only alive with the story being depicted, but they are also filled with designs taken from Best-Maugard's Method for Creative Design. Swirls, half-circles and zig-zag lines fill every available space on the linoleum block making them come alive and capture their audience. But fairy tales, children's verses and the "mini" books, consisting of about 90 blocks, were not the sole subject of Anderson's linoleum block prints. In total, he created approximately 300 linoleum blocks with subjects ranging from coastal flora and fauna, coastal animals, and sports and other coastal activities. Anderson even created linoleum blocks to be used to print tablecloths and clothing, some worn by his own children. Color and subjects of the linoleum block prints were not the only things that got them noticed. In 1945 when Anderson was creating these prints, the standard size of linoleum block prints was only 12 by 18 inches. These small dimensions were due to the common size of the paper available and the restrictions made by national competitions. Since Anderson used wallpaper...

Northern California Coastal Santa Cruz County Ocean Waves 1950 Plein Air Santa Cruz Sandstone Cliffs and crashing waves near Natural Bridges circa 1950 by an unknown California artis...

Idyllic landscape of a scenic lake view with an evergreen forest and picturesque purple mountains in the background by an unknown artist. Unsigned. Displayed in a period rustic wood ...

Early 20th Century oil painting of men having a conversation on the San Francisco, California pier with boats in the distance by Gus Johnson (American, 19th century), 1928. Signed on the lower right. Unframed. Image size, 23"H x 32"L. Johnson was a regular outdoor painter on the California coastal regions during the 1920s-50s. He enjoyed painting scenes on San Francisco Bay near Sausalito and Marin California.