Joseph Brisot Prints and Multiples

In early February, running hares can be seen locally as they compete for females. They are huge and fast as they run across the fields. they form a frequent entertainment and have in...

Artist: Eric Newton, British (1893 - 1965) Title: Abstract with Animal Figures Year: circa 1955 Medium: Linocut Print, signed and numbered in pencil Edi...

Artist Name: Larry Zox Title:Niagara Series IV Yellow Signed Linocut Lithograph Year : 1979 Medium Type: Print - Linocut Lithograph Size-Width Size-Height : 42.25'' 29.75'' Signed ...

Hand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nin...

PABLO PICASSO Spanish, 1881 - 1973 La petite bacchanale (B. 1020; Ba. 1250) signed in pencil "Picasso" (lower left) numbered in pencil "1/50" (lower right) linocut in colors on Arche...

Bit of a mystery here. Really well done colored Linocut A very expressionistic style of a landscape with trees. I’m pretty sure it’s signed in Hebrew but cannot translate. A very low...

"Hole in the Wall" is an original linocut by Mark Herrling. It depicts a variety of surreal and brightly-colored scenes in one composition. The artist...

SOL LEWITT (1928 – 2007) "Broken Gray Bands in Four Directions" Linocuts in colors on Somerset Velvet White paper, 2005 18 x 43-1/4 inches (45.7 x 109.9 cm) (sheet) T.P. 2/2 (aside from an edition of 50) Signed and numbered in pencil lower right Published by Pace Editions, New York Sol LeWitt was born on September 9th, 1928 in Hartford, Connecticut to Eastern European immigrants. LeWitt received a BFA from Syracuse University in 1949 (where he made his first prints) and then was drafted in the Korean War in 1951. During his service, he made posters for the Special Services and spent time in Japan, where he bought the first works that became the basis of a large personal art collection. In 1953, he moved to New York City, where he studied at the Cartoonists and Illustrators School (now the School of Visual Arts) and worked for Seventeen Magazine...

Created in 1989, this color screen print, lithograph and linocut with hand-coloring, marbling and collage on T.H. Saunders and Somerset paper is hand-signed by Frank Stella (Massachu...

Josef Albers, 'Segments', linoleum cut, 1934, edition 20, 25, plus proofs, Danilowitz 79. Signed, titled, dated, and annotated '(proof)' in pencil. A fine, richly-inked impression on...

Frank Stella print The Butcher Came and Slew the Ox, Pl.8 from Illustrations after El Lissitzky’s Had Gadya, 1984, recalls the post-painterly abstraction known to have influenced Stella with added elements that reflect collage and cut-out effects. Inspired after seeing an exhibition in 1919 by the Russian avant-garde artist El Lissitzky (1890-1941) who had created a series of gouaches illustrating the traditional Jewish Passover song, Had Gadya (The Only Kid), Stella created his own, one of which you see before you. With movement and vibrancy, each piece in the series illustrates each line of the song, as Lissitzky had done. What makes The Had Gadya series so pivotal in Stella’s oeuvre however is that it is the introduction of both the 'wave' motif, which inspired the seminal Moby-Dick series and his Cones and Pillars iconography. This stunning work is bursting with color and movement. Shades of green, coral and yellow dominate the piece. Like a music piece, each component of the collage forms an upbeat composition. Central to the scene are lime green cones and pillars which are reminiscent of Stella’s previous Cones and Pillars series. Above, sinuous red lines curve to form an abstract image. Viewed together, the colors and forms are a testament to Stella’s artistic past and future. Created in 1984, Frank Stella The Butcher Came and Slew the Ox, Pl.8 from Illustrations after El Lissitzky’s Had Gadya, 1984 is a color screen print, lithograph and linocut with hand-coloring and collage is hand-signed by Frank Stella (Massachusetts,1936 - New York, 2024) in pencil in the lower right of the image. Numbered 16 from the edition of 60 in pencil in the lower margin. Frank Stella Had Gadya...

Donald Baechler The Benefit Mummy, 2005 Linoleum print, one color, with chine colle, on Rives BFK paper Rare print from an edition of only 17: Hand signed, numbered 7/17 and dated by...