Joseph Pennell Art

Watercolor of a village by Artemis Wilhelm (American, 20th Century). Bold pastel outlines create solid shapes, filled with watercolor to create tone an...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Foke-Luste-Hajo, A Seminole Chief, No. 84", published by Rice, Rutter & Co. ...

This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...

Small-scale yet bold multi-colored abstracted figurative landscape of a horse rider in a canyon (a study after Edgar Payne’s works) by Tiffanie Mang (Ameri...

An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...

Beautiful mid century landscape of a historic California mission, highlighting its iconic architectural details such as a columned arches, white was...

"Planting (Spring Plowing)", a vibrant watercolor and graphite on paper by Thomas Hart Benton, circa 1939-40, embodies the artist's signature Regionalist style. The work depicts a ru...

This original first edition hand-colored lithograph entitled "Canada Goose" was produced by J. T. Bowen after a drawing by John James Audubon. It was published in Audubon's first octavo edition of Birds of America in Philadelphia in 1840. It depicts two Canada geese, a male and a female. This Audubon bird lithograph is in excellent condition other than tiny foci (1-2 mm) of discoloration at the edge of the upper margin of the sheet and some wrinkling along the left edge related to the book binding. The print is otherwise in very good condition. The original descriptive text from Audubon's publication is included with the purchase of this beautiful and striking lithograph. The sheet measures 10.13' x 6.75". John James Audubon (1785-1851) was a naturalist and artist. He was initially unsuccessful financially prior to the publication of his famous work “The Birds of America”, spending time in debtor’s prison...

William Samuel HORTON (Grand Rapids, USA 1865 - Paris 1936) View of Etretat in Normandy, circa 1900 Pastel on paper Signed lower right 47 x 62 cm William Samuel Horton, an America...

This original circa 1910s plein air field study by celebrated Colorado landscape painter Charles Partridge Adams (1858–1942) beautifully captures the tranquil majesty of the Rocky Mo...

Watercolour of Ireland Valley Countryside by 20th Century Irish Artist, George Trevor. Art measures 13.5 x 9.5 inches Frame measures 20.5 x 17 inches ...

A very attractive American Impressionist watercolor & gouache painting, "The Spanish Peaks" Colorado mountain landscape scene, by Charles Partridge Adams (1858-1942), circa 1900. Thi...