Jules Jacquemart Art

Leaf, Ruth. EVENING. Etching in colors, not dated. Signed, titled and numbered 17/100 in pencil. Edition of 100. 17 3/4 x 35 1/4 inches, 451 x 895 mm. (image), 25 3/4 x 42 inches, 65...

Nevelson, Louise. THE STONE FIGURES THAT WALK AT NIGHT. Baro 26, Pace Editions 50. Etching and drypoint, 1953-55. Edition of 20, printed by Emiliano Sorini under the supervision of I...

Artist: Bernard Schultze, German (1915 - 2005) Title: Hommage a Picasso Year: 1973 Medium: Etching, signed and numbered in pencil Edition: 75/90 Image Size: 21.5 x 17.5 Size: 30 x 21...

Artist: Barry Nelson, British/American (1937 - ) Title: Vega Year: 1978 Medium: Etching with Aquatint, Signed and numbered in pencil Edition: 50 Size: 30 in. x 22 in. (76.2 cm x 55.8...

One of the main motifs in Georges Braques late printmaking oeuvre is the bird. By depicting the bird as itself or the flight of birds, Braque found what he called the "still life of ...

Jacques BOULLAIRE Mythological Beauty Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1943 Excellent con...

Frank Weston Benson (American, 1862-1951) Untitled, 20th Century Etching Sight: 10 1/3 x 12 1/8 in. Framed: 16 3/4 x 19 x 1/2 in. Signed lower left Numb...

ARMAN Fernandez Voilin & Scrolls MEDIUM : Drypoint etching YEAR : 1979 PAPER : Arches vellum SIZE : 23 x 15" REFERENCES : Field Arman catalog raisonne of prints - Otmezguine ...

Bob Stanley Branches, 1976 Etching on wove paper with full margins and deckled edges 31 1/2 × 22 1/2 inches Pencil signed, dated and numbered 49 from the limited edition of 65, with ...

Bold abstract aquatint by Johnny Friedlaender (Polish-French, 1912-1992). Comprised of two main sections, this piece is full of detail and texture. The upper layer is a reddish tan, whereas the bottom layer is a rich brown. Geometrical shapes are arranged such that they almost form mirror images of each other, but vary enough to create interest and a sense of movement. Signed in the lower right corner. Numbered 56/350 in the lower left corner. Includes original certificate of authenticity. Presented in a new cream mat with foamcore backing. Mat size: 42"H x 32"W Paper size: 33.75"H x 24.5"W Johnny Friedlaender was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard Friedlaender was born in Pless (Silesia) and his early studies were in Breslau under Otto Mueller. In 1936 Friedlaender journeyed to Czechoslovakia, Switzerland, Austria, France and Belgium. At the Hague he held a successful exhibition of etchings and watercolours. He fled to Paris in 1937 as a political refugee of the Nazi regime with his young wife, who was an actress. In that year he held an exhibition of his etchings which included the works: L 'Equipe and Matieres et Formes. From 1939 to 1943 he was interned in a series of concentration camps, but survived against poor odds. After freedom in 1944 Friedlaender began a series of twelve etchings entitled Images du Malheur with Sagile as his publisher. In the same year he received a commission to illustrate four books by Freres Tharaud of the French Academy. In 1945 he performed work for several newspapers including Cavalcade and Carrefour. In the year 1947, he produced the work Reves Cosmiques, and in that same year he became a member of the Salon de Mai, which position he held until 1969. In the year 1948 he began a friendship with the painter Nicolas de Stael and held his first exhibition in Copenhagen at Galerie Birch. The following year he showed for the first time in Galerie La Hune in Paris. After living in Paris for 13 years, Friedlaender became a French citizen in 1950. Friedlaender expanded his geographic scope in 1951, and exhibited in Tokyo in a modern art show. In the same year he was a participant in the XI Trienale in Milan, Italy. By 1953 he had produced works for a one-man show at the Museum of Neuchâtel and exhibited at the Galerie Moers in Amsterdam, the II Camino Gallery in Rome, in São Paulo, Brazil and in Paris. He was a participant of the French Italian Art Conference in Turin, Italy that same year. Friedlaender accepted an international art award in 1957, becoming the recipient of the Biennial Kakamura Prize in Tokyo. In 1959 he received a teaching post awarded by UNESCO at the Museum of Modern Art in Rio de Janeiro. By 1968, Friedlaender was travelling to Puerto Rico, New York and Washington, D.C. to hold exhibitions. That year he also purchased a home in the Burgundy region of France. 1971 was another year of diverse international travel including shows in Bern, Milan, Paris, Krefeld and again New York. In the latter city he exhibited paintings at the Far Gallery, a venue becoming well known for its patronage of important twentieth century artists. From his atelier in Paris Friedlaender instructed younger artists who themselves went on to become noteworthy, among them Arthur Luiz Piza, Brigitte Coudrain, Rene Carcan...

Seascape with boat, West from Taylor Dock, Bellingham, WA. Signed and titled by the artist, one of 25 artist proofs aside from the edition. Born in Berkeley, California, on December...

Les Repas des Enfants is an original artwork realized by the English artist Edward Davis in 1862. Original etching on paper. The sheet is glued on cardboard (cm 63.5 x 50). Titled,...