Katalin Studlik Figurative Paintings

'Hidden Portraits XXVII', acrylic on canvas mounted on board, Florentine School (circa 1980s-90s). This gallery has acquired a number of paintings through an intermediary of an agein...

Portrait of a young woman with a baby. Modern painting in the style of impressionism. Against a dark background, a warm light shines, the light of love and tenderness.As is typical ...

Lebanese American artist Sally K.'s captivating floral portraits are both mesmerizing and empowering. Her pop-realistic paintings are inspired by strong, feminine women, celebrating the individuality and inherent strength of the female experience. Each painting features endless floral arrangements that frame the mysterious visages of beautiful women, creating a stunning celebration of floral abstraction and wild, fanciful coloration. Lavish in application and luxurious in composition, Sally K.'s work is inspired by pop art, culture, and fashion, resulting in a powerful, visually stunning artwork that captures the essence of femininity. This original 10-inch high and 8-inch wide acrylic and diamond dust on canvas board painting is signed on the front and back. It is unframed and requires framing for display. Convenient Los Angeles area delivery. Affordable U.S. and global shipping options are available. Provenance: Artspace Warehouse. A certificate of authenticity issued by the art gallery is included. Sally K. is an Ohio-born artist of Lebanese heritage who spent her formative years in Saudi Arabia before attending high school and college in Beirut. She graduated with distinction from the Lebanese American University of Beirut, earning a BA in Fine Arts. After moving back to the United States in 2013, Sally K. and her family eventually relocated once more to Qatar in 2019. Sally's multicultural background and diverse experiences inform her artistic vision, resulting in a unique style that blends Middle Eastern and Western influences. Sally K's work is a celebration of femininity, strength, and individuality, reflecting her own journey as a woman and artist. Her captivating portraits of contemporary women are a masterful blend of abstract expressionism and portrait painting, featuring vibrant blooms that create a dreamlike aura around her powerful subjects. Her paintings not only capture the beauty of women but also their confidence and strength, conveying a powerful femininity that inspires and empowers. With alluring, flirtatious, and demure features, Sally's portraits radiate sensuality, independence, and confidence - the very qualities that define strong women. Sally's portraits are intensely personal, as each woman she paints is an extension of her own feelings, thoughts, and experiences. Through her work, she captures the qualities that captivate her in other women - the qualities she admires and strives to gain for herself. Her paintings are a celebration of the complexities and strengths of women, conveyed through a masterful use of color, texture, and composition. Sally draws inspiration from photography, pop culture, and fashion as well as artists ranging from the pop art of Willem de Kooning and Jackson Pollock to the gilded florals and figures of Gustav Klimt. Her highly regarded paintings have been featured in group and solo shows in Beirut, Dubai, Italy, Switzerland, and the USA. They have been collected worldwide. Notable collectors include Jesse McCartney and Kelly Clarkson. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2024 Affordable Art Fair, New York, NY 2024 Artspace Warehouse, Los Angeles, CA 2024 Affordable Art Fair, Austin, TX 2023 Artspace Warehouse, Los Angeles, CA 2022 “Identity with a Chance of Imperfection”, Artspace Warehouse, Los Angeles, CA 2022 “Saturate Euphoria”, Artspace Warehouse, Los Angeles, CA 2021 Affordable Art Fair New York, NY 2021 “Splatters of Life”, Artspace Warehouse, Los Angeles, CA 2020 LA Art Show, CA 2020 Art Palm Springs, CA 2019 Affordable Art Fair Hong Kong 2019 Affordable Art Fair New York 2019 Artspace Warehouse, Los Angeles, CA 2018 "Colored Whipped Cream," Artspace Warehouse, Los Angeles, CA 2018 Threshold Art Gallery, Los Angeles, CA 2018 484 North Gallery, Laguna Beach 2013 Beirut Art Beat 2009 Lebanese Artists Association 2009 Gallery Surface Libre 2008 Lebanese Painters Exhibition 2007 Café De Prague Hamra 2007 Cream Saifi Village 2007 Matignion Gallery, Horsh Tabet 2007 Drops Batroun (permanent) 2007 Cloud Nine Jemaizeh (permanent) 2007 Tribecca Monnot 2006 Art Lounge, Beirut, Lebanon 2006 MILK Jemaizeh (permanent) 2006 Gauche Caviar Jemaizeh (permanent) 2006 ESCWA Riad El Solh 2006 Tapas Jemaizeh (permanent) 2006 Zinc Achrafieh 2006 Blush Monot 2006 The Basement Jemaizeh 2005 Solo Gallery Show, Art Lounge, Beirut 2005 Zinc Achrafieh 2005 Tribecca Monot Café 2004 Paul Guiragossian...

This beautiful work by the great American Illustrator Bob Peak has a sister work in the collection of the Lucas Museum of Narrative Art in Los Angles. We feel that our work has a little more detail, complexity and dimension to it as the beautiful female figure seems to be floating in an endless sky of dreamy colors. Portrait of beautiful woman, Large powerfully sensual deco-esque work by America's Master of the Movie Poster. Bob Peak. Bob Peak, in my opinion, was the Norman Rockwell of post-war American Illustration, this is one of the works that paved the way for a new way of seeing. It's more fine art than commercial art. For Apocalypse Now, in 1979, Francis Ford Coppola could have hired any artist in the world to create the movie poster and image for his film. He hired Bob Peak. Some of the movie posters Peak has worked on. West Side Story, Rollerball, Star Trek, Superman, Excalibur, Apocalypse Now, The Spy Who Loved Me. My Fair Lady, Camelot and Enter the Dragon. Additionally, Peak illustrated 45 covers of Time Magazine and many covers for Sports Illustrated, TV Guide. Signed lower center Private Collection Georges Delerue...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Acrylic on canvas, signed and dated (lower right), 91cm x 62cm (112cm x 82cm framed). (Provenance: in the collection of the artist Michael Leonard (British 1933-2023) until his dea...

An original acrylic painting by American Primitive Artist Robert Sellers.

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

Star Wars Storm Trooper Pop Art by British Urban Graffiti Artist, Chris Pegg. Entitled The Good The Bad & The Ugly. Art measures 42 x 24 inches Frame measures 50 x 32 inches Chri...

Acrylic on Masonite board, signed and dated (lower middle), 70cm x 70cm (91cm x 91cm framed). Price on request This work depicts Alan and his dog, Bella, on Michael Leonard’s balcon...

In this work titled "Classic Profile" Ceravolo has used one of his favorite New York models and has combine oil and acrylic with oil stick to create this timeless subtle and classic ...

This is more than a cover illustration depicting the legendary Charlie Parker playing the saxophone. It's an inventive graphic design concept from trailblazing illustrator Robert Weaver. By showing the subject in two parts. The artwork's visual idea is as radical as Parker's music. A wide shot and a close-up butted together dynamically communicates an energetic motion and movement in a still image. Signed lower right. Record album cover illustration for Charlie Parker: Bird with Strings Live at the Apollo, Carnegie Hall and Birdland (Columbia Records, 1976). From Wikipedia: Robert Weaver (July 5, 1924 – September 4, 1994) was an American illustrator who was considered a pioneer of a contemporary approach to the field that began in the 1950s. Biography Beginning in 1952, he embarked on a mission to combine the visual ideas found in fine art with the responsibility of journalist. At the time, many practitioners of illustration were expected to paint and draw for advertising and magazine assignments with artwork that was conservative, idealized and saccharine, while other illustrators such as Ronald Searle, Arthur Szyk, George Grosz, Kathe Kollwitz and later Ralph Steadman and Tomi Ungerer injected their own opinion into the matter. Weaver joined this latter tradition by moving his role of an illustrator from a page decorator to a journalist. He ventured from the typical haven of an illustrator's studio into the world and used a pencil to observe, record facts, and draw real life based visual essays, the way that illustrators such as Burt Silverman and Franklin McMahon did. This approach would later be termed "visual journalism" and in 1983 would form the basis of a special masters degree, Illustration as Visual Essay, from the School of Visual Arts in New York. He died at his home in Manhattan on September 4, 1994.[1] Career and legacy In an article for the AIGA in 1990, noted graphic art historian Steve Heller categorized Weaver as a journalistic illustrator. Other artists included Bob Gill, Jack Beck, Robert Andrew Parker, Thomas B. Allen and Philip Hays. They received crucial assignments from a group of visionary art directors that included Cipe Pineles...