Katharina Fritsch Art

These colorful meditating Buddha silhouette statues are laser cut Plexiglas and acrylic hand painted. They can stand alone, or come in couples, trios or more... This is a unique statue that will start off a conversation and will bring a stylish decoration into your home/ office/ studio or business. It's the perfect gift to someone you love, or when you want to leave an impression. The meditating Buddha statue...

Jackson Pollock 1000% Bearbrick Figurative Sculpture: A nicely sized (27 inch heigh), highly collectible Bearbrick Jackson Pollock statue piece, splattered from head to toe in Pollo...

In 2015, I made a series of sculptures called "HYPERland" illustrating the utopia promised by the "liberal democracy" and the dystopia that is rather created by the market and financ...

Jean-Michel Basquiat Bearbrick 1000% Vinyl Figure: A unique, timeless collectible trademarked & licensed by the Estate of Jean-Michel Basquiat. The partnered collectible reveals the ...

"Interface Blue" is an original piece by Jedediah Morfit made from fiberglass, reinforced plaster, paint, and wood. This piece measures 24"h x 20.25"w x 2.75"d framed, and is shipped...

"Pop Doll" is a decorated sculpture. It is created by the french artist David Cintract. About the artwork: TECHNIQUE: mannequin fiberglass, lacquer, acrylic, stencil, aerosol, mother of pearl, digigraphy, varnish, resin, Indian headdress 218 cm or helmet 198 cm. NEW MOVEMENT & STYLE: POP ART, POP FREE, Contemporary Edition : Unique, signed Weight: Approximately 25 kg. “The impressions of David's artworks on the viewer is so mighty, mesmerizing, grand, that it paralyzes the imagination. All his artworks bring positive emotion, represented by the vast creative power of his talent.” David Cintract was born in 1970. Halfway between Andy Warhol and Roy Lichtenstein, the artist projects his vision of consumer society on all media: paintings, dolls or mannequins. While paying tribute to the great artists Pop, Cintract has stood out thanks to his strong personality, becoming a key figure in the movement that he founded: “The Pop free.” David Cintract has a fascination for the exuberant sculpture and storage works so “Aladdin’s cave...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _______________________________________________________ This is a rare Terracotta large Bacchus sculpture...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

Text by Nancy Webb It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level. Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings. Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...

**STORE CLOSURE - UP TO 80% OFF - TAKE ADVANTAGE OF IT** ***EVERYTHING MUST GO BY DECEMBER 31ST!*** >>The artist is moving to a new full time venture in 2026<< _________...

"I Worry About My Kids" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, mixed media, and paint.This piece measures 62"h x 40"w x 5"d and comes with a ...

Houston Problem (2022) by Gary Sczerbaniewicz. Foam, cast plastic, spray paint, and steel.