Kathleen Crow Paintings

Bird. 2019, hardboard, oil, 41x28 cm

This impressionist still life by French painter Léon Garraud depicts a table set with a plate of peaches and a vase of pink peonies and delicate white flowers. The warm palette of or...

This enchanting early 19th-century portrait of a young girl in a pastoral landscape, attributed to the esteemed English portraitist Margaret Carpenter, is a rare and captivating exam...

A burst of pure delight in primary colors, by a notable artist who's been exhibited at many of America's most important museums. It was painted during the mid-century resurgence of c...

Richard Ball Spencer British, (1812-1897) The Perthshire off Ailsa Craig Oil on canvas, signed Image size: 22.25 inches x 36.25 inches Size including frame: 31 inches x 45 inches This painting by Richard Ball Spencer is of the Perthshire, a three-masted barque sailing off Ailsa Craig. The Perthshire was built in Dundee in 1874 and was owned by Thomas Law of 123 Hope Street, Glasgow. The red ensign flying on the mizzenmast indicates it was a British merchant or passenger ship. The owner may well have commissioned the painting to commemorate its maiden voyage. Ailsa Craig, pictured to the far left, is a small uninhabited island off the west mainland of Scotland in the outer Firth of Clyde. The island is made up of volcanic rock which was quarried in the past and is now only used as a source of microgranite to make curling stones. The island is known by a number of different names including A' Chreag (the rock) and Creag Alasdair (Alasdair's rock). It was also sometimes referred to in the past as ‘Paddy’s Milestone’ as it marked the halfway of the sea journey Belfast to Glasgow made by Irish Emigrants seeking work. Richard Ball Spencer was born in London’s East End on 11 November, 1812 to John and Elizabeth Ball. His father was a grocer and the family lived at 106 York Road in Mile End. Both Richard and his brother Thomas were given their mother’s maiden name as their middle names. By 1841, he had established himself as a marine painter specialising in ship portraits and was influenced by artists such as Joseph Heard (1799-1859), William John Huggins (1781-1845) and Robert Salmon (c1775-1845). He spent his time travelling to trading ports around the British coast as well as the nearby London docks of Brunswick Wharf and the Isle of...

19th Century English Landscape, with a cottage, pond and trees. This exquisite English Victorian 19th-century landscape by Charles Morris, circa 1890, beautifully captures the idyll...

Wonderful early 20th-century oil on canvas depicting a view of the Scottish highlands known as the Trossachs. Sidney Yates Johnson was an active painter during the late Victorian pe...

This original oil painting, dated 1930, offers a rare and charming interior view of "Minglestreams," the summer home and studio of renowned artist Claire Shuttleworth in Chippawa, On...

Late 19th century English landscape by Edwin Buttery. This exquisite late Victorian English landscape by Edwin Buttery is a masterful example of the period’s romanticized appreciatio...

The artist painted this plain air sketch on a winter night in January on a boulevard near his home in the Maryino district in a couple of sessions, finishing some of the work in his ...

Mid-Century "The Horse Race" #50 B Pierre Bosco (Italy/France, 1909-1993) Oil on canvas Signed lower right. 15 x 12 inches, frame size “The savage art of Bosco bears its rudeness a...

Mid-Century - Horse Race #28 Pierre Bosco (Italy/France, 1909-1993) Oil on canvas Signed lower right. 9 /78 x 6 7/8 (17 7/8 x 14 5/8 inches, frame size) *Frame appears to be original...