Kent Williams Portrait Paintings

Senza Titolo 4 Oil Paint on Copper Portrait In Stock Giovanni Tommasi Ferroni (1967, Rome) descended from an artistic Tuscan family. His grandfather, ...

Oil on canvas realized by Marco Fariello in 2022. Certificate of authentivity by the Artist. Excellent condition. Do you know yourself? This painting takes place around this the...

Portrait of a Noble Lady French School, early 1700's period oil painting on copper, unframed copper: 5 x 3 inches condition: very good, minor paint fading and deteriation. provenanc...

Bay Area artist Michelle Fillmore found her love of oil painting at the University of Las Vegas, where she graduated with a BA in Painting and Drawin...

This charming German miniature painting, created of oil on copper, depicts a young woman wearing a large and lavish hat. With dark, braided hair and blue eyes, the sitter's cheerful ...

Dimension with frame: 35 x 29,7 x 3,3 cm. A finely executed miniature devotional painting depicting the Madonna tenderly embracing the Christ Child. Executed in oil on copper and dating from the late 18th to early 19th century, the composition displays the intimate scale and luminous surface characteristic of copper paintings. The Virgin is shown wearing a deep blue mantle highlighted with delicate gilded details and crowned by a circle of stars, while the Christ Child rests affectionately in her arms. The work reflects the enduring influence of Baroque religious imagery and evokes the devotional paintings produced throughout the Spanish world during the colonial period, while remaining firmly rooted in the broader Continental European tradition. Its small scale, refined execution, and warm devotional character make it an appealing collector's piece. The painting is presented in an impressive carved and ebonized wooden frame that beautifully complements the richness of the composition. A charming example of late 18th-century religious art, combining devotional intimacy, Baroque sensibility, and the luminous qualities unique to oil on copper. madonna and child, virgin mary, christ child, oil on copper, copper painting, religious painting, devotional painting, catholic art, christian art, sacred art, baroque religious art, baroque devotional painting, continental european school, spanish colonial taste, spanish colonial influence, antique religious artwork, ecclesiastical art, crowned madonna, star crown madonna, virgin and child, christian iconography, late 18th century painting, circa 1800, antique oil on copper, miniature painting, devotional icon, old master style, european religious art, framed religious painting...

Lisa Fricker's "Sara's Morning" is an original, handmade oil painting that depicts a close up nude portrait of a woman in front of a earth toned , geometrical abstracted background. ...

Vittore Ghislandi, called Fra Galgario Provenance: Robert L. and Bertina Suida Manning, New York, ca. 1966-1996 Private Collection, USA Exhibited: “Eighteenth Century European Pai...

The Flagellation of Christ Old Master Flemish School 17th century Medium: Oil on copper Dimensions: Image size 22 x 17 cm, frame size 39 x 31 cm

Flower Garland Surrounding the Virgin and Child, after Jan Brueghel the Elder (flowers), Circle of Frans Francken II (figures), Antwerp, circa 1615–1625, Oil on copper This finely executed garland painting on copper belongs to the Antwerp tradition of collaborative devotional cabinet pictures developed in the early seventeenth century. The meticulously rendered floral wreath may be associated with the circle of Jan Brueghel the Elder, while the central figures are attributable to the circle of Frans Francken II. The copper support, favored for high-quality works of this type, provides an exceptionally smooth surface that permits minute precision of detail and preserves the jewel-like luminosity of the colours. Set against a dark, subtly modulated background, the oval garland appears to float freely within the pictorial field, leaving the corners and margins open and lending the composition an airy sense of balance. The wreath is constructed from a carefully orchestrated rhythm of large, voluminous blossoms—roses in varying hues, carnations, anemones, and marigolds—interwoven with a profusion of smaller flowers, leaves, and stems. Each bloom is individually characterized, displaying botanical precision, crisp highlights, and delicate tonal transitions consistent with early seventeenth-century Flemish flower painting...

Patrick Pietropoli was a teacher of political studies for several years before becoming a professional artist. Trained as both a painter and a sculptor, his oil on linen paintings ha...

Title: Portrait of Charles II of Spain Artist: Unknown Date: Late 17th century Medium: Oil on copper Framing: Set against red velvet in a deeply carved and distressed giltwood frame,...