Kevin Kegler Sculptures

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

Kora is a unique oil, acrylic and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 26 × 27.5 × 25.5 cm (10.2 × 10.8 × 10 in). The sculpture is si...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

In this contemporary encaustic sculpture, colorful layers of pigmented beeswax suggest geological formations. Sculpture is on the right side of image in photo of grouping. Laura Mor...

Artwork made with acrylic on birch on MDF and metallic enamel & waxed finish Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, includin...

Blue Copper – 24" x 24” x 1” Wood, paint, lacquer on MDF- Wood, paint, wax on MDF Blue Copper is a discreet and elegant minimalist contemporary wall sculp...

"CloudHawk" is a minimalist and modernist wood wall sculpture reminiscent of mid century modern, art nouveau and bold graphic design. It is part of my "Small Pops" Series wood wall s...

Ben Vautier Mystery Box (Boîte mystère), 1965 Painted wood with letterpress label 3 13/16 × 2 3/4 × 2 7/16 inches Ben Vautier was a French artist known for his text-based paintings...

Abstraction About Subtle Royal blue with gold leaf on carved wood panel. Krzysztof (Chris) Sokolovski born in 1985 in Eisiskes in Lithuania. Visual artist creating neosacral art: pa...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...