Kevin Kegler Sculptures

"JAMÓN JAMÓN I (Reliquary Generalife)", 2019, sold in the frame shown, is one in a series of ceramic sculptures by artist Andrew Cornell Robinson...

Theia is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20.5 × 23 × 19 cm (8.1 × 9.1 × 7.5 in). The sculpture is signed...

"CloudHawk" is a minimalist and modernist wood wall sculpture reminiscent of mid century modern, art nouveau and bold graphic design. It is part of my "Small Pops" Series wood wall s...

Kora is a unique oil, acrylic and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 26 × 27.5 × 25.5 cm (10.2 × 10.8 × 10 in). The sculpture is si...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

Takako Saito Secret Santa , 1965 Stamped inscribed in pen recipients name Wood construction 1 1/2 x 1 1/4 x 1 1/4 inches Takako Saito is a Japanese artist closely associated with F...

As part of his Copper Clad Cedar Collection, this one of a kind Biomorphic form by Bill Anson is a wonderful example of his mixed media work utilizing cedar and copper. The sculpture...

My art mirrors natural forms with biomorphic dystopian edges. In the viewer’s mind the shapes are familiarly organic yet there is a tension as one struggles to comprehend the life cy...

Luna is a unique ink, paint and wax on Carrara marble sculpture by contemporary artist Richard Perry, dimensions are 20 × 20 × 17 cm (7.9 × 7.9 × 6.7 in). The sculpture is signed an...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck...