Kevin Walz Furniture

Monumental French Brutalist Walnut Daybed, Sculptural with Teddy Bouclé Upholstery, France, 1950s A rare and commanding piece of mid-century design, this monumental French Brutalist daybed...

A magnificent pair of French Art Deco leather club chairs dating from the 1930's with their original leather, the cushion with one side upholstered in a cocoa colored velvet. The w...

Iconic hairpin/v-leg daybed/settee by George Nelson for Herman Miller. Early example (ca. 1950) with a metal spring and maple frame construction, this version designed without back ...

Pair of French Art Deco (Circa 1925) ash club chairs with padded upholstered scoop back and seat on U form support & platform. (Attributed to Pierre Chareau) (PRICED AS Pair)

A simple, sturdy daybed that works well as seating in a living space and as a guest bed. A mix of construction techniques both seen and hidden create a sturdy yet sleek focal point t...

Sensational butterscotch leather club armchairs. In the style of Ralph Lauren or Jean Michel Frank. Excellent proportions. Chairs are extremely comfortable. Very heavy chairs. Us...

Tito Agnoli for Cinova, sofa or daybed model 711, red leatherette, steel, laminated wood, Italy, 1968. Cubic sofa that can be transformed into a daybed by Italian designer Tito Agno...

The Arielle daybed is often misattributed to Wim Rietveld but is actually by the hand of Dick Cordemeijer who started at Auping in 1953 and was responsible for their famous 'Cleopatr...

Pair of 1970's Brocade Club Chairs . Pastel blue with white and cream. Elegant and stylish for any boudoir or living room. These elegant chairs are reminiscent of Dorothy Drapers design

This beautifully crafted pair of vintage rattan armchairs features a rich, dark finish and an airy open-weave lattice design. The arched back and gently sloped arms offer a comfortab...

Osvaldo Borsani for Arredamenti Borsani Varedo, daybed, model 5767, walnut, fabric, Italy, 1941 This exceedingly rare sofa or daybed, designed by Osvaldo Borsani for Arredamenti Borsani Varedo in 1941, was originally intended for Casa Albonetto in Italy. The designer himself owned a smaller version of this type. This modest daybed serves as a prime example of Borsani's impeccable innovative thinking and his keen sense of harmonious compositions. When it comes to practicality, its defining feature are the adjustable armrests, simultaneously placing the backrest cushions over the lowered armrests. In an easy gesture the sofa is transformed into a daybed. A generous storage compartment is present by raising the seating space upwards. The overall wooden frame in walnut is characterized by rounded contours and clear lines with evenly spaced spindles structuring the piece. Osvaldo Borsani (1911-1985) was an Italian designer and architect, raised by a family of fine furniture makers in Varedo. At the age of 16, he joined his father’s furniture shop, the Atelier di Varedo, which was fully engaged in designing and furnishing homes inspired by the Italian Art Deco movement. The designer of the atelier was the Italian architect Gino Maggioni (1898-1955) who was known for his Viennese Jugendstil orientation of the early 20th century. In the 1930s, he graduated from the Accademia di Belle Arti di Brera and Politecnico di Milano, where he studied Fine Arts and Architecture respectively. In 1932, the family company was renamed ‘Arredamenti Borsani’ and opened its first studio in Milan. During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Crippa (1921-1972), Fausto Melotti (1901-1986), Arnaldo Pomodoro (1926-) and Giò Pomodoro (1930-2002). These collaborations resulted in the creation of furniture and interior design projects with a high-level of craftsmanship and artistry. In 1953, Borsani founded together with his twin brother Fulgenzio Borsani ‘Tecno’, a design and manufacturing company that produced items based on mechanical innovations and refined technicality. The ‘P40’ adjustable lounge chair (1953) has become the ideological manifesto of Borsani's Tecno program, and still remains the best known, exemplary piece in the Tecno catalogue. Other iconic works that were produced by Tecno were created by Gio Ponti (1891-1979), Vico cham...

This pair is believed to be unique, commissioned for an installation in Paris, circa 1920. Please note these chairs are unrestored in the first photograph. The second and third ph...