Kevin Walz Furniture

Monumental French Brutalist Walnut Daybed, Sculptural with Teddy Bouclé Upholstery, France, 1950s A rare and commanding piece of mid-century design, this monumental French Brutalist daybed...

Sensational butterscotch leather club armchairs. In the style of Ralph Lauren or Jean Michel Frank. Excellent proportions. Chairs are extremely comfortable. Very heavy chairs. Us...

Tito Agnoli for Cinova, sofa or daybed model 711, red leatherette, steel, laminated wood, Italy, 1968. Cubic sofa that can be transformed into a daybed by Italian designer Tito Agno...

Iconic hairpin/v-leg daybed/settee by George Nelson for Herman Miller. Early example (ca. 1950) with a metal spring and maple frame construction, this version designed without back ...

A simple, sturdy daybed that works well as seating in a living space and as a guest bed. A mix of construction techniques both seen and hidden create a sturdy yet sleek focal point t...

The Field bed by Hinterland Design is a modern take on the army cot. Made of solid Canadian white ash, the 7-foot long frame is then whitewashed and topped wi...

Classic Art Deco club chairs in stained cherry. French, circa 1925. 29" wide x 30" deep x 37" high. Model documented in “Paul Follot” book. PAUL FOLLOT (1877 - 1958) Paris-born decorative artist and sculptor PAUL FOLLOT studied at Ecole Normale d'Enseignment du Dessin under Eugene Grasset. In his early graphic design work he was influenced by medieval and Pre-Raphaelite art. In 1901 he joined La Maison...

Pair of white linen club chairs, linen fabric has subtle geometric design.

This beautifully crafted pair of vintage rattan armchairs features a rich, dark finish and an airy open-weave lattice design. The arched back and gently sloped arms offer a comfortab...

An exceptional pair of club chairs with intricately carved frames with bold Rams Head arms. The generous seats and backs are custom upholstered in a fine and deep Celadon hue faux su...

Pair of 1970's Brocade Club Chairs . Pastel blue with white and cream. Elegant and stylish for any boudoir or living room. These elegant chairs are reminiscent of Dorothy Drapers design

Osvaldo Borsani for Arredamenti Borsani Varedo, daybed, model 5767, walnut, fabric, Italy, 1941 This exceedingly rare sofa or daybed, designed by Osvaldo Borsani for Arredamenti Borsani Varedo in 1941, was originally intended for Casa Albonetto in Italy. The designer himself owned a smaller version of this type. This modest daybed serves as a prime example of Borsani's impeccable innovative thinking and his keen sense of harmonious compositions. When it comes to practicality, its defining feature are the adjustable armrests, simultaneously placing the backrest cushions over the lowered armrests. In an easy gesture the sofa is transformed into a daybed. A generous storage compartment is present by raising the seating space upwards. The overall wooden frame in walnut is characterized by rounded contours and clear lines with evenly spaced spindles structuring the piece. Osvaldo Borsani (1911-1985) was an Italian designer and architect, raised by a family of fine furniture makers in Varedo. At the age of 16, he joined his father’s furniture shop, the Atelier di Varedo, which was fully engaged in designing and furnishing homes inspired by the Italian Art Deco movement. The designer of the atelier was the Italian architect Gino Maggioni (1898-1955) who was known for his Viennese Jugendstil orientation of the early 20th century. In the 1930s, he graduated from the Accademia di Belle Arti di Brera and Politecnico di Milano, where he studied Fine Arts and Architecture respectively. In 1932, the family company was renamed ‘Arredamenti Borsani’ and opened its first studio in Milan. During this period, he encountered Avant-Garde artists of various artistic disciplines like Lucio Fontana (1899-1968), Agenore Fabbri (1911-1998), Aligi Sassu (1912-2000), Roberto Crippa (1921-1972), Fausto Melotti (1901-1986), Arnaldo Pomodoro (1926-) and Giò Pomodoro (1930-2002). These collaborations resulted in the creation of furniture and interior design projects with a high-level of craftsmanship and artistry. In 1953, Borsani founded together with his twin brother Fulgenzio Borsani ‘Tecno’, a design and manufacturing company that produced items based on mechanical innovations and refined technicality. The ‘P40’ adjustable lounge chair (1953) has become the ideological manifesto of Borsani's Tecno program, and still remains the best known, exemplary piece in the Tecno catalogue. Other iconic works that were produced by Tecno were created by Gio Ponti (1891-1979), Vico cham...