L. Gregoire Sculptures

After the Antique Venus of Capua Patinated Bronze Sculpture, 20th century, possibly cast by Chiurazzi, the standing draped figure with outstretched arm, with a foot resting on a helm...

An Incredible and Large Gilt and Patinated Bronze Group of Gloria Victis, a Winged Figure of Victory with a Fallen Warrior. This incredible bronze piece was cast after a model by Maarius-Jean-Antonin Mercié, This model is signed 'F. BARBEDIENNE FONDEUR PARIS' demonstrating that it was cast by Ferdinand Barbedienne's foundry, the best bronzier of the 19th century. The base is further signed 'A. Mercie' and stamped 'Réduction Mécanique' with an inscription of '659'. The figure is mounted on a Belgian noir marble base with various stepped edges. Gloria Victis is one the most well-known and important bronze casts of the 19th Century. The quality of this particular model is absolutely incredible and all the marking indicate that this particular piece is one of the finest produced by the Foundry. A student of Jouffroy and de Falguière at the Ecole des Beaux-Arts, Marius-Jean-Antonin Mercié (1845-1916) won the Grand Prix de Rome at 23 years old with his work Thésée vainqueur du Minotaure. In 1872, he sent the plaster model of his work David vainqueur to the Salon, for which he won the first class medal. At the same time, he received La croix de la Légion d'honneur at the Villa Medici. His return to Paris, in 1874, issued in a long and brilliant career with numerous commissions, notably the monuments for Louis-Philippe and Queen Marie-Amélie for the Royal Chapel at Dreux (1886). By the age of 30 Mercié was already very well-known and his Gloria Victis received resounding success when it was exhibited at the Salon, in 1874 (in plaster) and in 1875 (in bronze). This work exalted the heroism and the patriotic sentiments aroused by the disasters of 1870. His predilection for patriotic subjects is shown in many of his works such as Quand même...

A fine and rare Bisquit porcelain and gilt bronze Louis XV figural clock f depicting a famous scene in Greek Mythology of Perseus freeing Andromeda. The clock case is made of Bisquit (unglazed) porcelain. The figural group is presented on a rocky outcrop with waves lapping at their feet. She is shown lying over the clock dial with one leg and one arm chained to a rock behind her. Perseus leans agains the other side of the dial reaching to untie Andromeda from the rock behind her. Medusa's severed head is shown at his feet. The base is decorated with a gilt bronze frieze across the front showing cupids playing with stars and sun rays. The rounded sides of the clock are also decorated with gilded panels. The case sits on six toupie feet. The 6.5" white enamel dial is signed Ageron at the top and Paris at the bottom. The dial has Roman numerals with enamelled stars between the numerals; the hands are pierced and gilded. There is also a subsidiary steel hand pointing to the days of the month. The silk string suspension system has been replaced with a steel suspension system. The clock rings the hours and halfs on a bell. The movement for this magnificent clock was made by François Ageron (d. after 1783), who was one of the leading 18th century Parisian clockmakers. Ageron’s establishment was famous and known for his horological genius he created both clocks and watches, many of which had complicated movements. He was born at Arbigny and was received as a Parisian maître-horloger in 1741, at which date he was established at Place du Pont Saint-Michel. By 1747 he had moved to Quai des Augustins, five years later he was at rue Saint-Louis au Palais and then in 1763 at place Dauphine. Like other great clockmakers of the period he used cases by the finest bronziers notably Philippe and Jacques Caffiéri, Jean-Joseph de Saint-Germain, Robert and Jean-Baptiste Osmond, Jacques Dumont...

An exceptional Continental 19th century Grand Tour Period patinated Bronze, Black Belgian, and Rosso Alicante marble statue of Perseus and Medusa. This handsome statue of Perseus hav...

Emmanuel Frémiet (1824–1910) Chevaux de Course et Jockeys (Two Racehorses and Jockeys) France, circa 1910 Signed: E. Frémiet Foundry mark: F. Barbedienne A fine, richly patinated b...

'Bacchantes', a fine patinated bronze figural group after Claude Michael Clodion, French (1738-1814). French, circa 1870. Signed 'Clodion' to the base and inscribed 'BACCHANTE...

This is a bust of Psyche in patinated bronze by the founders Boyer and Rolland. It represents a young woman wearing butterfly wings in her hair with her head turned towards an insect placed on her shoulder. The little butterfly probably represents Cupid. It is an evocation of the myth Cupid and Psyche. The sculpture rests on a red marble base placed on a rectangular stand. It is a sand casting made in the foundry of Boyer and Rolland whose mark is on the back of the bust. On the side, it is annotated Mm Léon Bertaux...

19th century French bronze sculpture "Perseus Freeing Andromeda" by Jean-Louis Grégoire (French, 1840-1890). Signed on base L Grgoire. Subject matter is "Perseus and Andromeda...

Depicting a figure chasing the bronze vase on rouge marble base.

This elegant 19th-century gilded bronze sculptural group is a stunning piece of art. It is mounted on white Carrara marble, which enhances its overall beauty and grandeur. The sculpt...

Inscribed Ary Bitter (1883-1973) with The L.N. and J.L. Foundry, Paris.

This silver plated bronze sculptural group of a Cockerel and a chicken an a gilt-bronze mounted hard-stone base was made in Circa 1890 by Christofle