László Moholy-Nagy Prints and Multiples

This exquisite lithograph by Max Bill (1908–1994), titled Prisma (Prism), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Fri...

This exquisite lithograph by Max Bill (1908–1994), titled Variation 13, from the album XXe siecle, Chroniques du jour, 13 rue Valette (5e), Directeur G. di San Lazzaro, Sommaire du n...

Richard Meier Pericolosamente, 2011 Silkscreen Collage (mix media), sheet size: 30" x 30" signed numbered dated in pencil by the artist edition of 50 Richard Meier, (b.1934)...

Ian Tyson 4 x screenprints from the Schema Series with matching edition numbers Each print is 58 x 58 cm - sheet size matching Edition no. 11 of 30 hand-signed and dated on the front...

This artwork "Untitled" 2011 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 7/35 in pencil by the artist. The image (plate mark) size is 9 x 18.5 inches, framed size is 19 x 27.85 inches. Published by Joseph Grossman Fine Art...

John Henry Shafts, 1974 Lithograph 23 × 16 inches Pencil signed, dated and numbered 11/50 on the front; with blind stamp Unframed 1970s lithograph by constructivist sculptor John Henry.

Waterway by Rob Barnes [2021] Last one available. The inspiration for this was seeing clouds and ripples on the river. I was trying to create movement in the design and include some...

Frank Stella print The Butcher Came and Slew the Ox, Pl.8 from Illustrations after El Lissitzky’s Had Gadya, 1984, recalls the post-painterly abstraction known to have influenced Stella with added elements that reflect collage and cut-out effects. Inspired after seeing an exhibition in 1919 by the Russian avant-garde artist El Lissitzky (1890-1941) who had created a series of gouaches illustrating the traditional Jewish Passover song, Had Gadya (The Only Kid), Stella created his own, one of which you see before you. With movement and vibrancy, each piece in the series illustrates each line of the song, as Lissitzky had done. What makes The Had Gadya series so pivotal in Stella’s oeuvre however is that it is the introduction of both the 'wave' motif, which inspired the seminal Moby-Dick series and his Cones and Pillars iconography. This stunning work is bursting with color and movement. Shades of green, coral and yellow dominate the piece. Like a music piece, each component of the collage forms an upbeat composition. Central to the scene are lime green cones and pillars which are reminiscent of Stella’s previous Cones and Pillars series. Above, sinuous red lines curve to form an abstract image. Viewed together, the colors and forms are a testament to Stella’s artistic past and future. Created in 1984, Frank Stella The Butcher Came and Slew the Ox, Pl.8 from Illustrations after El Lissitzky’s Had Gadya, 1984 is a color screen print, lithograph and linocut with hand-coloring and collage is hand-signed by Frank Stella (Massachusetts,1936 - New York, 2024) in pencil in the lower right of the image. Numbered 16 from the edition of 60 in pencil in the lower margin. Frank Stella Had Gadya...

Safety Pin by American artist George Nama is from ” Tightrope ” a suite of ten lino-cuts published by Monument Press 1974. We see a stark image of a large safety pin with a wire binding it’s movement which changes the viewers concept of what they think they are perceiving. In this series of ten lino-cuts Nama takes ordinary household objects and makes them inoperable by wrapping a wire around the workable part of the object and presenting one object at a time. There seems to be a sense of humor and at the same time profundity with each image. All copies are individually signed and numbered by the artist. This is copy number 5/50 and is touched by hand with watercolor on Arches cover stock paper and printed by Monument Press in Pittsburgh, Pennsylvania. This print is in excellent condition with the first two letters of the title having been smudged by the artist when he hand wrote it in pencil on the lower left side of the print. George Allen Nama was born in Homestead near Pittsbugh, Pennsylvania in 1939. In the 1960’s he was part of an international artistic circle in Paris while working at the Atelier 17 with William Stanley Hayter...

Gottfried Honegger Zurich 1917 - 2016 Untitled Silkscreen print Hand-signed in pencil on the reverse Limited edition of 88/150 Sheet size: approx. 35 x 25 cm

Fletcher Benton Large hardback monograph (hand signed twice by Fletcher Benton), 1990 Hardback monograph with cloth boards and dust jacket (hand signed twice and inscribed to Ernie) ...

Brightly colored and captivating, Frank Stella And the Holy One, Blessed Be He, Came and Smote the Angel of Death, from Illustrations After El Lissitzsky's Had Gadya, 1984 speaks to ...