Leon Zack Art

Wave play is all about the miraculous action of the sea at the edge of earth. It is all about the excitement and motion and the play of colors as the sunlight glistens upon the ocean blues, the sandy beiges, creams and taupes and how it makes you feel! The undertow crashes into the beachfront demanding control of the powerful surf! The gritty texture of nature in this original oil painting never recedes! This marine landscape commands attention with the free feeling abstract expressionism brush strokes, impasto paint application and insistence that it remains an organic reflection of the artist's experiences. International artist Anita Lewis...

Antonio Gritón (Mexico City, 1953) Lives and works in Mexico City. Antonio Griton is a visual artist and tireless promoter of Mexican culture. He captures a visual discourse that r...

Helen Frankenthaler (after) Frankenthaler: The Darker Palette (autographed and inscribed), 1998 Offset Lithograph print 42 × 35 in hand signed "Frankenthaler" lower left; inscribed a...

This painting is from my series titled "The Untethered Soul." This series delves into the transformative power of nature, capturing the essence of what one feels rather than sees. In...

Feeling the natural beauty of the summer sun as it discreetly unfolds over you is a true blessing and gift for the soul. The orange and yellow bursting out from the sun is what your soul has been begging for! Artist Bart DeCeglie displays his experience talents as he implements ultiiple techniques in the formation of sky, ocean and earth with motion and feeling true to the composition. The unframed size of this original abstract expressionist oil painting was finished with an elegant contemporary gold frame selected by the artist. Born and raised in Italy, now living and painting in New York, popular artist Bart DeCeglie studied his craft at both Pratt Institute...

Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Dimanche Cote d'Azur, Sunday on the French Riviera, is forever bathing in glowing sunlight, reflecting the sun's golden rays throughout her storied landscape and azure blue waters. It is indeed one of Europe's most adored waterfronts. Artist Dmitri Wright, Director of the Weir Farm National Historic Site Art Academy, where he teaches art in addition to teaching painting at the venerable Florence Griswold Museum, both of Connecticut, punctuates this contemporary oil painting with impasto paint, highlighting the joy to behold relaxing along the renowned French coastline. Wright studied art at Cooper Union, the Brooklyn Museum Art School and the Newark School of Fine and Industrial Art. His work has been exhibited at three museums among other notable venues. In 2008 Wright taught a series of painting classes at a private estate in Cap d'Antibes, one of the most exclusive spots on the Riviera...

When the flowers by the sea begin to bloom and catch the wind, summer will soon be in full swing with a potpourri of fragrances in the air! In this exciting garden paradise, an abst...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

NOTE: THIS PAINTING CANNOT BE SHIPPED UNTILL MID AUGUST. THIS IS BECAUSE OF THE DRYING TIME. IT WILL BE SHIPPED IN A CRATE AND READY FOR HANGING. This painting is from my series ...

At dusk, the heart and soul of a modern cosmopolitan city, with it's fast pulse blurring into each other, comes alive! Artist Bart DeCeglie used a mixture of elongated and shorter brush strokes to add motion to the many elements of this abstract expressionist cityscape...

Sam Francis Untitled Abstract Expressionist lithograph (Hand Signed from the Carnegie Museum Deluxe Edition), 1972 Catalogue Raisonné: 155, Lembark Hand signed and numbered 25/30 on...