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Léon Zack - Lyrical Abstract Composition - Signed Oil on Canvas
By Léon Zack
Located in Collonge Bellerive, Geneve, CH
Léon Zack 1978 Lyrical Abstract Composition Signed Oil on Canvas 82 x 117 cm. Provenance -Galerie Visconti, París Léon Zack (1892-1980) Léon Zack ...
Category

1970s Abstract Expressionist Leon Zack Art

Materials

Oil

Léon Zack - Snow - Original Handsigned Lithograph
By Léon Zack
Located in Collonge Bellerive, Geneve, CH
Léon Zack - Snow - Original Handsigned Lithograph 1969 Handsigned in pencil and numbered Edition of 22 32.5 x 25 cm Léon Zack (1892-1980) Léon Zack was a Ru...
Category

1960s Abstract Expressionist Leon Zack Art

Materials

Lithograph

Léon Zack - Lyrical Abstract Composition - Signed Oil on Canvas
By Léon Zack
Located in Collonge Bellerive, Geneve, CH
Léon Zack Lyrical Abstract Composition Signed Oil on Canvas 50 x 61 cm Léon Zack (1892-1980) Léon Zack was a Russian émigré who became a leading exp...
Category

1970s Abstract Expressionist Leon Zack Art

Materials

Oil

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A Paintings Retrospective: vintage LACMA Museum poster depicting her 1963 work
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Helen Frankenthaler (after) A Paintings Retrospective: vintage LACMA Museum poster, 1990 Offset lithograph museum poster (Unsigned & Unnumbered) 37 × 25 inches Unframed This was printed in the artists lifetime - making it more collectible - on the occasion of the exhibition, "Helen Frankenthaler: A Paintings Retrospective from February to April, 1990 at the Los Angeles County Museum of Art (LACMA) Print is published by Editions Limited Galleries, San Francisco for Los Angeles County Museum of Art (LACMA), LA, CA The work depicted is Helen Frankenthaler, The Bay, 1963, acrylic on canvas, Detroit Institute of Arts, Michigan (Incidentally, this beautiful work is featured on the cover of the book Water and Art' by David Clarke.) “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...
Category

1990s Abstract Expressionist Leon Zack Art

Materials

Offset, Lithograph

French 20th Century Shapes in Motion Abstract Seascape at Dusk Moody Horizon
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Late 20th Century Abstract Expressionist Leon Zack Art

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Canvas, Oil

French 20th Century Abstract Expressionism Painting Figure in Soft Hues
Located in Cirencester, Gloucestershire
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Category

Late 20th Century Abstract Expressionist Leon Zack Art

Materials

Canvas, Oil

The Darker Palette print, Hand signed twice and inscribed by Helen Frankenthaler
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20th Century Abstract Expressionist Leon Zack Art

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Late 20th Century Abstract Expressionist Leon Zack Art

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Adolph Gottlieb, rare exhibition print for Guild Hall in Easthampton, NY, Framed
By Adolph Gottlieb
Located in New York, NY
Adolph Gottlieb Guild Hall is for Everyone, 1970 Rare Abstract Expressionist Offset Lithograph poster Vintage metal Frame included Rare vintage, limited edition, offset lithograph ...
Category

1970s Abstract Expressionist Leon Zack Art

Materials

Lithograph, Offset

Abstract Expressionist Lithograph for the Carnegie Museum of Art, Lt Ed. of 1000
By Joan Mitchell
Located in New York, NY
Joan Mitchell Untitled Abstract Expressionist Print for the Carnegie Museum of Art, 1972 Lithograph on wove paper 15 × 22 inches Limited Edition of 1000 (unnumbered) Printer: Maeght...
Category

1970s Abstract Expressionist Leon Zack Art

Materials

Lithograph

Stoplight Observations, landscape, flowers, nature, orange, rust, green, purple
Located in Jönköping, SE
NOTE: THIS PAINTING CANNOT BE SHIPPED UNTILL MID AUGUST. THIS IS BECAUSE OF THE DRYING TIME. IT WILL BE SHIPPED IN A CRATE AND READY FOR HANGING. This painting is from my series ...
Category

2010s Abstract Expressionist Leon Zack Art

Materials

Oil

Previously Available Items
Nude after the Bath - Original Oil on canvas, Signed
By Léon Zack
Located in Paris, IDF
Leon Zack (1892-1980) Nude after the Bath, 1930 Original Oil on canvas Signed and dated in the bottom right corner On canvas 65 x 46 cm (c. 26 x 28 in) Very good condition
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1930s Modern Leon Zack Art

Materials

Oil

Léon Zack, Abstract Oil on Canvas, 1958
By Léon Zack
Located in Saint-Ouen, FR
Léon Zack, signed. Oil on canvas showing an abstract composition in pink, white and grey shades. Visible brushstrokes or knife strokes creating geometrica...
Category

1950s European Modern Vintage Leon Zack Art

Materials

Paint

Léon Zack, Abstract Oil on Canvas, 1958
Léon Zack, Abstract Oil on Canvas, 1958
H 37.41 in W 27.17 in D 1.58 in

Léon Zack art for sale on 1stDibs.

Find a wide variety of authentic Léon Zack art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of purple and other colors. You can also browse by medium to find art by Léon Zack in oil paint, paint, lithograph and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the abstract style. Not every interior allows for large Léon Zack art, so small editions measuring 19 inches across are available. Customers who are interested in this artist might also find the work of Patrice Rouge , Claude Vermette, and Stefan Matty Vladescu. Léon Zack art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,663 and tops out at $19,800, while the average work can sell for $8,363.

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