Lesieur, Paris Table Clocks and Desk Clocks

Brocot type suspension very rare early 30 day perpetual slander clock with moon phase, barometer and Fahrenheit and Centigrade thermometers. Stri...

A magnificent large gilded and patinated bronze period French Empire mantle clock depicting Urania the Greek Muse of Astronomy standing on a stepped rectangular gilded bronze base her left elbow resting on a large gilded globe of the heavens with a central band showing the signs of the zodiac...

Dial signed Polti Frères Measures: With base or glass: Height 61 cm (24 in.), width 51,5 cm (20.3 in.), depth 23.5 cm (9,2 in.) Without base: Height 52 cm (20,5 in.), width 42 cm (16.5 in.), depth 12.5 cm (4.9 in.) Important philhellenic clock in burnished and amati gilded bronze, finely chiseled, representing on the terrace a couple elegantly dressed in "the turkish style", and richly decorated with foliage, scrolls and flowers. The feet, decorated with water leaves, rest on an oval wooden base covered with a globe. The theme of the clock comes from The Giaour, a fragment of a Turkish Tale, an English poem by Lord Byron published in may 1813 which tells the thwarted love of a Venetian, the Giaour – term by which the Turks designate infidels and especially Christians – and of Leila, a slave belonging to Hassan’s seraglio, military leader of a Turkish province. The betrayal of Leila discovered, she will be thrown into the sea and her lover will avenge her by killing Hassan, then taking refuge in a monastery. Symbol of prestige and modernity, the decorative clocks are a reflection of the taste of the era of a wealthy bourgeoisie and may be the subject of diplomatic gifts or between individuals. Beyond the purely decorative aspect of such objects, watchmaking in the 19th century is part of a subtle mix of political, historical and literary references. This philhellenic movement converning the West finds a particular echo in France, one of the countries with the United Kingdom and Russia having suported the Greeks during their war of independance (1821-1830) to free oneself from the grip of the Ottoman Empire. Many clocks...

Louis Phillippe gilded and dark patinated bronze clock. Young woman adorned with wings and a bird on the shoulder sitting on rock block. Gilt dial with wreath of flowers. Included ke...

With pointed architectural pediment over an enamel clock face with signature of Mesnil of Paris. With black marble frieze and white marble columns with b...

Noble Pendule/Mantel Clock Napoleon III "Gros à Lyon" Paris France, circa 1850/60 Bronze, matte-gilt with polished edges. On a high base decorated with vines and a putto as Mars in f...

Louis XVI mantel clock "Pendule à cercles tournants" France, late 18th century / early 19th century Mercury-gilt bronze, Carrara marble, enamel and copper. In working order. Key pr...

French Empire Patinated and Gilt Bronze Verde Antico Marble Figural Clock, circa 1830, the clock surmounted with seated figures of Apollo and Diana, each holding a torch, the clock w...

Tortoiseshell Pendule D’Officier Mantel Clock Tortoiseshell mantel clock in a Pendule D’Officier style case with ormolu mounts, brass feet ...

An important and rare French Empire gilt bronze mantel clock depicting "Venus Guided by Love" featuring a case by the noted bronzier Lesieur. The figures and clock plinth sit on a rectangular green marble base topped with a gilt bronze plinth, raised upon four flattened toupie feet. The round enamel dial, signed “Lesieur à Paris”, indicates the Roman numeral hours and minute graduations. It is housed in a finely chased bronze altar whose pediment is decorated with egg and dart friezes, and be-ribboned torches on either side the façade is adorned with applied stylized butterfly and lyre motifs. The sides feature be-ribboned flower wreaths, and the plinth a leaf frieze. Two fine gilt bronze figures depict a winged and semi-nude cupid who is pointing to the time, while addressing Venus who is clothed in antique robes...

Royal fire-gilded mantel clock/Pendule Napoleon III, 1870, Paris, signed Lantier A fantastic masterwork of perfection with beautiful fire-gilded bron...

Paris, Empire, c. 1810, bronze body, fire-gilt and patinated, designed by Jean-André Reiche in 1808, 8-day movement, enamel dial with Roman numerals, figure of the wearer on an oval ...