Linda Cunningham Art

Fumio Otani (Japanese, 1929-1995). Untitled and Untitled, ca, 1965. Cast and polished steel. Smaller composition measures 14.75 x 7.75 x 1.5 inches. Larger composition measures 16...

A Large, Dynamic 1950s Mid-Century Modern Watercolor of Lower Manhattan, New York City by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). The image is watercolor, pastel and c...

Untitled Landscape, an original mixed media on paper by Tom Perkinson, is a piece for the true collector. His use of saturated violets, vivid yellows, and resplendent oranges pushes ...

"Rhapsody" by Kevin Barrett Indoor/outdoor sculpture in bronze. The sculpture is 65"h and rests on a 24"h stainless steel base. Kevin Barrett is noted for creating unique, rhythmic,...

An Amazing New Piece at an Incredible Price by renowned Canadian Artist Fahri Aldin. This Stunning Beauty titled 'The Stallion' is Limited Edition 2 out of 27. From his latest series...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

" The work resists framing in concepts, it overflows the contours and borders of the rational. It is through the presence of color, combined with an abstraction at times with express...

An Amazing New Piece at an Incredible Price by renowned Canadian Artist Fahri Aldin. This Stunning Beauty titled 'The Proud Stallion' is Limited Edition 3 out of 27. From his latest ...

The central concept of Larios painting series KHLORIS is based on the idea of ​​the garden as a metaphorical space. Larios seeks to find a certain romantic beauty in the details of n...

"Sioux Camp," an original mixed media on paper by Tom Perkinson, is a piece for the true collector. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworldly realms. The viewer is invited to step into the painting to explore the scene within and imagine gazing at an easel of a plein-air painter with the blue sky, clouds, and grasses in full view. Here, Perkinson chose to depict a Sioux settlement. A fire with smoke rising helps set the stage for day turning to night. The scene is filled with activity. Women watching over playing children. A father teaching a lesson. A group of three or more watching over the horses. Others occupy the settlement out of view. Perkinson describes his style of painting as "Romantic Realism," a technique that incorporates two iconic art movements. This style, in combination with the imagination of the artist, produces remarkable results, showcasing Perkinson's keen ability to capture emotion, nature, and life - all in a brushstroke. Both his technical talent and choice of subject matter pair perfectly with its carved, custom, antique-finish, gilt frame. This masterful work would make a great addition to an art collection and enhance most any home, perfect for those who have an affinity for landscapes, impressionism, romanticism, realism, Southwestern Art, Native American themed art, plein-air painting, and nature. "The Sioux nation were the largest of all the Native American tribes and consisted of three divisions which were based on their location, dialect and their subculture. The Sioux tribe originally lived along the upper Mississippi in Minnesota, Iowa, and Wisconsin. They were forced west by the French and their Chippewa allies. During the migration west to the Great Plains, the tribe split into three divisions - the Lakota, Dakota and Nakota. The names Lakota, Dakota, and Nakota all mean "Allies" or "Confederates." The Sioux tribe fiercely resisted the white encroachment of the Great Plains. The names of the most famous chiefs who led the Sioux tribe into battle were Sitting Bull, Red Cloud, Chief Gall, Crazy Horse, Rain in the Face, and Kicking Bear. Famous conflicts included the Sioux Wars (1854-1890), Red Cloud's War (1865-1868), the 1876 Battle of Little Bighorn, and the 1890 Ghost Dance...

Abstracted New York City landscape drawing of urban rooftops and tree tops "Rooftops", created by William Clutz in 1977 30 x 20 inches, charcoal and pastel on paper 33 x 25 inches in light wood frame This framed pastel on paper was made in 1977 by William Clutz. It features an abstracted depiction of New York City rooftops as seen from a high window. Of particular note is the artist's technique with pastel; a wonderful texture and motion is created by closely woven striated lines. Sunlight reflects off brown rooftops and peaking green tree tops. The charcoal and pastel drawing is framed in a natural light wood frame with non-reflective glass and wire backing for installation. About the Artist: Renowned as the “impressionist of the contemporary metropolis”, William Clutz uses the city, in its entirety, as his subject. Pedestrians crossing streets become stars of the stage; the hustle and bustle of traffic and surrounding buildings are the chorus; each play their part in the overall composition. Lighting and color shift this observation of the everyday into a remarkable wonder. “It is surely Clutz”, wrote Gerrit Henry in Art News, 1979, “an artist who has rejected the niceties of representation in favor of the quintessence.” The young artist moved to New York City in 1955 and just four years later had his first solo exhibit at the Condon Riley Gallery. Clutz went on to show in major uptown galleries such as David Herbert, where, notably in 1962 he received a NYTimes review titled, Return of the Figure. That same year, his role in the revival of figuration was further solidified with inclusion in the MoMA group show, Recent Painting USA, The Figure. This was a pivotal turning point from which emerged a 50-year exhibiting career. Resume Born: Gettysburg, PA 1933 Mercersburg, PA 1933-1951 New York City 1955-1996 Education Painting: Thomas Danaher(WPA artist) 1944-51 Mercersburg Academy, PA 1947...

Large, charcoal and acrylic landscape painting on canvas featuring a detailed countryside wooded field and light blue sky "Dreamland" by Sue Bryan acrylic and charcoal on canvas 34 x 42.5 x 1.5 inches 35.5 x 43 inches with an ebonized walnut floater...

Large, highly detailed charcoal and acrylic landscape featuring a lush country forest against a sunlit sky "Some Twilight Land" by Sue Bryan charcoal, acrylic, and pastel on canvas, ...

This painted steel flame cut sculpture by Paul von Ringelheim is a vibrant abstract expressionist work. With his sculpture, Von Ringelheim creates an enti...

The paintings resists framing in concepts, it overflows the contours and borders of rationality. It is through the presence of color, combined with an abstraction at times with expre...