Álvaro Verduzco Art

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

Artist Unknown "Tie and Glasses" c. 1940s Charcoal and pencil on paper 13.5"x17" site 19"x23" rustic wood frame Unsigned

Lucy Dawson (British, 1870–1954) Watching Raindrops (“Whisky”), circa 1950 Pencil on paper, inscribed and titled This delicate pencil study by Lucy Dawson, also known by her artist’...

Graphite and coloured pencil on paper, signed and dated (lower right), 36cm x 44cm, (45cm x 53cm framed). The picture is behind museum quality non-reflective UV glass. Throughout h...

"Faded" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The paper measure...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

"Sound and Color" is an original oil pastel, ballpoint pen, and color pencil on arches paper work by Lauren Rinaldi. This piece ships in the pictured archival custom frame. The paper...

"It’s Complicated" is an original oil pastel, ballpoint pen, and graphite on arches paper work by Lauren Rinaldi. This piece ships float-mounted in the pictured white frame. The pa...

Foundational Studies 25(E) The Composition A refined entry point into the studio’s practice, Foundational Studies 25(E) is a deliberate exploration of form and verse. Executed on ha...

Richard Denison Taylor is one of the great Cartoonists. He is celebrated for his dry sense of humor and skill in depicting people through subtle narratives in a single image. He is...

Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. Throughout his artistic career, Castro has exalt...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell