Lisa Takahashi Art

The artwork will be sent unframed, with passpartou Linocut „Moor” 2023 Linocut print technique Art print from 5 matrices Limited edition, print unique number 2/8 Paper Fabriano Ros...

A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...

"Bridge" Contemporary African American Urban Landscape 20th Century Alvin Ailey NYC ROMARE BEARDEN (American, 1914-1988) The Bridge, 1982 signed 'Romare Bearden' (upper left); with...

Sangre de Christos is a hand-pulled, limited edition serigraph, no. 39 / 260 and is signed in pencil by the artist. Published by Aspen Mountain Graphic...

SEVENTH TORII is an original, hand drawn(not a photo reproduction or digital print), limited edition lithograph with gold silkscreen printed using hand lithography and serigraphy tec...

Chama Canyon is a limited edition hand-pulled serigraph no. 225 /260 in excellent condition. It is signed in pencil and published by Aspen Mountain Graphics. sheet size 14 x 18 image 12 x 16 For American artist William Hook ( b. 1948- ) art was a central focus in his family home and he began his career in art at an early age.. He studied at several prestigious art schools in the US and abroad. His work has been featured in magazines such as Southwest Art, Art of the West, U. S. Art, American Artist and Focus Santa Fe. The book… Leading the West… by Donald Hagerty features William Hook as one of the most notable influences on the western art scene. Publishers Harper-Collins and North Light have included his work in numerous books written about the contemporary art process in Europe and America. Hook’s paintings can be found in the permanent collections of the Denver Art Museum, the Tucson Art Museum, the University of New Mexico, the FORBES Museum, NYC, and the Genesee Museum, NY as well as in many corporate and private collections. His work has also been featured in prints for the New Mexico Symphony, Music from Angel Fire...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

Another example of this work sold at Sotheby's London a on September 6, 2025 for 190,500 GBP, or $254,804 (Lot 19) Pablo Picasso Jacqueline Au Chapeau Noir (Jacqueline in Black Hat)...

PRINCES KEPT THE VIEW is an original limited edition lithograph printed using hand drawn lithography techniques on archival Arches printmaking paper, 100% acid free, by the Iowa born...

Chama Winter is a hand-pulled, limited edition serigraph, no. 133 /260 and is signed in pencil by the artist. Published by Aspen Mountain Graphic...

Rose Light Across the Sea Abstract Landscape Art, Painting by British Artist Angela Wakefield Art measures 12 x 10 inches Frame measure 18 x 16 inches A wonderfully atmospheric s...

CALVILLE BLANC is an imaginary architectural landscape that combines the real and the surreal. Created in 1995 by the Iowa born artist Jim Buckels (b.1948) known for his dream-like images, rendered in a meticulous, modern airbrush technique. This limited edition screenprint was printed using hand silk screen printing techniques on heavyweight archival printmaking paper, very fine details superb quality craftsmanship. CALVILLE BLANC presents the viewer with a dreamlike metaphysical landscape luxuriant with shades of cool blues, dark greens, grays, beige, magenta pink, yellow, off white and black. A peaceful moonlit garden scene accented by two winged cherub statues in the foreground holding onto each other atop a stone wall. An elegant and fanciful, French maison rendered in a Châteauesque architectural style, sets the scene as it stands glowing with light beside a mirror-still pool of water, a double arched bridge...

Cottonwoods is a hand-pulled, limited edition serigraph, no. 32 / 165 and is signed in pencil by the artist. Published by Aspen Mountain Graphic it is ...

"Beaver Lake Beaver with Surround Sound Cows" is an original mixed media piece incorporating watercolor and ink on handmade paper by David Barnett and his daughter, Sarah. They both ...

Through the unique usage of color, light and spirit, K.L. McKenna's style captures the landscape in a most unexpected way. Her paintings are not just paintings of landscapes but color harmonies of a very high and unusual order. Her inspiration for the west comes from childhood summers spent prospecting for fossils in Wyoming with her paleontologist father and family. K.L. McKenna's scenes of Colorado, Arizona, Wyoming and Montana reflect her enthusiasm and spiritual connection to the geology of the west, where she paints on site throughout the year. K.L. McKenna, a resident of Woodstock, NY and Ward, CO, has had extensive experience working for museums and top exhibition design firms in New York, such as Ralph Appelbaum Associates and Albert Woods Design. She worked throughout the United States and Canada as a graphical user interface designer for major banking firms such as Citibank, First Boston and Lehman Brothers. K.L. McKenna was awarded a U.S. Patent for "The Geozoo," an educational toy design. She studied painting first with Mary Buckley at Pratt Institute, Brooklyn, NY and later with Nicholas Buhalis at the Kingston School of Art, Kingston, NY. In 2005, K.L. McKenna exhibited 24 of her paintings in the Borderlands Gallery at the Booth Western Art Museum, Cartersville, GA. She has participated in the annual auctions "Expanded Horizons," Yellowstone Art Museum, Billings, MT, and the "Annual Buffalo Bill Cody...