Lorraine Triolo More Art

This is a Autograph Letter Signed by Jean Dubuffet and addressed to Nesto Jacometti. Vence, November 28th, 1957. One page, single-sided. On watermarked paper. In French. excellent c...

Return of the Jedi 1983 Original Vintage Poster measures 27×41" inches / 68 x 104 cm unfolded rolled excellent condition Return of the Jedi (also known as Star Wars: Episode VI ...

North African Maghribi Manuscript Leaf Gold Illumination, c.15th Century North African, c. 15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm Prod...

This rare and historical handwritten land deed dates back to the early 19th century and is a remarkable example of American ecclesiastical and legal history. Dated October 19th, 1832...

Antique Mamluk Qur’anic Manuscript Leaf Folio Maghribi Script 14th-15th Century North African, 14-15th Century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4c...

Software errors, 62x49 cm, acrylic on blue paper The work is sold without a frame and mat

Octopuses, 35x50 cm, watercolor, paper

Series "Shells", 42 x 30 cm The work is sold without a frame and mat

Series "Shells", 42 x 30 cm The work is sold without a frame and mat

Software errors, 62x49 cm, acrylic on blue paper The work is sold without a frame and mat

North African Maghribi Manuscript Leaf Gold Illumination, c. 14-15th Century North African, c. 14-15th century Print: Height 39cm, width 31cm Frame: Height 73cm, width 62cm, depth 4cm This Qur’anic manuscript leaf originates from North Africa and is written in the characteristic Maghribi script, recognisable through its rounded contours and extended horizontal profiles. Workshops across the western Islamic world developed this calligraphic style, creating manuscripts where geometry and devotional clarity worked in harmony. The present leaf originates from that tradition, reflecting a script that was developed and refined over many generations of scribes. The parchment carries black ink text with red diacritics, punctuated by gold and polychrome rosettes that divide the verses. Along the right margin, larger teardrop motifs enriched with blue, white, and gold create a sense of both structure and ornamentation. These features are typical for Qur’anic manuscripts produced in North Africa in the late medieval period, when symmetrical and elaborately illuminated pages became the hallmark of regional craftsmanship. Set within a giltwood frame and layered mount, the leaf’s colours gain a striking clarity, making the piece even more impressive. Its craftsmanship and historical resonance give it a natural place within any serious collection of Islamic manuscript...

Opening Night - This complimentary pair of paintings emphasizes the combination of intricate detail and strong composition. Extensive detail is found in the pearls made of paper collage, building up delicate tone on tone textures. The blending of paint and pencil work creates an outcome both expressive and refined. The black and off-white contrast offers a sense of glamour and timeless elegance...